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  • Sundkvist, Petter, 1964- (författare)
  • Concert Encontro I : Concert with Portugese ensemble Sond’Ar-te Electric Ensemble at Musica Viva Festival 2016. Petter Sundkvist conductor
  • 2016
  • Konstnärligt arbete (övrigt vetenskapligt)abstract
    • 20 de Maio  21h30 -  Encontro I -  Sond’Ar-te Electric EnsemblePetter Sundkvist: direcçãoSílvia Cancela: flautaNuno Pinto: ClarineteSuzanna Lidegran: violinoLuís André Ferreira: violonceloElsa Silva: pianoPaula Azguime: projecção sonoraBruno Gabirro, Miguel Azguime: electrónicaPROGRAMABruno Gabirro: Caminerà ab'eternu issu stolu senza fine * (2016) - EA - para 5 instrumentos e electrónicaPatrícia Sucena Almeida: Instabile Tempus * (2016) - EA - para 5 instrumentos e espaço cénico / Colaboração: Vozes gravadas: Diogo Carvalho, Joana Marta Salgado, Concepção Cénica e Adereços: Joana Marta Salgado, (Adereços Banana Chiclete Compras & Vendas a retalho Vintage), Técnico Pós-Produção Audio: Ricardo PratasRicardo Ribeiro: Asper * (2016) - EA - para 5 instrumentosMiguel Azguime: En Gêne Engin ni Gemme (2015) - EP - para 5 instrumentos e electrónica* - obra encomendada pelo Sond’Ar-te Electric Ensemble
  • Cavaliere, Mauro (författare)
  • Autoficção e História: a hibridez do pacto de leitura em Estação das Chuvas de J. E. Agualusa
  • 2014
  • Ingår i: XIXth Congrès des Romanistes scandinaves.
  • Konferensbidrag (övrigt vetenskapligt)abstract
    • Autofiction and History: the hybridity of the narrative pact in Rainy Season by José Eduardo Agualusa  In several studies conducted in the last two decades, among others by Manuel Alberca (2007) and Philippe Gasparini (2004), a satisfactory definition of autofiction is proposed. The essential feature of autofictional narrative is, especially in the case of the first author, the ambiguity of the narrative pact proposed by the writer. The hybridity of the narrative pact, however, is also one of the striking features of the historical novel, especially in cases where the protagonist is a historical character, because this circumstance orientates towards a referential reading. The novel Rainy Season (1996) of the Angolan writer José Eduardo Agualusa develops a plot over several decades of Angolan history by a narrator whose identity seems to coincide with the author’s and at the same time devotes more than half of the chapters to the biography of an invented Angolan poet, sharing thus both the features of autofiction and historical novel. My communication is intended to argue towards dual genre identity and to show some devices that make it possible. Keywords:: Autofiction, autoficção, historical novel, romance histórico, José Eduardo Agualusa, Rainy Season, Estação das Chuvas, Angolan literature, literatura angolana. 
  • Edfeldt, Chatarina (författare)
  • Uma história na História : Representacões da autoria feminina na História da Literatura Portuguesa do século XX
  • 2005
  • Doktorsavhandling (övrigt vetenskapligt)abstract
    • The aim of this thesis is to examine discursive aspects and practices concerning recognition of literature written by women in 20th century Portuguese literary history. It endeavours to reveal and identify organizational elements along with author representations that, in a historical perspective, lead to marginalization of women writers. The research material consists of narrative literary histories and Encyclopaedias of authors and literature, which have assumed the task of summarizing and retelling the literary development of 20th century Portuguese literature.In order to deconstruct the dominant historiographical discourse and to reinterpret the marginalization of women writers, the theoretical and methodological frameworks of this dissertation are taken from the fields of Discourse Analysis and Gender Studies. The combination of these theoretical perspectives provides tools for analysing the questions of power and ideology inherent in the construction of a traditional literary history discourse. Furthermore, this theoretical framework allows us to understand the contingency and historicity of knowledge established in a historiographical discourse.The main part of this study consists of a qualitative analysis of representations of women writers along with a discursive analysis of the construction of literary history. The conclusion emphasises five observed discursive strategies, which lead to a reduced narrative history for literature written by women. They could be summarized as follows. Female authorships are conceptualized in a separate strand as “women writers”. Female authorships before 1950 are in literary, socio-political, terms not contextualized. They are not conceptualized within the main lines of historical narratives (literary movements, schools etc.), the female tradition as such is not contextualized, and moreover, the political expression of female authors is reduced.Apart from this result this study gives an increased understanding of the different ways in which hegemony in historical discourses opposes representations of “the other”.
  • Fornäs, Johan, 1952- (författare)
  • Leituras do Euro
  • 2007
  • Ingår i: Moeda e Comunicação. A representação mediática do Euro. - Lissabon : Livros Horizonte. - 978-972-241-472-2 - 9-722-41-472-0 ; s. 47-88
  • Bokkapitel (övrigt vetenskapligt)
  • Jon-And, Anna, 1976- (författare)
  • Variação, contato e mudança linguística em Moçambique e Cabo Verde A concordância variável de número em sintagmas nominais do português
  • 2011
  • Doktorsavhandling (övrigt vetenskapligt)abstract
    • This study investigates variable noun phrase number agreement (VNA) in two second language varieties of Portuguese, spoken in Maputo, Mozambique and in Mindelo, Cape Verde. Quantitative VARBRUL analysis is carried out based on recordings made in Maputo and Mindelo 2007 and 2008.Previous quantitative studies on VNA in varieties of Brazilian Portuguese (Guy, 1981; Lopes, 2001; Andrade, 2003) as well as on VNA in first and second language varieties of Portuguese from São Tomé (Baxter, 2004; Figueiredo, 2008, 2010) indicate contact between Portuguese and African languages as the main origin of this phenomenon. VNA in Brazilian Portuguese is, however, interpreted by Scherre (1988) and Naro & Scherre (1993, 2007) as the result of language internal drift.Varieties of Portuguese from Mozambique and Cape Verde are particularly interesting to contrast in order to investigate influences from African languages on VNA, as in Mozambique Bantu languages are first languages of the vast majority of Portuguese speakers, whereas in Cape Verde, practically all Portuguese speakers are first language speakers of Cape Verdean Creole, whose substrates are West African, and not Bantu, languages. Comparison is also made with previous studies from Brazil and São Tomé.The results of this study comment previously postulated explanations for VNA in Portuguese in various ways. The analysis of the variables onset age and age stratum indicates that VNA in the analyzed varieties is a phenomenon linked to the acquisition of Portuguese as a second language and/or language contact rather than the result of internal drift. The fact that all the compared varieties tend to mark plural on pre-head components contradicts Bantu transfer as an explanation for this pattern, and raises the need to also consider more general explanations based on language contact. The basic structural similarity between the compared varieties suggests the existence of a grammatical restructuring continuum.
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