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Sökning: swepub > Chalmers tekniska högskola > (1990-1999) > (1997)

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  • Comer, Keith, 1959 (författare)
  • Strange Meetings: Walt Whitman, Wilfred Owen and Poetry of War
  • 1997
  • Bok (övrigt vetenskapligt/konstnärligt)abstract
    • In their poetry of war, Walt Whitman and Wilfred Owen substantially revise or reject outright the idea of the sublime, traditional theories of the lyric, and Romantic standards of poetic value that assert the superiority of ahistorical and non-didactic verse. Rather than being faced with an “anxiety of influence,” they confront the immense difficulties of finding a means of adequate poetic response in an age of mechanized mass death. Whitman and Owen similarly but independently propose the physical body as the basis for all shared reference and language. Although Whitman will employ the bodies of those wounded and killed in war as substantiation for his vision of the democratic ideal, the overwhelming reality that they represent eventually undermines his assertions and endangers his sanity. The unknown and anonymous dead in war also create a crisis of naming and language for Whitman, a crisis that results in an increasingly desperate use of metaphor and threatens his poetic voice with silence. Owen constantly emphasizes the effects of war on human embodiment and repudiates the trope of immortality. He argues that a poet must stress immanence over transcendence; the alternative is non-referential language that avoids the physical and human consequences of war. Both Whitman and Owen use the idea of song in verse to further their interpretations of war. For Whitman, sound and rhythm are a means of establishing structure and order on the anarchy of war, a chaos that destroys even the most basic metaphor of the proper name. Owen, by accentuating the poetic techniques of pararhyme, assonance, alliteration, and consonance, reflects the nightmare, unreality and madness of the modern battlefield through sounds that overwhelm and music that disorients. Through his technical practices Owen makes his words disconcertingly tangible, directing his readers towards a rediscovery of the roots of poetry and language. These poets not only mark a dramatic transformation in the nature of verse written about war, but they also anticipate the most significant developments and tropes of 20th-century poetry in general.
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  • Hansson, H, et al. (författare)
  • Glutamate induced astroglial swelling
  • 1997
  • Ingår i: On astrocytes and glutamate neurotransmission. - : Neuroscience Intelligence Unit, Springer, R.G. Landes Company. - 9780412134715 ; , s. 106-120, s. 155-187
  • Bokkapitel (refereegranskat)
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  • Acke, Filip, et al. (författare)
  • Study of the reduction and reoxidation of a CaO surface
  • 1997
  • Ingår i: J Phys Chem B. - 1520-5207 .- 1520-6106. ; 101:33
  • Tidskriftsartikel (refereegranskat)abstract
    • The reduction of NO with CO and H2 is shown to comprise two basic reactions: a surface oxygen abstraction by the reducing agent and a reoxidation of the surface by NO. The former reaction step has been demonstrated by transient CO2 formation during CO exposure of oxidized CaO surfaces, while the latter was demonstrated by N2 and/or N2O transient formation during NO exposure of a prereduced CaO surface. It was shown that at low temperatures (between room temperature and 500 °C) both N2 and N2O were formed, but at temperatures above 500 °C only N2 was observed. The activation energies of the respective steps have been determined using temperature-programmed reaction experiments. The activation energy of the surface oxygen abstraction was determined to be 25 kcal/mol and is similar to the apparent activation energy of the overall reaction. The activation energy of the NO bond breakage was determined to be maximum 10 kcal/mol as measured by N2O formation. The importance of an N2O2- or N2O22- intermediate in the formation of N2O will be discussed, and the importance of N2O decomposition in forming N2 at temperatures above 500 °C will be compared with a N surface diffusion mechanism.
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