SwePub
Sök i SwePub databas

  form:Ext_t

Träfflista för sökning "swepub ;lar1:(umu);mspu:(artistic)"

form:Search_simp_t: swepub > swepub_uni:Umu_t > swepub:Mat_Artistic_t

  • navigation:Result_t 1-10 navigation:of_t 314
hitlist:Modify_result_t
   
hitlist:Enumeration_thitlist:Reference_thitlist:Reference_picture_thitlist:Find_Mark_t
1.
  • Berríos-Negrón, Luis, 1971- (creator_code:aut_t)
  • Breathtaking Greenhouse Parastructures : a supplement to the Arcades Project from a Caribbean Perspective [and a call for a careful practice of epistemológica].
  • 2020
  • swepub:Mat_artistic_t (swepub:level_scientificother_t)abstract
    • Breathtaking Greenhouse Parastructures is a doctoral work that supplements the unfinished modern opus The Arcades Project [in German Das Passagen-Werk (Mit Bindestrich und Werk mit Capital W) ]. The supplement takes the form of a sculptural, historical, and technological deposition of ‘greenhouse’ that presently oscillates between a past-background and future-foreground to Walter Benjamin's ‘theatrical’ handling of the Parisian arcades. From my Caribbean perspective, that oscillating treatment of ‘greenhouse’ affords me a prop from which to activate the following question: is colonial memory the drive of Global Warming?  That core question has led me to retrospectively hypothesise that the technology of ‘greenhouse’ is—beyond metaphor—the illusory (dis)embodiment of the toxic binaries of interior & exterior that are still shaping various influential frameworks such as the modern & Marxian ideas of superstructure, as well as the past & future of Western natural sciences (and their histories). Because of that illusory, spectral, if paranormal power, ‘greenhouse’ becomes at once the Western colonial enframing to both the messianic promise for conserving biological history, as well as the messianic remedy to suppress the traumæ that are destining Global Warming. Also, because of that potent (dis)embodied character, the robust analysis of the manifold instrumentalisation of ‘greenhouse’ is set to play a primary role in deposing the geological timeline of the Anthropocene. Now, while the book-supplement is itself the dissertation (as an unpacking of the aforementioned hypothetical findings), the PhD also relies on two other research devices that are worth mentioning: an installation (titled Anarquivo Negantrópico), and an online journal (titled Intransitive Journal). Altogether, the dissertation offers a field from which to asses my broader experimentation with infrastructures, epistemic things, and social pedestals. Moreover, the dissertation revises the so-called forgotten list of ‘Epistemologica’ (the categorical of Western display preparations and phenomenotechnologies) so to format my study and practice into an adaptable, careful, and differentiated kind of epistemológica…a careful study and practice that we may share as object-relations that proportionately (dis)play more-than-human perspectives for (re)mediating the forms and forces of the climate crises.
  •  
2.
  • Berríos-Negrón, Luis, 1971- (creator_code:aut_t)
  • Earthscore Specularium
  • 2018
  • record:In_t: On Curating. - Zürich : OnCurating.org. - 2673-2904 .- 2673-2955. ; :36, s. 94-105
  • swepub:Mat_article_t (swepub:level_scientificother_t)abstract
    • Through an artistic contribution, Luis Berríos-Negrón introduces his project “Earthscore Specularium,” developed at Färg fabriken in Stockholm in 2015. The work of Berríos-Negrón departs from a practice that deals with complexity to reflect upon notions that bring together ecology, art, architecture, science, and social practice. In recent years, he has been developing a set of conceptual devices he ultimately refers to as “social pedestals.” The latter consist of a series of architectonical installations that facilitate social encounters by resolving spatial practicalities, and at the same time reflect conceptually upon the dematerialization of sculpture. The “social pedestal” is conceived as a site for networked agency for social transformation, where the roles of the agents involved can permute, and different configurations can be organized depending of the needs of every specific situation. The “greenhouse”—which Luis treats as a social pedestal itself as well—is a long-term research site of the artist on the possibility of emancipating this type of technology in order to obtain anticipatory spatial, artistic, and social media.
