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- Cariboni Killander, Carla
(author)
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Da un metagrido a un grido. Un esempio di riscrittura nell'opera di Erri De Luca
- 2012
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In: Revue Romane. - 0035-3906. ; 47:1, s. 131-143
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Journal article (peer-reviewed)abstract
- The article focuses on a case of rewriting of a short episode in the narrative of Erri De Luca. It is all about a cry: in 1930, in the harbour of Naples, an anonymous woman who is watching the departure of a ship suddenly cries out the name of Salvatore, probably her son being on the ship to emigrate to America. This episode, narrated in the tale “Udito: un grido” first published 1993, returns with striking lexical similarities in the drama L’Ultimo viaggio di Sindbad, 2003. Despite the similarities, one can not consider the second occurrence as a mere copy of the first, because of subtle variations on many levels: change of genre, narrator and perspective give the second occurrence of the cry episode a wider significance, strongly emphazising orality and actualizing a mythical dimension.
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| 2. |
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| 3. |
- Killander Cariboni, Carla
(author)
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La sceneggiatura teatrale inedita di “La Virtù di Checchina” : Discorso indiretto libero e modo iterativo nel transfer intermediale
- 2017
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In: Revue Romane. - : John Benjamins Publishing Company. - 0035-3906. ; 52:2, s. 283-301
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Journal article (peer-reviewed)abstract
- This article deals with a comparison between Matilde Serao’s short story “Checchina’s Virtue” ( 1884 ) and the homonymous unpublished theatrical script written by Massimo Franciosa ( 1995 ), of which a summary is provided. The comparison between the source text and the adaptation draws on the debate about the narrativity of drama in which many scholars have engaged in the last decades: Richardson (1987) , Chatman (1990) , Jahn (2001) , Fludernik (2008) and Nünning & Sommer (2008) . The analysis focuses on two forms of diegetic narrativity that appear in the short story, i. e. free indirect discourse and the iterative mode, in order to see how the theatrical script deals with them. The analysis shows that the script preserves the narrative contents of the source text and highlights how diegetic and mimetic narrativity collaborate to the reworking and redistribution of those contents.
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| 4. |
- Smedberg Bondesson, Anna
(author)
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Vapen och hantverk
- 2009
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In: Cartaditalia. - 2000-2807. ; 1:2, s. 22-25
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Journal article (other academic/artistic)
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