SwePub
Sök i LIBRIS databas

  Utökad sökning

id:"swepub:oai:DiVA.org:uu-499417"
 

Sökning: id:"swepub:oai:DiVA.org:uu-499417" > Copy–Paste in Graff...

Copy–Paste in Graffiti Production? : Intericonicity in religious graffiti in the Valley of the Kings and the dissemination of motives

Dorn, Andreas, 1968- (författare)
Uppsala universitet,Egyptologi
 (creator_code:org_t)
Heidelberg : Propylaeum, 2023
2023
Engelska.
Ingår i: Schöne Denkmäler sind entstanden. - Heidelberg : Propylaeum. - 9783969291771 - 9783969291764 ; , s. 9-20
  • Bokkapitel (övrigt vetenskapligt/konstnärligt)
Abstract Ämnesord
Stäng  
  • It could be shown with two types of representations of gods, Meretseger as sphinx and different renderings of Amun-Ra protomes, that intericonic relationships can also be found in the corpus of the graffiti de la montagne thébaine. With a clear copy-paste case—graffito 307 made by the sculptor Amennakhte (viii), who was active during the second half of the reign of Ramses II, and copied by deputy Hay (vii) in graffito 349, who was active during the mid-20th dynasty—adaptations and variations in the later rendering could be shown. Rare motives, like Meretseger as sphinx applied on the same spot, could be identified as clearly intericonically related. In these geographically closely related cases the impact of the existing image (agency) could be identified as one of the motivations for the application/production of the copy. It is more difficult to identify the motivation for the image production in the case of the dissemination of the two different forms of Amun- Ra protomes—variants of the once, in the 19th dynasty, established image type—over the entire royal necropolis (Valley of the Kings, Valley of the Queens and adjacent valleys) during the mid-20th dynasty. But based on the identification of several persons of the Deir el-Medine elite (deputy, scribe, draftsmen), who were involved in the dissemination process and who were all closely connected and aware of the dissemination process, it can be proposed that the application of the Amun-Ra protomes on different, more or less remote, spots in the necropolis was the common goal. Further, the connectedness of the producers may explain the iconographic variants in the renderings of the common motive as markers allowing their personal distinction.

Ämnesord

HUMANIORA  -- Historia och arkeologi -- Arkeologi (hsv//swe)
HUMANITIES  -- History and Archaeology -- Archaeology (hsv//eng)
HUMANIORA  -- Konst -- Bildkonst (hsv//swe)
HUMANITIES  -- Arts -- Visual Arts (hsv//eng)

Nyckelord

Graffiti
Intericonicity
Ancient Egyptian Religion
Ancient Egyptian Art
Valley of the Kings
Egyptology
Egyptologi

Publikations- och innehållstyp

vet (ämneskategori)
kap (ämneskategori)

Hitta via bibliotek

Till lärosätets databas

Hitta mer i SwePub

Av författaren/redakt...
Dorn, Andreas, 1 ...
Om ämnet
HUMANIORA
HUMANIORA
och Historia och ark ...
och Arkeologi
HUMANIORA
HUMANIORA
och Konst
och Bildkonst
Artiklar i publikationen
Schöne Denkmäler ...
Av lärosätet
Uppsala universitet

Sök utanför SwePub

Kungliga biblioteket hanterar dina personuppgifter i enlighet med EU:s dataskyddsförordning (2018), GDPR. Läs mer om hur det funkar här.
Så här hanterar KB dina uppgifter vid användning av denna tjänst.

 
pil uppåt Stäng

Kopiera och spara länken för att återkomma till aktuell vy