  •  
3.
  • Berríos-Negrón, Luis (creator_code:aut_t)
  • Greenhouse Doppelgänger Deposed : An Indexical Prototype about Parastructures, Anarchives, and the Social (Hyperobjective) Pedestal
  • 2018
  • record:In_t: Architecture in Effect: Volume 1: Rethinking the Social in Architecture. - Barcelona : ACTAR. - 9781940291994
  • swepub:Mat_chapter_t (swepub:level_scientificother_t)abstract
    • Greenhouse is an opaque manifold of meanings. The opacity is not just the result of a layering that occurs when considering its many definitions. It is more so the result of the suppressed colonial violence that is implicit in its technological instrumentalization. This mythical violence, of willfully transplanting the exotic, is at the heart of allother compound terms and subsets of ‘greenhouse’. I have been working on how this opacity obscures a range of forces that shape the environment. More specifically, I amexploring how these opaque forces affect, and may be perceived through, the forms and languages of sculptural and spatial production beyond prescribed visual or imagined outcomes. The work you will encounter here is then a probe to test how the violent opacity of greenhouse may be demystified by shaping an index as potential format for dematerialized display.
  •  
4.
  • Berríos-Negrón, Luis (creator_code:aut_t)
  • Manners, Parameters and the Gay Sciences : Realities from the Paramannerist Treatise
  • 2013
  • record:In_t: Space Matters. - Vienna : Ambra Verlag. - 9783990435632 - 9783990435762 ; , s. 120-137
  • swepub:Mat_chapter_t (swepub:level_scientificother_t)abstract
    • In this paper I aim to remind a brief projection about the inseparable difference between mental and physical space. This projection intends to thicken the aesthetics of sustainability by rejecting social Darwinism as the normalization of chaos and the irrational by way of evolutionary teleology and technocratic domination. To do so, I describe a mannerist recurrence in cultural production and how I hope it may inform a revitalized movement beyond an age of mass industrialization, beyond claims of Parametricism. I argue that this move can be activated by revising Charles Peirce’s Infinite Community of Inquiry, and Gerald Raunig’s notion of Abstract Machines, as vehicles for anthropocentric cybernetics and contemporary ecology. This is not about metaphorical relations between the visual arts and the hard sciences, but to set forth a topological heuristic, an ongoing inquiry to further categorize aspects between the human and non-human worlds, reflecting through Nietzsche's idea of 'gay science.'
  •  
5.
  • Berríos-Negrón, Luis, 1971- (creator_code:aut_t)
  • Tesseract for the Social Pedestal
  • 2018
  • record:In_t: Homecomings 1,2,3,etc.. - Berlin : Berlin Verlag. - 9783943620733 ; , s. 236-241
  • swepub:Mat_chapter_t (swepub:level_popularscientific_t)
  •  
6.
  • Berríos-Negrón, Luis (creator_code:aut_t)
  • Tropical Pedagogy : the collapsing interior and exterior of spatial production
  • 2016
  • record:In_t: The Metropolitan Laboratory. - Berlin, DE : Aedes Network Campus Berlin. - 9783944083032 ; , s. 44-47
  • swepub:Mat_chapter_t (swepub:level_scientificother_t)abstract
    • This is a text contribution that briefly explores the political, spatial, and pedagogical dimensions of Tropical Modernism in the Caribbean and Latin America.
  •  
7.
  • Bränström Öhman, Annelie, 1960- (creator_code:aut_t)
  • Feministiska ljudspår 2 : Barnet
  • 2017
  • record:In_t: Västerbottens-Kuriren. - Umeå : Stiftelsen VK-press. - 1104-0246.
  • swepub:Mat_article_t (swepub:level_popularscientific_t)abstract
    • Del 2 i essä-serie om feministisk teori.
  •  
8.
  •  
9.
  • Ozmin, Janek, 1975-, et al. (creator_code:aut_t)
  • The Extraordinary Life of Elements Review Exhibition, UMA School of Architecture, October ­ November 2014 : UMA Research Group Review of the 2014 Venice Biennale of Architecture: Elements of Architecture.
  • 2014
  • swepub:Mat_publicationother_t (swepub:level_scientificother_t)abstract
