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Search: L4X0:1652 7399 > (2007) > From Her Point of V...

From Her Point of View : Woman's Anti-World in the Poetry of Anna Świrszczyńska

Ingbrant, Renata, 1966- (author)
Södertörns högskola,Stockholms universitet,Slaviska institutionen,Litteraturvetenskap,Baltic & East European Graduate School (BEEGS)
Neuger, Leonard (thesis advisor)
Witt-Brattström, Ebba (thesis advisor)
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Kraskowska, Ewa, Professor (opponent)
Poznans universitet
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 (creator_code:org_t)
ISBN 9789185445684
Stockholm : Acta Universitatis Stockholmiensis, 2007
English 340 s.
Series: Stockholm Slavic studies, 0585-3575 ; 35
Series: Södertörn doctoral dissertations, 1652-7399 ; 17
  • Doctoral thesis (other academic/artistic)
Abstract Subject headings
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  • This book is a monograph about Anna Świrszczyńska’s poetry. It may be described as one woman’s attempt to read another woman’s literary work by taking into account established canons as well as the tools of feminist literary analysis. Part One begins with a discussion of Świrszczyńska’s biography (Chapter One). It then moves on to an overview of critical (mainly male) reactions to Świrszczyńska’s work (Chapter Two), with special regard to Czesław Miłosz’s contribution to its interpretation and popularization (Chapter Three). In Part Two there are three principal discussions: 1) of Anna Świrszczyńska’s early work Wiersze i proza [Poems and Prose] (1936), in which the poet develops her specific female view of European art and culture as disintegrated into incongruent fragments. Her premonition of the apocalypse, which is soon to be fulfilled in the events of World War II, finds its expression in the poet’s desperate attempts to unite the fragments of a shattered culture into individualized versions of myths (Chapter Four); 2) of the collection Budowałam barykadę [Building the Barricade] (1974), in which what is most crucial to the poet (biographically and poetically) is expressed – the encounter with human suffering in an inhuman world. Following this, her poetic view of the mortal body exposed to suffering under an empty sky becomes a well established motif in her work (Chapter Five); 3) of the collection Jestem baba (1972), in which Świrszczyńska introduces into poetry, by making the non-poetical “baba” her lyric heroine, the “outlawed feminine” and, as a result, revolutionizes the language of poetry and poetic representation, which leads in turn to liberating herself from the hegemony of the totalizing male gaze. In this way her anti-world is created (Chapter Six). The “world” is understood here as a male term – one might say that Świrszczyńska creates a “woman’s anti-world” as a place where the woman herself has to regain the right to name things according to her own terms.

Subject headings

HUMANIORA  -- Språk och litteratur -- Studier av enskilda språk (hsv//swe)
HUMANITIES  -- Languages and Literature -- Specific Languages (hsv//eng)
HUMANIORA  -- Språk och litteratur -- Litteraturvetenskap (hsv//swe)
HUMANITIES  -- Languages and Literature -- General Literary Studies (hsv//eng)

Keyword

the grotesque
ekphrastic poetry
the Warsaw Uprising
poetry of witness
the city lament
studium and punctum
the abject/abjection
body-soul dualism
Świrszczyńska/Swir
Miłosz
Slavic languages
Slaviska språk
slaviska språk
Slavic Languages

Publication and Content Type

vet (subject category)
dok (subject category)

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