| 1. |
- Addo, Rebecka N., et al.
(författare)
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Olfactory Functions in Adults With Autism Spectrum Disorders
- 2017
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Ingår i: Perception. - : SAGE Publications. - 0301-0066 .- 1468-4233. ; 46:3-4, s. 530-537
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Tidskriftsartikel (refereegranskat)abstract
- Autism spectrum disorders (ASD) are often characterized by atypical sensory behavior (hyperor hyporeactivity) although evidence is scarce regarding olfactory abilities in ASD; 16 adults with high-functioning ASD (mean age: 38.2, SD: 9.7) and 14 healthy control subjects (mean age: 42.0 years, SD: 12.5) were assessed in odor threshold, free and cued odor identification, and perceived pleasantness, intensity, and edibility of everyday odors. Although results showed no differences between groups, the Bayes Factors (close to 1) suggested that the evidence for no group differences on the threshold and identification tests was inconclusive. In contrast, there was some evidence for no group differences on perceived edibility (BF01 = 2.69) and perceived intensity (BF01 = 2.80). These results do not provide conclusive evidence for or against differences between ASD and healthy controls on olfactory abilities. However, they suggest that there are no apparent group differences in subjective ratings of odors.
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| 2. |
- Ahlstrom, Ulf, et al.
(författare)
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Segregation of motion structure from random visual noise
- 1996
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Ingår i: PERCEPTION. - : PION LTD. - 0301-0066. ; 25:3, s. 279-291
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Tidskriftsartikel (refereegranskat)abstract
- A potential source of information about spatial layout, surface slant, and self-motion is provided by transformations of the optic flow field. Theoretical analyses have demonstrated that such flow fields can be decomposed into translation, rotation, expa
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| 3. |
- Barratt, Daniel, et al.
(författare)
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Does the Kuleshov effect really exist? Revisiting a classic film experiment on facial expressions and emotional contexts
- 2016
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Ingår i: Perception. - : SAGE Publications. - 0301-0066 .- 1468-4233. ; 45:8, s. 847-874
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Tidskriftsartikel (refereegranskat)abstract
- According to film mythology, the Soviet filmmaker Lev Kuleshov conducted an experiment in which he combined a close-up of an actor’s neutral face with three different emotional contexts: happiness, sadness, and hunger. The viewers of the three film sequences reportedly perceived the actor’s face as expressing an emotion congruent with the given context. It is not clear, however, whether or not the so-called “Kuleshov effect” really exists. The original film footage is lost and recent attempts at replication have produced either conflicting or unreliable results. The current paper describes an attempt to replicate Kuleshov’s original experiment using an improved experimental design. In a behavioral and eye tracking study, 36 participants were each presented with 24 film sequences of neutral faces across six emotional conditions. For each film sequence, the participants were asked to evaluate the emotion of the target person in terms of valence, arousal, and category. The participants’ eye movements were recorded throughout. The results suggest that some sort of Kuleshov effect does in fact exist. For each emotional condition, the participants tended to choose the appropriate category more frequently than the alternative options, while the answers to the valence and arousal questions also went in the expected directions. The eye tracking data showed how the participants attended to different regions of the target person’s face (in light of the intermediate context), but did not reveal the expected differences between the emotional conditions.
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| 6. |
- Bergström, Sten Sture, et al.
(författare)
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Concave and convex phases in ambiguous figures showing colour shifts : Mach's figure and the AMBEGUJAS phenomenon
- 2011
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Ingår i: Perception. - : SAGE Publications. - 0301-0066 .- 1468-4233. ; 40:1, s. 30-38
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Tidskriftsartikel (refereegranskat)abstract
- Two ambiguous figures (Mach's book-figure and the AMBEGUJAS phenomenon) have been studied. They show colour shifts synchronised with the shifts of their alternative phases. The perceived concave phase appeared to have chromatic surface colour, but the perceived convex phase can appear to be in coloured illumination and shadow (film colour). The two perceived reversible shapes of the Mach figure (the book and the tent) and the three perceived alternative shapes of the Mondrians used in the AMBEGUJAS phenomenon (a roof, a ceiling, and a tile) all can appear to have chromatic surface colours in their concave phases but appear to have coloured illumination and shadow in their convex phases
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| 7. |
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| 8. |
- Bergström, Sten Sture
(författare)
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The AMBEGUJAS phenomenon and colour constancy
- 2004
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Ingår i: Perception. - : SAGE Publications. - 0301-0066 .- 1468-4233. ; 33:7, s. 831-835
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Tidskriftsartikel (refereegranskat)abstract
- The AMBEGUJAS phenomenon is a reversible flat figure that is spontaneously shifting between two apparent 3-0 shapes-'tile' and 'roor. 2-0 perceptions have very rarely been reported. Tied to the shifts between the tile and roof shapes are remarkable changes of perceived colour. In our example, the tile appears to have orange (top half) and blue-green (bottom half) surface colours in white light. The roof appears grey but in an orange illumination and with a blue -green shadow. This phenomenon appears whether a grey display is presented in two coloured illuminations, or a chromatic display with two surface colours (orange and blue -green) is presented in white light. In the coloured illuminations the tile is an example of non-constancy, since its colours are non-veridical colour perceptions. The centre stripe of the display appears to have the same orange and blue -green colours as the lateral stripes but in a shadow. This seems like a colour constancy in a non-constancy situation. An alternative to the classical definition of colour constancy is discussed.
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