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- Ingvarsson, Jonas, 1966-, et al.
(författare)
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Introduction : Media and Materiality in the Neo-Avant-Garde
- 2012. - 200
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Ingår i: <em>Media and Materiality in the Neo-Avant-Garde</em>. - Frankfurt am Main : Peter Lang Publishing Group. - 9783631621844 - 9783653013788 ; , s. 7-14
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Bokkapitel (övrigt vetenskapligt/konstnärligt)abstract
- An introductory essay for the volume.
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2. |
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Media and Materiality in the Neo-Avant-Garde
- 2012. - 200
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Samlingsverk (redaktörskap) (övrigt vetenskapligt/konstnärligt)abstract
- Media and Materiality in the Neo-Avant-Garde explores the materiality of media technologies and their impact on the avant-garde of the late twentieth century. The essays of the volume range between different art forms (literature, film, music, visual art, performance) and bridge the same contested cultural divides - high and low, ideology and form, art and everyday life - that were once challenged by the avant-garde. Ranging in topics from the Beach Boys to Herbert Eimert, from Scandinavian forests to Warhol's Factory, the perspectives established and the operations performed in Media and Materiality in the Neo-Avant-Garde thus traverse a network of art and technology that has been crucial for more than half a century, and still is today.
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- Zetterman, Eva, 1957
(författare)
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Att skapa ett vi – gatukonst i Kalifornien
- 2006
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Ingår i: Dom – och vi. Humanistdagboken nr. 19. Red. Patrik J. Andersson m.fl.. - Göteborg : Göteborgs universitet. - 9173603473 ; , s. sid. 327-334
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Bokkapitel (övrigt vetenskapligt/konstnärligt)
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5. |
- Ingvarsson, Jonas, 1966-
(författare)
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Cutting-up Beach Boys : the Body, the Tape Recorder and the Nova/SMILE Splice
- 2012
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Ingår i: Media and Materiality in the Neo-Avant-Garde. - Frankfurt am Main : Peter Lang Publishing Group. - 9783631621844 ; , s. 63-78
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Bokkapitel (övrigt vetenskapligt/konstnärligt)abstract
- The essay investigates the relation between body and tape recorder in the works of Brian Wilson (& Van Dyke Parks) and William S. Burroughs, in 1966-67. Burroughs in theory and literary practice demonstrates a radical standpoint where the body merges cybernetically with the voices on the tape. Brian Wilson, in recording and mixing practice as well as in the mythology surrounding the abandoned SMiLE project, can be seen as a burroughsian case-in-point, demonstrating the dangers involved in cutting and splicing tape recordings of your own voice.
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- Gustavii, Mats, 1973-
(författare)
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Binaurally recorded sound in interaction with the cinema's surround sound to moving image - the next evolutionary step of the film medium?
- 2024
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Rapport (övrigt vetenskapligt/konstnärligt)abstract
- This study explores the potential to enhance the film experience by experimenting with the repositioning of listening points in cinemas. By combining traditional cinema sound systems with innovative audio technology, such as noise-cancelling headphones with ambient sound function and binaural recording techniques, the project aims to create an enriched 3D sound experience.A specially written script resulted in a short film tailored to test these sound technologies.The study's findings indicate that the integration of binaural sound recordings and music from the cinema's surround system, especially when the music is recorded using a technique that places musicians around the recording equipment to enhance the immersive sensation, can strengthen the sense of presence in the film experience. However, the final sound quality is negatively affected by the current limitations of the noise-cancelling headphones in reproducing external music with high quality. The study concludes that future improvements in headphone technology could enable a more integrated and realistic sound environment in cinemas, without requiring significant investments in new sound equipment.
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7. |
- Wallin Wictorin, Margareta, 1958-, et al.
(författare)
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Women’s liberation : Swedish feminist comics and cartoons from the 1970s and 1980s
- 2019
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Ingår i: European comic art. - New York Oxford : Berghahn independent publishing. - 1754-3797 .- 1754-3800. ; 12:2, s. 77-105
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Tidskriftsartikel (refereegranskat)abstract
- In Sweden, publication of original feminist comics started in the 1970s and increased during the following decade. This article describes and analyses the Swedish feminist comics published in the Swedish radical journals Kvinnobulletinen and Vi Mänskor, as well as in the Fnitter anthologies. These comics, representing radical feminism, played an important role as forums for debate in a time when feminist comics were considered avant-garde. The most prominent themes were, first, the body, love and sexualities and, second, the labour market and legal rights. The most frequent visual style was a black contour line style on a white background, recalling the comics of Claire Bretécher, Aline Kominsky-Crumb and Franziska Becker. Humour and satire, including irony, were used as strategies to challenge the patriarchy and to contest the prevailing idea that women have no sense of humour.
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9. |
- Sundholm, John
(författare)
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Visions of Transnational Memory
- 2011
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Ingår i: Journal of Aesthetics & Culture. - Stockholm : Co-Action. - 2000-4214. ; 3, s. 1-5
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Tidskriftsartikel (refereegranskat)abstract
- The paper is a short introduction to the ‘‘global turn’’ in memory studies and to transnational memory in particular. Both culturalist and normative positions are presented. After the conceptual overview, there follows an analysis of two films, Auf der anderen Seite (2007) and Cache´ (2005), with special focus on the two notions ‘‘translocal’’ and ‘‘inclusive distinction’’, and on the theme of an ethics and morality of memory. This is in order to explicate the usefulness and importance of the notion of transnational memory. Finally, the concluding remark is made that research into transnational memory is significant due to its recognising of small-scale trajectories and memory practices beyond the framework of the nation, and because of the subtle dialectics between an ethics and morality of memory - thus leading to a persistent ‘‘transnational monitoring’’ of the national as well.
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10. |
- Nordenstam, Anna, 1965, et al.
(författare)
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Comics craftivism : Embroidery in contemporary Swedish feminist comics
- 2022
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Ingår i: Journal of Graphic Novels and Comics. - : Taylor & Francis. - 2150-4857 .- 2150-4865. ; 13:2, s. 174-192
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Tidskriftsartikel (refereegranskat)abstract
- The aim of this article is to analyse contemporary feminist comics by the Swedish comics artists Åsa Grennvall/Schagerström, Lotta Sjöberg and Sara Granér in relation to the ongoing movement called craftivism, as defined by Betsy Greer and her fellow crafters. The article argues that embroidered feminist comics can be regarded as comics craftivism, since, although similar to drawings, they are all sewn by needle and thread, and often thematise topics connected to craftivism’s ideas concerning ‘raising consciousness, creating a better world stitch by stitch’. The comics artists use embroidered comics to create ‘wider conversations about uncomfortable issues’, e.g. feminist issues, such as being trapped in a violent relationship as in Schagerström’s cover image for Svinet [The Swine], or the unequal sharing of household work in Sjöberg’s sequential story in Det kan alltid bli värre. [It can always get worse]. The feminist, craftivist comics artists are engaged in the politics of the handmade – narrating through textiles. The content concerns political, environmental and gender issues. Comics craftivism contributes to the renewal of the comics medium, and while experimenting artistically with materials and techniques, practitioners thematise new ideas as well as new perspectives on lingering problems, often with irony and humour.
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