| 1. |
- Beckman, Frida, 1976-, et al.
(författare)
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Editorial Introduction
- 2010
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Ingår i: Angelaki. - 0969-725X .- 1469-2899. ; 15:1
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Tidskriftsartikel (övrigt vetenskapligt/konstnärligt)
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| 2. |
- Beckman, Frida, 1976-, et al.
(författare)
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Editorial Introduction
- 2009
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Ingår i: Angelaki. - : Routledge. - 0969-725X .- 1469-2899. ; 14:3
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Tidskriftsartikel (övrigt vetenskapligt/konstnärligt)
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| 3. |
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| 4. |
- Beckman, Frida
(författare)
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Tensions in Deleuzian Desire
- 2010
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Ingår i: Angelaki. - 0969-725X .- 1469-2899. ; 15:1, s. 93-108
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Tidskriftsartikel (refereegranskat)
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| 5. |
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| 6. |
- Dinu, Radu Harald
(författare)
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Boia, Lucian: L'Occident : Une interprétation historique, Paris 2007, in: The Unbearable Charm of Frailty : Philosophizing in/on Eastern Europe
- 2010
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Ingår i: Angelaki. - London : Taylor & Francis. - 0969-725X .- 1469-2899. ; 15:3, s. 202-204
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Recension (populärvet., debatt m.m.)abstract
- One of Romania's leading contemporary historians, Lucian Boia has been one of the few after 1989 to advocate a demythologization of the Romanian past. In his first groundbreaking book History and Myth in Romanian Consciousness, which has gone through several international editions, he deconstructed the “imaginary” of Romania's past as a matter of myths and competing discourses.11. Lucian Boia, History and Myth in Romanian Consciousness (Budapest and New York: Central European UP, 2001) 29–30.View all notesHis critical interpretation provoked a rethinking of Romanian national identity and additionally contributed to a reorientation towards contemporary methodological developments in Western historiography. Among them, the French Annales School had a particular impact on Boia's thinking, which also explains why his recent works were first published in French and subsequently translated into Romanian and other languages.
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| 7. |
- Filipovic, Zlatan, 1974
(författare)
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The Roots of My Shame: Place in Diasporic Imaginary
- 2020
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Ingår i: Angelaki. - 0969-725X .- 1469-2899. ; 25:5, s. 83-100
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Tidskriftsartikel (refereegranskat)abstract
- The notion of roots, of place and belonging, is always charged with significant emotional investment in diasporic imaginary. The mythogenies of birth, origin, nation, faith and all the other tropological reinscriptions of place are usually seen as closures of identity that produce fixed economies of meaning. Indeed, the exoticism and charisma of authenticity associated with place that has today become the neoliberal mainstay of cultural difference only testifies to its irrevocable demise. And yet, place still retains its power as the primary trope of identity and the difficulty of distinguishing between the two is nowhere more visceral than in the experience of unhomely subjects. Using recent theoretical developments in human geography and the resources of literary and life writing, this paper will explore the significance of place for the experience of diasporic shame that will emerge as the affective articulation of unhomeliness, that which makes unhomeliness feel.
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| 8. |
- Filipovic, Zlatan
(författare)
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Towards an ethics of shame
- 2017
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Ingår i: Angelaki. - : Taylor & Francis. - 0969-725X .- 1469-2899. ; 22:4, s. 99-114
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Tidskriftsartikel (refereegranskat)abstract
- Departing from Levinas, this paper will address the significance of shame in contemporary discourse in order to approach what could be called its ethical intrigue. Focusing on its political, social and phenomenological implications, I intend to reconsider the experience of shame as it has been appropriated within the politics of affect and account for its relation to ethics, which alone can reveal its transformative possibilities. Shame will emerge as an affect of proximity whose basic structure of being exposed is an attestation of our constitutive openness to others that towers above the politics of interest and the structures of economy that advance the drama of the Ego.
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| 9. |
- Filipovic, Zlatan, 1974
(författare)
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Towards an Ethics of Shame
- 2017
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Ingår i: Angelaki-Journal of the Theoretical Humanities. - : Informa UK Limited. - 0969-725X. ; 22:4, s. 99-114
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Tidskriftsartikel (refereegranskat)abstract
- Departing from Levinas, this paper will address the significance of shame in contemporary discourse in order to approach what could be called its ethical intrigue. Focusing on its political, social and phenomenological implications, I intend to reconsider the experience of shame as it has been appropriated within the politics of affect and account for its relation to ethics, which alone can reveal its transformative possibilities. Shame will emerge as an affect of proximity whose basic structure of being exposed is an attestation of our constitutive openness to others that towers above the politics of interest and the structures of economy that advance the drama of the Ego.
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| 10. |
- Frichot, Helene
(författare)
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Matthew Barney's cremaster cycle revisited : Towards post-human becomings of man
- 2015
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Ingår i: Angelaki. - 0969-725X .- 1469-2899. ; 20:1, s. 55-67
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Tidskriftsartikel (refereegranskat)abstract
- It is now well over a decade since the artist Matthew Barney's epic work the Cremaster Cycle was completed. This essay returns to the post-human becomings of man that populate Barney's elaborately cross-referenced, aesthetic pluriverse, in particular addressing how the man-form labours amidst and on his environment-worlds, inclusive of the architectural augmentations that assist in the production of such worlds. Revisiting Barney's Cremaster Cycle now offers the opportunity to ask what becomes of the exclusionary and exhaustive world-making performances of the Anthrop once he has placed extreme stress on himself and his mental, social and environmental ecologies, so that any mutual support system is brought to the threshold of exhaustion.
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