    • The Extraordinary Life of Elements Review Exhibition Editor Professor Roemer van Toorn, Professor Jüri Soolep, Sepideh Karami, Katja Hogenboom, Hannes Frykholm and Janek Ozmin, UMA School of Architecture, October 2014 consists of six separate reviews collated into a single exhibition. The content was captured on site at the Biennale including record conversations by the review group, interviews with Biennale exhibition contributors, collected media, photographs, sound recordings and videos by the authors. The collated work formed a pluralist, dialogical platform from which the Biennale Exhibition can be viewed. Alongside the printed review panels and video installations, a round table format was used to present various printed media, Biennale exhibition catalogues, and media from participating country pavilions and maps. This table then formed the basis for a debate on the Venice Biennale Exhibition by participating researchers. The Exhibition was mounted in Umeå School of Architecture and formed part of the Arts Campus Open House Research Days November 2014.
  •  
10.
  • Berríos-Negrón, Luis, Associate Professor, 1971-, et al. (creator_code:aut_t)
  • Method of Indirection : talking to Walter Benjamin through the Arcades Project
  • 2018
  • record:In_t: Legacy. - Amsterdam : Frame Publishers. - 9789492311306 ; , s. 234-239
  • swepub:Mat_chapter_t (swepub:level_popularscientific_t)abstract
    • I’ve wanted to talk to Walter Benjamin ever since encountering his Arcades Project. But – as much as that desire may be attune with Benjamin’s own commitment to bringing the past forth to the present – I can’t. I therefore turn to Arcades translator, and Benjamin scholar, Howard Eiland... and, it was inevitable that I had to return to the Arcades, not just because Benjamin meticulously objectified the glass and iron arcades as method and catalyst of research, but because, to me, ‘greenhouse’ does precede, and succeed, the arcades themselves as display and index of what was, and is to become of ‘natural history.’ For 'Legacy' I share excerpts of an interview (soon to be published entirely) that started at the Harvard Co-op in 2016; a conversation that continues to this day, by way of intermittent emails and other correspondence.
  •  
Skapa referenser, mejla, bekava och länka
  • navigation:Result_t 1-10 navigation:of_t 314
swepub:Mat_t
swepub:mat_article_t (73)
swepub:mat_conferencepaper_t (51)
swepub:mat_publicationother_t (40)
swepub:mat_chapter_t (35)
swepub:mat_collectioneditorial_t (32)
deldatabas:search_more_t
swepub:mat_book_t (14)
swepub:mat_review_t (8)
swepub:mat_doctoralthesis_t (5)
swepub:mat_report_t (1)
deldatabas:search_less_t
swepub:Level_t
swepub:level_popularscientific_t (134)
swepub:level_refereed_t (101)
swepub:level_scientificother_t (63)
swepub:Hitlist_author_t
Bränström Öhman, Ann ... (48)
Lind, Anders, Lektor ... (22)
van Toorn, Roemer, 1 ... (14)
Lind, Anders (13)
Altés Arlandis, Albe ... (10)
Trotto, Ambra, 1975- (7)
deldatabas:search_more_t
Rylander, Sara, 1983 ... (7)
Wallin, Magnus (6)
Hummels, Caroline (6)
Torell, Lisa, 1972- ... (6)
Peeters, Jeroen, 198 ... (6)
Nyberg, Lisa (6)
Torell, Lisa, 1972- (5)
Marti, Patrizia (5)
Lind, Anders, Lektor ... (5)
Zeyfang, Florian (4)
Persson, Erik (4)
Serra, M. (4)
Lieberman, Oren (4)
Berríos-Negrón, Luis (4)
Berríos-Negrón, Luis ... (4)
Norberg, Micael, 196 ... (4)
Shirke, Sangram, 198 ... (4)
Neidhardt, Anja (4)
Yttergren, Björn (4)
Stoor, Krister, 1959 ... (3)
Vetter, Ingo (3)
Berríos-Negrón, Luis ... (3)
Draeger, Christoph (3)
Trotto, Ambra, 1978- (3)
Morén, Sol, 1964- (3)
Frykholm, Hannes, 19 ... (3)
Raman Sundström, Man ... (3)
Lindbom, Louise, 196 ... (3)
Spolander, Roland (2)
Westerlund, Stina, F ... (2)
Boulanger, Nicolas (2)
Lundstedt, Lotta (2)
Barbero, David (2)
Eiland, Howard (2)
Ericsson, Mattias (2)
Bäckström, Eva-Lena, ... (2)
Carless, Tonia (2)
Marques, Nuno, 1980- (2)
Engqvist, Carl-Erik, ... (2)
Stephens, Henry (2)
Gil-Salas, Pamela, 1 ... (2)
Örtegren, Hans, 1952 ... (2)
Soolep, Jüri (2)
Kuenen, Stoffel, 197 ... (2)
deldatabas:search_less_t
swepub:Hitlist_uni_t
swepub_uni:kth_t (10)
swepub_uni:kau_t (5)
swepub_uni:konstfack_t (2)
swepub_uni:miun_t (2)
swepub_uni:ri_t (2)
deldatabas:search_more_t
swepub_uni:uu_t (1)
swepub_uni:lu_t (1)
swepub_uni:du_t (1)
deldatabas:search_less_t
hitlist:Language_t
language:Eng_t (204)
language:Swe_t (104)
language:Ita_t (2)
language:Por_t (2)
language:Ger_t (1)
language:Cat_t (1)
hitlist:HSV_t
hsv:Cat_6_t (242)
hsv:Cat_5_t (16)
hsv:Cat_1_t (15)
hsv:Cat_2_t (7)
hsv:Cat_3_t (2)
hsv:Cat_4_t (2)

hitlist:Year_t

Kungliga biblioteket hanterar dina personuppgifter i enlighet med EU:s dataskyddsförordning (2018), GDPR. Läs mer om hur det funkar här.
Så här hanterar KB dina uppgifter vid användning av denna tjänst.

 
pil uppåt tools:Close_t

tools:Permalink_label_t