SwePub - sökning: onr:"swepub:oai:gup.ub.gu.se/1...

Numrering	Referens	Omslagsbild	Hitta
1.	Agrell, Beata, 1944 (författare) Didaktik utan tendens – Boccaccios falk och Per Hallströms novell ’Falken’ 2013 Ingår i: Tidskrift för litteraturvetenskap. - 1104-0556. ; 2013:2 Tidskriftsartikel (refereegranskat)abstract Didactics Without Tendency: Boccaccio’s Falcon and Per Hallström’s Short Story “The Falcon” The issue of this essay is how and why a pre-modern didactics is sneaked into a modern aestheticist short story: Per Hallström’s “The Falcon” in the collection Purpur [Purple] (1895). The operation is performed without moralizing tendencies and yet subtly edifying capacities emerge. This is done by displaying the aestheticist devices in an implicit (hypertextual) dialogue with a pre-modern classic: the story of the falcon in Boccaccio’s Decamerone (5:9). The overarching device is an inverted (chiasmic) logic, manipulating opposites like give/take, love/desire, feed/devour, self-sacrifice/voracity, and scapegoat/predator. In this context also Paul Heyse’s so called “Falcon theory” is discussed. Theoretical perspectives of use for the analysis are short story theories of restriction and intensity (Allan Pasco, Kay Dollerup); Gérard Genette’s concept of hypertextuality; and René Girard’s theory of mimetic desire and the need of a scapegoat

Agrell, Beata, 1944 (författare)
Didaktik utan tendens – Boccaccios falk och Per Hallströms novell ’Falken’
2013
Ingår i: Tidskrift för litteraturvetenskap. - 1104-0556. ; 2013:2
Tidskriftsartikel (refereegranskat)abstract
- Didactics Without Tendency: Boccaccio’s Falcon and Per Hallström’s Short Story “The Falcon” The issue of this essay is how and why a pre-modern didactics is sneaked into a modern aestheticist short story: Per Hallström’s “The Falcon” in the collection Purpur [Purple] (1895). The operation is performed without moralizing tendencies and yet subtly edifying capacities emerge. This is done by displaying the aestheticist devices in an implicit (hypertextual) dialogue with a pre-modern classic: the story of the falcon in Boccaccio’s Decamerone (5:9). The overarching device is an inverted (chiasmic) logic, manipulating opposites like give/take, love/desire, feed/devour, self-sacrifice/voracity, and scapegoat/predator. In this context also Paul Heyse’s so called “Falcon theory” is discussed. Theoretical perspectives of use for the analysis are short story theories of restriction and intensity (Allan Pasco, Kay Dollerup); Gérard Genette’s concept of hypertextuality; and René Girard’s theory of mimetic desire and the need of a scapegoat

Träfflista för sökning "onr:"swepub:oai:gup.ub.gu.se/186917" "