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| 2. |
- Gillgren, Peter, 1958-
(författare)
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By the Tomb of Genesius
- 2012
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Ingår i: Performativity and Performance in Baroque Rome. - : Ashgate. - 9781409420996
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Bokkapitel (refereegranskat)
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| 3. |
- Gillgren, Peter, 1958-
(författare)
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Una Dolcissima Estasi : Performing The Visitation by Federico Barocci
- 2012
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Ingår i: Performativity and Performance in Baroque Rome. - : Ashgate. - 9781409420996 ; , s. 157--178
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Bokkapitel (refereegranskat)abstract
- A new interest in the study of early modern ritual, ceremony, formations of personal and collective identities, social roles, and the production of meaning inside and outside the arts have made it possible to talk today about a performative turn in the humanities. In Performativity and Performance in Baroque Rome, scholars from different fields of research explore performative aspects of Baroque culture. With examples from the politics of diplomacy and everyday life, from theatre, music and ritual as well as from architecture, painting and sculpture the contributors demonstrate how broadly the concept of performativity has been adopted within different disciplines.
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| 4. |
- Rossholm Lagerlöf, Margaretha, 1943-
(författare)
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The Apparition of Faith: The Performative Meaning of Gian Lorenzo Bernini's Decoration for the Cornaro Chapel
- 2012
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Ingår i: Performativity and Performance in Baroque Rome. - Farnham (UK) Burlington (USA) : Ashgate. - 9781409420996 ; , s. 179-200
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Bokkapitel (refereegranskat)abstract
- The article departs from the idea, expressed in Bernini's utterances on art, of a unique 'language' - between God and a human, between the artist and the person depicted. Such a 'language' is the communication issued in Bernini's installation of the human condition bordering on an existence in after-life, prefigured in the writings of Saint Teresa. Bernini uses the means of his idea of a bel composto, an interplay of art-forms where each one arrives at exceeding its 'rules'. This idea of 'exceeding the rules' of the art-form is in the chapel decoration an analogy for the message about a bodily resurrection in after-life, as this idea was explained in the Jesuit theology taught after the Councit of Trent.
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| 5. |
- Snickare, Mårten, 1962-
(författare)
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How to Do Things with the Piazza San Pietro : Performativity and Baroque Architecture
- 2012
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Ingår i: Performativity and Performance in Baroque Rome. - Farnham/Burlington : Ashgate. - 9781409420996 ; , s. 65-83
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Bokkapitel (refereegranskat)abstract
- Taking the Piazza San Pietro as a point of departure, this article explores the possible relationship between performativity and Baroque architecture. Can the concept of performativity serve as a useful tool for the interpretation of Baroque space? Can it contribute to our understanding of the architectural discourse in the seventeenth century? A hypothesis is that the interpretative strategies enabled by the concept of performativity bear some affinity to the ways in which architecture was experienced, conceived of, and theorized in the seventeenth century.
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