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- Hedin, Tora, 1965-
(författare)
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Changing Identities : Language Variation on Czech Television
- 2005
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Doktorsavhandling (övrigt vetenskapligt/konstnärligt)abstract
- This study examines different aspects of language variation in contemporary Czech television discourse. The modern Czech language is characterised by a specific linguistic situation in which speakers must choose between two varieties – Standard Czech (SC) and Common Czech (CC). This choice depends on a number of linguistic, cultural, social and other factors. Television discourse, which is a mixture of prepared and unprepared speech, provides a good opportunity to study the distribution of these varieties and their function. The aim of the dissertation is to research these issues in talk shows and discussion programmes. The following aspects are analysed in the dissertation:– The frequency of occurrence of a number of phonological and morphological elements of the two varieties. This analysis is conducted in a quantitative study of a corpus of 24,000 words (fifteen television shows). The elements are categorised and analysed statistically. The frequency of these elements is shown on two levels: in the total corpus material and in groups of programmes. The results are compared with previous studies of spoken Czech.– A comparative study of the Communist and post-Communist television discourse, in which television programmes from before and after 1989 are analysed and compared. The study reveals a number of linguistic differences between the two programmes and their relation to such factors as operational roles, the function of media and the frequency of dialogue markers.– A qualitative analysis of the fifteen programmes which comprise the corpus. The aim of this study is to show the function of the two Czech varieties in different types of television discourse. The variables affecting the participants’ choice of variety are analysed.The investigation shows that dialogue form, genre and operational roles are directly related to the choice of SC and CC in the programmes. These results are also connected with language norms and other social factors.
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- Ingbrant, Renata, 1966-
(författare)
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From Her Point of View : Woman's Anti-World in the Poetry of Anna Świrszczyńska
- 2007
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Doktorsavhandling (övrigt vetenskapligt/konstnärligt)abstract
- This book is a monograph about Anna Świrszczyńska’s poetry. It may be described as one woman’s attempt to read another woman’s literary work by taking into account established canons as well as the tools of feminist literary analysis. Part One begins with a discussion of Świrszczyńska’s biography (Chapter One). It then moves on to an overview of critical (mainly male) reactions to Świrszczyńska’s work (Chapter Two), with special regard to Czesław Miłosz’s contribution to its interpretation and popularization (Chapter Three). In Part Two there are three principal discussions: 1) of Anna Świrszczyńska’s early work Wiersze i proza [Poems and Prose] (1936), in which the poet develops her specific female view of European art and culture as disintegrated into incongruent fragments. Her premonition of the apocalypse, which is soon to be fulfilled in the events of World War II, finds its expression in the poet’s desperate attempts to unite the fragments of a shattered culture into individualized versions of myths (Chapter Four); 2) of the collection Budowałam barykadę [Building the Barricade] (1974), in which what is most crucial to the poet (biographically and poetically) is expressed – the encounter with human suffering in an inhuman world. Following this, her poetic view of the mortal body exposed to suffering under an empty sky becomes a well established motif in her work (Chapter Five); 3) of the collection Jestem baba (1972), in which Świrszczyńska introduces into poetry, by making the non-poetical “baba” her lyric heroine, the “outlawed feminine” and, as a result, revolutionizes the language of poetry and poetic representation, which leads in turn to liberating herself from the hegemony of the totalizing male gaze. In this way her anti-world is created (Chapter Six). The “world” is understood here as a male term – one might say that Świrszczyńska creates a “woman’s anti-world” as a place where the woman herself has to regain the right to name things according to her own terms.
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