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Sökning: swepub > Umeå universitet > Konstfack

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  • Berríos-Negrón, Luis, Associate Professor, 1971-, et al. (författare)
  • Method of Indirection : talking to Walter Benjamin through the Arcades Project
  • 2018
  • Ingår i: Legacy. - Amsterdam : Frame Publishers. - 9789492311306 ; , s. 234-239
  • Bokkapitel (populärvet., debatt m.m.)abstract
    • I’ve wanted to talk to Walter Benjamin ever since encountering his Arcades Project. But – as much as that desire may be attune with Benjamin’s own commitment to bringing the past forth to the present – I can’t. I therefore turn to Arcades translator, and Benjamin scholar, Howard Eiland... and, it was inevitable that I had to return to the Arcades, not just because Benjamin meticulously objectified the glass and iron arcades as method and catalyst of research, but because, to me, ‘greenhouse’ does precede, and succeed, the arcades themselves as display and index of what was, and is to become of ‘natural history.’ For 'Legacy' I share excerpts of an interview (soon to be published entirely) that started at the Harvard Co-op in 2016; a conversation that continues to this day, by way of intermittent emails and other correspondence.
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  • Hermans, Guido, et al. (författare)
  • Investigating the changing relation between consumer and designer in post-industrial design
  • 2014
  • Ingår i: Proceedings of DRS2014: Design's Big Debates. - Umeå : Umeå Institute of Design, Umeå University. - 9789176010686 ; , s. 940-950
  • Konferensbidrag (refereegranskat)abstract
    • This paper focuses on the post-industrial society and the changing object of design. Postindustrial design will be realized through the digitalization of the physical world and the advent of digital fabrication tools such as 3D printing that bridge the gap between digital design and physical goods. In post-industrial design professional designers will be concerned with designing toolkits and incomplete designs rather than fully determined products. The consumer will be adapting the incomplete design to his or her needs and desires in some way or another. This adaptation could be done with minimal involvement as well as by intensive participation. The aim of this paper is to investigate the changing relation between consumer and designer in a post-industrial society by examining the object of design. We exemplify the new object of design by examining several consumer products that possess some property of post-industrial design. Based on our research we propose four ways, or tactics, for designers to deal with heterogeneous consumer needs and preferences, two of which are unique to post-industrial design. We end this paper by briefly discussing the implications to design practice and design education.
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  • Resultat 1-4 av 4

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