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- Enefalk, Hanna, 1976-
(författare)
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Skillingtryck! : Historien om 1800-talets försvunna massmedium
- 2013. - 1
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Bok (övrigt vetenskapligt/konstnärligt)abstract
- I den här boken undersöker historikern Hanna Enefalk vad ett skillingtryck egentligen var. Vad handlade ”visorna” om, och vilka var det som kom till tals i detta tryckmedium? Boken inleds med en grundläggande genomgång av skillingtryckens historia, deras position inom forskningen och deras bevarandestatus i arkiven. I bokens andra halva studeras särskilt skillingtrycken från 1800-talets mitt. Genom att analysera tryckens innehåll, proveniens och samhälleliga kontextvisar författaren vilka mekanismer som styrde skillingtrycksproducenternas val av texter. Boken presenterar på så sätt en ny historia om skillingtrycken: en historia om ett medium som förändrades från att ha tjänat den kyrkliga reformationen under 1500-talet till att gå hand i hand med den liberala tidningspressen vid 1800-talets mitt. Boken vänder sig till forskare, studenter och alla som ärintresserade av förelöparna till vår tids massmedia.
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- Enefalk, Hanna, 1976-
(författare)
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Billig skandinavism : Om skandinavistiska texter i skillingtryck vid 1800-talets mitt
- 2014
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Ingår i: Skandinavism. - Göteborg : Makadam Förlag. - 9789170611353 ; , s. 114-147
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Bokkapitel (övrigt vetenskapligt/konstnärligt)abstract
- Cheap Scandinavism. An investigation of Scandinavist texts in popular prints in the mid-nineteenth centuryIn nineteenth-century Sweden, chapbooks (small leaflets containing various rhymed texts or ”ballads”) were among the few printed products that were cheap and easy enough to read to be available to the majority of the population. In this article, the impact of Scandinavism in chapbooks is investigated, thus adding a piece of information to our knowledge on how these thoughts were diffused among the broader population. The conclusion drawn is that Scandinavist texts were indeed published in chapbook format, but, it seems, with a delay. This indicates that Scandinavist popular prints were not primarily a result of an active effort on behalf of the Scandinavists themselves, but of ”text scavenging” among the printers producing chapbooks. However, it is suggested that this gesunkenes Kulturgut might still have played a part in introducing the idea of shared Nordic interests to the general population.
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- Nilsson Hammar, Anna
(författare)
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Lyckans betydelse : sekularisering, sensibilisering och individualisering i svenska skillingtryck 1750–1850
- 2012
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Doktorsavhandling (övrigt vetenskapligt/konstnärligt)abstract
- This dissertation takes its departure from the methodology of German Begriffsgeschichte and sets out to explore the use of the concept of happiness in Swedish chapbooks (skillingtryck).The period considered, 1750-1850, frames the transition from early modern to modern society, a time that has often been labeled Sattelzeit or Schwellenzeit. The aim of this thesis is to study how the concept of happiness was used in the chapbooks and how it changed during this period. The empirical analysis of the first fifty years shows that the concept of happiness was firmly rooted in Lutheran cosmology and anthropology. In this worldview happiness (lycka) was a central concept alongside providence, world/worldlyness and heavenly bliss. The concept of happiness was first and foremost used to illustrate the ups and downs of worldly life.The dichotomy between worldly happiness (lycka) and eternal bliss (lycksalighet) was often a theme in the songs of the 18th century chapbooks, where the the eternal life in heaven was depicted as the total absence of pain and misery and worldly happiness, although sometimes pleasurable, was seen as mixed with misfortune, grief and calamity. The organizing principle of 18th century cosmology was time. Time was understood through the salvation history where everything proceeded towards eschaton, the ultimate days. The cosmology underwent considerable changes in the chapbook songs and texts of the early 19th century. It was increasingly seen as a more subjective and emotional phenomenon. The sharp distinction between happiness (lycka) and bliss (lycksalighet) faded and happiness gradually became synonymous with well-being (vällust), felicity (sällhet) and blessedness (salighet). Happiness was now associated with emotion and with the human psyche and thereby lost its previous importance within the frame of cosmology. Central concepts can be identified that show a shift towards a more neoplatonic cosmology, often associated with Romanticism. The allure of truth and beauty is for example apparent in the 19th century chapbooks. Happiness and felicity became temporaly secularized and were seen as a goal for the worldly future, while eternity gradually lost its significance. Happiness transformed from being an external circumstance, impervious to man, into something emotional and subjective and became something for the individual to search for within him- or herself. The collective perspective of eternity that characterized the old order disappeared and in its place we can distinguish a new secularized and individualized concept of happiness.
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