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Sökning: swepub > Umeå universitet > Tidskriftsartikel > (1995-1999) > (1998) > Humaniora

  • Resultat 1-9 av 9
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1.
  • Stam, Per, 1964- (författare)
  • Henris Parlandis Lietuvoje
  • 1998
  • Ingår i: Metai : literatūra, kritika, eseistika. - Vilnius. ; :10, s. 123-137
  • Tidskriftsartikel (refereegranskat)
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  • Löwgren, Jonas, et al. (författare)
  • Developing IT Design Ability Through Repertoires and Contextual Product Semantics
  • 1998
  • Ingår i: Digital Creativity. - : Informa UK Limited. - 1462-6268 .- 1744-3806. ; 9:4, s. 223-237
  • Tidskriftsartikel (refereegranskat)abstract
    • Abstract A rich repertoire of templates and a developed language for design qualities are two essential components of professional design ability. We discuss ?tools? for the individual designers development of a repertoire and a use?quality language. Three examples are presented of how IT artifacts can be described and analysed in a way that is conducive to repertoire development. In our sample analyses, we identify a number of genre?bound, contextual use qualities that represent steps toward a use?quality language for IT design. These qualities are social action space, tight coupling, dynamic Gestalt, autonomy, intrinsic motivation and playability. We discuss how these tentative steps relate to product semantics in more mature design fields, and provide examples of exercises in repertoire and use?quality language development for classroom and individual use.
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  • Skåreus, Eva, 1952-, et al. (författare)
  • Kropp. kamp. bild : Jo Spence
  • 1998
  • Ingår i: Astra nova. - Vasa : Utgivarföreningen för tidskriften Astra nova. - 1238-1837. ; 80:4, s. 6-11
  • Tidskriftsartikel (populärvet., debatt m.m.)
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  • Van Toorn, Roemer, 1960- (författare)
  • Fresh Conservatism : Landscapes of Normality
  • 1998
  • Ingår i: Quaderns. - Barcelona : Association of Architects of Catalonia (COAC). - 0211-9595. ; :219
  • Tidskriftsartikel (refereegranskat)abstract
    • Introduction"The sort of economies of signs and space that became pervasive in the wake of organized capitalism do not just lead to increasing meaninglessness, homogenization, abstraction, anomie and the deconstruction of the subject. Another set of radically divergent processes is simultaneously taking place. These processes may open up possibilities for the recasting of meaning in work and leisure, for the reconstitution of community and the particular, for the reconstruction of a transmogrified subjectivity, of space and everyday life." Scott Lash & John UrryThe landscape in which we move is becoming increasingly artificial. There is much talk of a second modernity. Old values and instruments no longer work. Property developers, architects, artists, banks, the media, scientists and multinationals are all devising new spaces and images in order to give a lead to this new reality. This incoherent situation allows for plenty of room for experiment. The smoothly operating newness of everyday moments is something that attracts many innovative or critical designers. A vacuum has been created in which an unprecedented degree of innovation has a chance of success because nobody knows what the appropriate response to this situation really is. Research, analysis and experiment are being promoted by almost all the parties that have a stake in the artificial landscape. There is scope for a host of inventors of the new.In this article I want to describe the potential and the dangers of a strategy that makes no bones about operating, not outside the second modernity, but quite specifically in and with the complexity of "ordinary" everyday life with all its contradictions. True, many experiments do not go beyond a tendency that I will call Fresh Conservatism. In the end Fresh Conservatism achieves the opposite of the potential behind the basic principles of this approach. Simply defined, Fresh Conservatism is a tendency that presents the normally discreet character of conservatism in a spectacularly fresh fashion, as a work of art. This freshness is of course itself an inseparable part of our conservative industry of spectacle
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  • Åström, Berit, 1969- (författare)
  • The Creation of the Anglo-Saxon Woman
  • 1998
  • Ingår i: Studia Neophilologica. - Oslo, Stockholm, Copenhagen, Oxford, Boston : Scandinavian University Press. - 0039-3274 .- 1651-2308. ; 70:1, s. 25-34
  • Tidskriftsartikel (refereegranskat)
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  • Resultat 1-9 av 9

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