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Memes, brands and t...
Memes, brands and the politics of post-terror togetherness : following the Manchester bee after the 2017 Manchester Arena bombing
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- Merrill, Samuel, 1984- (author)
- Umeå universitet,Sociologiska institutionen,Centre for Digital Social Research, Umeå University, Umeå, Sweden
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- Lindgren, Simon, 1974- (author)
- Umeå universitet,Sociologiska institutionen,Centre for Digital Social Research, Umeå University, Umeå, Sweden
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(creator_code:org_t)
- Taylor & Francis Group, 2021
- 2021
- English.
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In: Information, Communication and Society. - : Taylor & Francis Group. - 1369-118X .- 1468-4462. ; 24:16, s. 2403-2421
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https://umu.diva-por... (primary) (Raw object)
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Abstract
Subject headings
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- The 22 May 2017 bombing of the Manchester Arena, which killed 22 and injured over 800 more, triggered a massive public response leading to, among other things, improvised memorials, spontaneous vigils, dedicated hashtags, and viral videos. Within this response, the memetic reinvigoration and, subsequently, brand adoption of one of Manchester’s oldest civic symbols–the worker bee–was clearly discernible. In this article, we explore how the spread of the bee after the bombing contributed to a politics of post-terror togetherness. Conceptualising memes as ‘more or less digital’, we ‘follow’ the bee across bodies, streets and social media platforms via the analysis of approximately 53,000 Instagram images. We show how the initial memeification of the bee carried with it grassroots expressions of togetherness while the subsequent use of the bee in official city branding strategies created and obfuscated various political tensions.
Subject headings
- SAMHÄLLSVETENSKAP -- Annan samhällsvetenskap -- Tvärvetenskapliga studier inom samhällsvetenskap (hsv//swe)
- SOCIAL SCIENCES -- Other Social Sciences -- Social Sciences Interdisciplinary (hsv//eng)
Keyword
- branding
- cosmopolitanism
- Instagram
- Manchester
- Memeification
- terrorism
Publication and Content Type
- ref (subject category)
- art (subject category)
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