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- Almevik, Gunnar, 1969, et al.
(författare)
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Hemse Stave Church Revisited
- 2018
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Ingår i: Lund Archaeological Review. - 1401-2189. ; 23, s. 1-20
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Tidskriftsartikel (refereegranskat)abstract
- During a restoration of the Romanesque church in Hemse in 1896, the remains of a stave church were found as reused floor tiles. The discovery was important at the time, providing new information to a prestigious research field with few sources of knowledge. Today, the remains of Hemse are esoteric and inaccessible for scholarship. The stave church material in the present museum context seems to have one function, to communicate an age value. The leading question in this article is, what more could we retrieve from this old archaeological material? We may agree that the museum’s archaeological collections and the stave church remains are valuable sources, but for what new kind of knowledge? This article presents the process and outcome of an in-depth examination of the material remains and archival records of Hemse stave church. The aim is to develop or revise how this wooden church may have been constructed and appeared both outside and inside when it functioned as a building. The research method uses three perspectives that give access to different paths of knowledge: a discursive perspective, a forensic perspective, and a dwelling perspective. The research results are contextualized in an interactive model of Hemse that provides a visual experience that gives a sense of the stave church as a real place and not just a theoretical space. The results are grounded on empirical evidence but also on the intellectual discourse of which it is a product. The reconstruction is less of a static representation of our knowledge than a simulation or a research laboratory through which hypotheses can be tried and both researchers and the public can be engaged in a dialogue.
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Editorial
- 2015
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Ingår i: Lund Archaeological Review. - 1401-2189. ; 21
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Tidskriftsartikel (övrigt vetenskapligt/konstnärligt)
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| 7. |
- Ekengren, Fredrik, et al.
(författare)
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Editorial
- 2016
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Ingår i: Lund Archaeological Review. - 1401-2189. ; 21, s. 5-6
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Tidskriftsartikel (övrigt vetenskapligt/konstnärligt)
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| 8. |
- Ekengren, Fredrik, et al.
(författare)
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Editorial
- 2017
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Ingår i: Lund Archaeological Review. - 1401-2189. ; 22, s. 5-6
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Tidskriftsartikel (övrigt vetenskapligt/konstnärligt)
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| 9. |
- Ekengren, Fredrik, et al.
(författare)
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Editorial
- 2019
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Ingår i: Lund Archaeological Review. - 1401-2189. ; 23, s. 5-5
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Tidskriftsartikel (övrigt vetenskapligt/konstnärligt)
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| 10. |
- Eklöv Pettersson, Paul
(författare)
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Social Status through Crucibles
- 2012
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Ingår i: Lund Archaeological Review. - 1401-2189. ; 18, s. 35-44
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Tidskriftsartikel (övrigt vetenskapligt/konstnärligt)abstract
- This paper focuses on Bronze Age melting crucibles in southern Scandinavia. The shape and purpose of the crucibles have long been known, but the process of making one has not been studied thoroughly. The crucibles have in some cases been reconstructed in order to replicate the casting process or the finished product, but have rarely been the main subject of research. In this paper crucibles found in Broåsen, Grimeton parish in Halland (southern Sweden), are studied. The aim of the study is to investigate the level of skill of the person who made the crucibles. In turn, this can help us understand the social status of the craftsperson. Experiments have shown that crucibles similar to the ones found at Broåsen have a “life expectancy” of at least 20 castings. Since traces of use on the Broåsen crucibles correspond to those on the crucibles used in the experiments, we have to regard the (Broåsen) crucibles as items that were used for multiple castings. This also tells us that there were in this case skilled craftspeople working with crucible production. We may also speculate about the status in society these people would have had because of their skill in making durable tools used in the bronze casting process. When compared to other material in southern Scandinavia it is clear that the quality of the crucibles varies, as does the number of times they were used. Different people with different levels of technological skill and different status in society were therefore connected to this craft. It is possible that it was the casters themselves, the local potter or some other group in society, that made the crucibles; this would differ between contexts.
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