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| 2. |
- Berggren, Lars, et al.
(författare)
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Fackliga rörelser över Sundet ca 1860-1920
- 2010
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Ingår i: Flytande gränser. Dansk-svenska förbindelser efter 1658. - 1651-775X. - 9789170610783 ; 25, s. 152-171
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Bokkapitel (övrigt vetenskapligt/konstnärligt)
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| 3. |
- Hermansson, Gunilla, 1974
(författare)
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Svensk og dansk romantik i takt og utakt
- 2010
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Ingår i: Flytande gränser. Dansk-svenska förbindelser efter 1658. Symposier på Krapperups borg 8 / Centrum för Danmarksstudier. - Nynäshamn, Göteborg : Gyllenstiernska Krapperupsstiftelsen & Makadam förlag. - 9789170610783 ; , s. 205-227
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Bokkapitel (övrigt vetenskapligt/konstnärligt)
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| 4. |
- Hildeman Sjölin, Cecilia, et al.
(författare)
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Kyrkorum och bild i Brunnby kyrka
- 2010
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Ingår i: Flytande gränser: Dansk-svenska förbindelser efter 1658. - 9789170610783 ; , s. 62-93
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Bokkapitel (övrigt vetenskapligt/konstnärligt)abstract
- Ever since Brunnby Church was first erected it has been altered and it has crossed boundaries in terms of both religious and national affiliation - from a Catholic to a Lutheran place of worship and from being a Danish to being a Swedish church. The boundaries around and within the church itself have changed, and have become displaced as new forms of worship have been introduced. Boundaries and intersections have formed around and inside the church that permit and prevent access, signal distance, frame the space, focus attention and create hierarchies within the sacred space through a physical as well as a visual access and orientation, to which the architecture, placing of images, design and inner context contribute. These boundaries and this orientation have changed throughout the history of Brunnby Church. The medieval room has a simple axial orientation directed toward the altar, which is the focal point of the room. This mode of orientation and focus is supported by the painted images on the vaults that were designed to cater for the needs og the church-goers. The late 15th century paintings appear to have been still exposed in 1558, when an adjoining image was added. The church was extended and given the form of an inverted T in the 16th century, by which time the sanctuary had lost its focal position. This was a result of the increased importance of the sermon whithin the Lutheran service and of the diminishing importance of the altar and Eucharist In conjunction with the demystification of the mass, the boundary between sanctulary and nave, as well as between the outer world and the sacred room a coherent whole, was toned down. A monumental pulpit was added in 1623 together with fixed seating, which served to glorify and set the stage for the sermon. The paintings were whitewashed in 1682 at the latest. The church was given a cruciform shape in the 18th century, resulting in a central rather than an axial space. The introduction of an organ in the western end of the church in 1841 displaces and alters the soundscape, which was earlier oriented toward the sanctuary.
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| 5. |
- Sanders, Hanne, et al.
(författare)
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Indledning
- 2010
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Ingår i: Flytande gränser. Dansk-svenska förbindelser efter 1658. - 9789170610783 ; Centrum för Danmarksstudier 25, s. 11-21
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Bokkapitel (övrigt vetenskapligt/konstnärligt)
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| 6. |
- Teleman, Ulf, et al.
(författare)
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Danska, skånska, svenska: före och efter 1658
- 2010
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Ingår i: Flytande gränser. Dansk-svenska förbindelser efter 1658. - 9789170610783 ; , s. 95-110
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Bokkapitel (refereegranskat)abstract
- Scania became part of Sweden after the peace treaty in Roskilde 1658. The article discusses the linguistic effects of the change in political status. The official written language in the province took over the differentiating features from the Swedish written language quite soon (after 50 years or so) and probably also the spoken urban language was to some extent influenced by Swedish. The dialects - spoken by the majority of the Scanian inhabitants -living outside the towns continued to be approximately the same and they were influenced by the Swedish standard language from the end of the 19th century just as other rural dialects in Sweden.
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| 7. |
- Weimarck, Ann-Charlotte, et al.
(författare)
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Om gul fajans, flintgods och lysterglasyrer. En jämförande studie av tillverkningar mellan flytande gränser i Höganäs, Rønne och Næstved under 1800-talet
- 2010
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Ingår i: Flytande gränser. Dansk-svenska kulturella förbindelser efter 1658. - 9789170610783 ; , s. 172-191
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Bokkapitel (övrigt vetenskapligt/konstnärligt)abstract
- Yellow Faience, Flintware and Lustreware In the 19th century, contacts between potteries around the Baltic Sea and the Sound were essential and frequent, but they remain almost entirely unrecorded. New styles, materials and glazes were shared among manufacturers in a variety of ways, mostly informally, directly and from person to person, or indirectly through exhibitions or in the form of illustrations, for example in price lists. The article discusses and compares pottery manufactured in the county of Scania in Sweden and on the Danish islands of Bornholm and Sjrelland, where various types of contact were clearly made. I look at issues concerning 19th century design trends and discuss established and potential communication routes that existed, or can reasonably be assumed to have existed, among the potteries.
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