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Träfflista för sökning "WFRF:(Areyuna [Adrián Santini] Héctor 1950 ) "

Search: WFRF:(Areyuna [Adrián Santini] Héctor 1950 )

  • Result 1-9 of 9
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  • Areyuna [Adrián Santini], Héctor, 1950- (author)
  • Sobre la poesía de Juan Cámeron
  • 1987
  • In: Signos de la poesía. - Stockholm. ; :mars, s. 5 sidor-
  • Journal article (pop. science, debate, etc.)
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  • Areyuna [Santini Adrián], Héctor, 1950- (author)
  • Un corazón sencillo
  • 1997
  • In: La Època, Santiago de Chile. ; , s. 4-4
  • Review (pop. science, debate, etc.)abstract
    • Resention: Sun Axelssons roman: La estación de la noche. Översatt av Carlos Geywitz och publicerat i Chile. Forlag: RIL Editores. Titel på svenska: Nattens årstid, Sun Axelsson
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  • Areyuna-Villalobos, Héctor (published under the name Santini Adrián), 1950- (author)
  • Los tres Antonios, en El sueño de la historia, de Jorge Edwards
  • 2011
  • In: Anales de literatura chilena. - Santiago de Chile : Pontificia Universidad Católica de Chile. - 0717-6058. ; 12:16, s. 207-221
  • Journal article (other academic/artistic)abstract
    • This text focuses on three historical characters: "The three Antonios", with emphasis on the third character, who was born in Chile and whose name is Jose Antonio de Rojas. The three characters come from the novel The Dream of History (2000), by Jorge Edwards. Two ofthem were French and the third one was Chilean. The thing that they had in common was that they were influenced by the French Enlightenment. They lived in Chile during Spanish Colonialism at the end of the 18th century and at the beginning of the 19th century. This historical period was full of political, social and military conflicts, which led to the establishment of aRepublic in Chile. However, this process of liberation was not unique for this country but took place in the whole American Continent.The text is characterized by a very parodic language and this parody has a specific function, i.e., to highlight identity related factors such as nation, language, class, gender and ethnicity. This is achieved by questioning and making illegitimate (invalid) the CUlTent discourse ofhistoriography.  
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  • Result 1-9 of 9

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