| 1. |
- Groth, Sanne Krogh, et al.
(författare)
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EMS – Elektron Musik Studion in Stockholm
- 2016
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Ingår i: A Cultural History of the Avant-Garde in the Nordic Countries, 1950-1975. - : BRILL. - 1387-3008. - 9789004310490 - 9789004310506 ; 32, s. 164-174
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Bokkapitel (refereegranskat)abstract
- In 1964 the electronic music studio EMS, Stockholm opened as a conventional analogue studio. The primary intension with the institution was to build the world’s most advanced hybrid studio and to conduct an international research program into sound and sound perception. With financial support from the Swedish government and by the effort of the studio director Knut Wiggen, these visions were realised in 1970. Meanwhile, many composers did not intend to follow Wiggen’s ambitions visions. Strong wills, social changes and technological challenges trigged countless conflicts and tensions in the milieu.
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| 2. |
- Groth, Sanne Krogh, et al.
(författare)
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The concert society Fylkingen, 1950-75
- 2016
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Ingår i: A Cultural History of the Avant-Garde in the Nordic Countries, 1950-1975. - : BRILL. - 1387-3008. - 9789004310490 - 9789004310506 ; 32, s. 122-134
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Bokkapitel (refereegranskat)
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| 3. |
- Arvidsson, Alf, 1954-
(författare)
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From Avant-Garde to pop culture to alternative scenes : the case of two Swedish bands, Blå Tåget and Träd, Gräs & Stenar
- 2016
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Ingår i: A cultural history of the Avant-Garde in the Nordic Countries 1950-1975. - : Brill Academic Publishers. - 9789004310490 - 9789004310506 ; , s. 762-771
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Bokkapitel (refereegranskat)abstract
- In 1967-1968 some Swedish avant-garde poets, artists, critics and musicians turned to pop music and formed groups that performed at museums, happenings, art galleries and other venues. Blå Tåget often used a variety of genres, sometimes with a nostalgic or ironic perspective; Träd Gräs & Stenar produced a mixture of rock, Swedish folk fiddling and minimalist drones and riffs. After 1968 both groups expressed a critical perspective on Western society and capitalism, and became leaders in building "the progressive music movement", which during the 1970s was a strong alternative force in Swedish music alongside subsidised art music institutions and the commercial music industry.
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| 4. |
- Ingvarsson, Jonas, 1966-
(författare)
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Comics and the Avant-Garde
- 2016
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Ingår i: A Cultural History of the Avant-Garde in the Nordic Countries 1950-1975. - Amsterdam/New York : Brill Academic Publishers. - 9789004310490 - 9789004310506 ; , s. 380-382
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Bokkapitel (refereegranskat)
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| 5. |
- Ingvarsson, Jonas, 1966-
(författare)
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Computers and Art in the 1960s
- 2016
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Ingår i: A Cultural History of the Avant-Garde in the Nordic Countries 1950-1975. - Amsterdam/New York : Brill Academic Publishers. - 9789004310490 - 9789004310506 ; , s. 399-400
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Bokkapitel (refereegranskat)abstract
- on Ulla Wiggen's computer paintings
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| 6. |
- Wallenstein, Sven-Olov
(författare)
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Thinking the City
- 2016
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Ingår i: A Cultural History of the Avant-Garde in the Nordic Countries 1950-1975. - Leiden : Brill Academic Publishers. - 9789004310490 - 9789004310506 ; , s. 603-611
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Bokkapitel (övrigt vetenskapligt/konstnärligt)
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| 7. |
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| 8. |
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| 9. |
- Andersson, Lars Gustaf, et al.
(författare)
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Gösta Hellström and Interwar Avant-Garde Film Culture in Sweden
- 2019
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Ingår i: A Cultural History of the Avant-Garde in the Nordic Countries 1925-1950. - : BRILL. - 1387-3008. - 9789004366794 - 9789004388291 ; 36, s. 664-670
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Bokkapitel (refereegranskat)abstract
- Gösta Hellström was a prolific film critic who introduced new film movements into Sweden during the 1920s and 1930s. He also had a short career as a film director, and is especially known for his experimental short Tango (1932). Hellström is a representative of the early cinephilia and of a modernism that was never to be fulfilled in Sweden, at least not in terms of coherent film production. In the essay Hellström and his work are discussed as part of an ephemeral or fragmentary avant-garde.
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| 10. |
- Ekholm, Christer, 1966
(författare)
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The Social Avant-Garde – The 'Democratisation' of Literature in the Early 1960s in Sweden
- 2016
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Ingår i: A Cultural History of the Avant-Garde in the Nordic Countries 1950–1975 / edited by Tania Ørum, Jesper Olsson.. - Leiden & Boston : Brill / Rodopi. - 9789004310490 ; , s. 101-105
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Bokkapitel (refereegranskat)abstract
- The aesthetics of the neo-avant-garde movements in Sweden in the early 1960s was much oriented around the social function of art and the frequently used concept of 'democratization'. This essay examines the basic features of these tendencies in the field of literature and concludes with some related remarks on two of the most important cultural discussions of the time: the debate on faithlessness and the debate on cultural democracy.
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