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Sökning: swepub > Göteborgs universitet > Franska

  • Resultat 1-10 av 520
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1.
  • Chalumeau, Jean-luc, et al. (författare)
  • Esther Shalev-Gerz ou l'indispensable mémoire
  • 2010
  • Konstnärligt arbete (övrigt vetenskapligt/konstnärligt)abstract
    • An online article about the survey exhibition "Tonimage me regarde!?" at the Jeu de Paume, Paris, France, 2010.
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3.
  • Ågerup, Karl, 1972- (författare)
  • L'esthétique didactique de Yasmina Khadra
  • 2011
  • Licentiatavhandling (övrigt vetenskapligt/konstnärligt)abstract
    • Based on three novels by the contemporary Algerian novelist Yasmina Khadra, the study discusses didactic and aesthetic features of the literary text. While essentially set in the Arab world, Khadra’s fiction links to western encyclopaedia and journalistic discourse. In relating to this part of the reader’s experience, the novels produce an impression of proximity to the peripheral real, and a sense of responsibility. It is suggested that this interdiscursivity be viewed not as a deviation from literature but as inherent to literary discourse itself; the text comments and constitutes simultaneously. Emphasising the hybridity of literary means and didactical drive, the study proposes that Khadra’s work be labelled “didafiction”.
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4.
  • Ågerup, Karl, 1972- (författare)
  • Yasmina Khadra et le lecteur occidental
  • 2011
  • Ingår i: Pensar a Literatura no Séc. XXI. - Braga : ALETHEIA – Associação Científica e Cultural. - 9789726972006 ; , s. 365-376
  • Konferensbidrag (refereegranskat)abstract
    • Taking the example of the Algerian novelist Yasmina Khadra, the present study examines the intercultural discourse created by North African fiction addressing a Western reader.Considering a novel originally published in France in 2006, namely Les sirènes de Bagdad, the study suggests that already the choice of language and genre is an expression of the author’s approaching of the Western reader. Also, the Western reader is written into the story by didactic features and referential play. Examining Yasmina Khadra’s image and the rhetoric of his narrative, the study finds that the author produces intermediate acts of speech aiming to make certain aspects of Arabic culture intelligible to the Western reader. Judging from the reception in Europe and in the USA, the prose in question is generally perceived as a relevant and enlightening commentary to the situation in the Middle-East. However, some German critics seem reluctant towards the authority of the writer and to parts of the referential grounding. The study suggests that the differences of opinion in this respect depend on varying degrees of readiness to accept the designated role of the reader inherent to the enunciative situation.
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5.
  • Heldner, Christina, 1942 (författare)
  • La portée de la négation. Un examen de quelques facteurs sémantiques et textuels pertinents à sa détermination dans des énoncés authentiques
  • 1981
  • Doktorsavhandling (övrigt vetenskapligt/konstnärligt)abstract
    • In this work, which deals with the interpretation of negated sentences in French with respect to the scope of ne…pas, (Neg), interest is focussed on the semantic concept of scope referred to in statements such as: “The scope of a given negative is the constituent interpreted as being denied”. The aim of the study is to identify some of the factors enabling the addressee of a negated sentence to discern what part(s) of it the negative was intended to affect. Negated sentences in isolation tend to remain unspecified as to the scope of Neg, but not so sentences in context. The investigation reported here was therefore carried out on authentic texts. The scope of ne…pas was determined by means of a test of entailment. This test makes it possible to establish what positive inferences, if any, native speakers are prepared to make from a given sentence provided with its context. In the analysed material, two main factors turned out to be at work. First, context, as represented by an affirmative sentence, XZ, attached asyndetically to a partially identical negated sentence, Neg XY, proved sufficient to identify Y as the scope of Neg where Neg XY was used to contradict a previous statement XY. Context also designated Y as the scope of Neg when a fact, X, established by the preceding text, could be matched against the content expressed by Neg XY. Secondly, some linguistic items, particularly certain types of adverbials, were found to attract negation, independently of context, on account of their semantic structure. This study also includes a discussion of the interaction between contextual and semantic factors, as well as of problems connected with the testing of certain semantic predicates, and with the definition of the scope of negation.
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6.
  • Källström, Klara, 1984, et al. (författare)
  • Village : Kanta, Canada
  • 2015
  • Bok (övrigt vetenskapligt/konstnärligt)
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7.
  • Skånberg Dahlstedt, Ami, 1967 (författare)
  • Le suriashi, un rituel de résistance
  • 2022
  • Ingår i: Proteus - Cahiers des théories de l'art. ; :19
  • Tidskriftsartikel (refereegranskat)abstract
    • Ce texte vise à présenter mon travail artistique collaboratif avec le suriashi, une technique de marche japonaise utilisée dans les arts de la scène et les arts martiaux en tant que geste et rituel performatif. Il s’appuie sur ma propre pratique du suriashi, entamée en l’an 2000, avec la professeure Nishikawa Senrei à Kyoto dans le cadre de mes études en danse traditionnelle japonaise. En plus de chercher à comprendre comment les techniques artistiques pourraient devenir plus militantes et plus critiques, ce texte s’interroge sur les espaces contemporains et les interroge directement.
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9.
  • Heldner, Christina, 1942 (författare)
  • Entre indifférence et sarcasmes - Sur la réception en France de Tomas Tranströmer, Prix Nobel suédois
  • 2014
  • Ingår i: La langue dans la littérature, la littérature dans la langue - Textes réunis en hommage à Eva Ahlstedt / Red. Ingmar Söhrman & Katharina Vajta. - Göteborg : University of Gothenburg. - 0080-3863. - 9789173468114 ; , s. 185-205
  • Bokkapitel (övrigt vetenskapligt/konstnärligt)abstract
    • The object of this paper is to describe the reception in France of the works of the Swedish poet and 2011 Nobel Prize Laureate Tomas Tranströmer and to discuss plausible interpretations of the fact that, whereas the French – with certain exceptions – reacted to Tranströmer’s being chosen as a winner with either indifference or hostility, the rest of the world, including Sweden, the U.S.A, China, Japan, and Europe reacted with enthusiasm. The poet’s work having been translated into over sixty different languages is a clear indication of its world-wide popularity, as is the support from significant international personalities in the world of poetry, like Wisława Szymborska, Adonis, Robert Bly, Seamus Heaney, or Bei Dao, to mention just a few. Two hypotheses are presented in the paper to account for the greatly diverging patterns of reception observed. Both are being discussed at some length. The first of them concerns the quality of the translation, the merits and defects of which are scrutinized as for parameters like versification and metric form, alliterations, repetitions, semantic errors, metaphors, metonymies, poetic humour, and referentiality of denominations connected with culture and topography. My conclusion being that in spite of certain weaknesses found in Jacques Outin’s version of Tranströmer’s Collected Works – which is the only translation available so far – this is not enough to explain the poet’s reception in France. The second one concerns what he talks about in his poems; in short, various aspects of his poetic universe. An important characteristic of this poetry is the fact that most, if not all, poems start from a definite point in time and space, often located in the Stockholm archipelago where the poet’s ancestors were born and where the poet himself has spent most of his summer holidays since he was a boy. Thus, the reader is frequently confronted, on the one hand, with magic pictures of a typically Swedish landscape, on the other with sensations of an existential or metaphysical character, intertwined with such physical descriptions. It could be, that the combination of details from the flora and the fauna and the landscape with mystic experience is simply too much for a French mentality of today, impregnated as it is with intellectualism in general and a Cartesian type of rationalism. However, the problem remains to be further investigated!
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Ahlstedt, Eva, 1949 (38)
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