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- Kuoljok, Kajsa, 1967-
(författare)
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Digital information and traditional knowledge : the implementation of GPS collars as a tool in reindeer husbandry
- 2020
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Doktorsavhandling (övrigt vetenskapligt/konstnärligt)abstract
- This dissertation presents the use of global positioning systems (GPS) navigation devices to monitorthe reindeer within husbandry. The use of the GPS collar in the study area has expanded over theyears. This dissertation has sought to obtain a deeper understanding of how the two knowledgesystems, traditional Sámi knowledge and a technology-based knowledge, operate in husbandrytoday. Furthermore, social and ethical dimensions of change that may accompany digital technologyare examined. The prerequisite for reindeer husbandry vary from season to season, from year to year. The reindeer’s grazing and movement patterns are governed by changes in the weather conditions. Other factors that affect the reindeer husbandry work include different intrusions in the form of treefelling, hydropower, turbines for wind power and the activities of the mining industry. The four articles in this dissertation follow the research’s empirical foundation, with the GPS collar’s role inhusbandry examined from different angles. The ethnographic material consists mainly of interviews, observations and extant-literature studies conducted mostly between 2015 and 2019. I have made interviews with men and women of different ages that all have a lifelong relationship with the reindeer. The informants are reindeer herders who participate in daily herding activities and reindeer owners who do not participate so actively. They belong to different Sámi communities and are connected to and living in different areas around Jokkmokk. I have taken inspiration from actor network theory in highlighting the relationship between the reindeer, the landscape, the reindeer herder, the GPS technology, and authorities and other stakeholders. One starting point in actor-network theory (ANT) is to follow the relationships that are constructed and reconstructed through the collaboration of an heterogeneity of actors that together form what is called a network within ANT (Latour 1998). In article I, I discuss how the use of digital technology is a process in which new technology becomes familiarised, and the nature of the technology gradually changes to natural elements of everyday life. Reflecting on digitally transmitted data, herders expressed how there are things you cannot replacewith technology. One conclusion of the research was that new technology cannot replace reindeer herders’ presence in the reindeer forest; it only complements reindeer herders’ active presence. In article II I highlight how technologically transferred knowledge is becoming a tool to strengthen the Sámi community’s voice in discussions about land-use rights, providing ‘hard facts’. Article III outlines how reindeer movements are materialised and how herders experience these movements through a spectrum of emotions ´read´ through herders’ embodied, traditional knowledge. There are two conflicting scenarios at the centre of this article: feeling in control and feeling a loss of control due to the same information. Article IV draws attention to processes of creation of meaning and thoughts about value concerning digital technology. Further in the article, I addressed questions that refer to cultural and ethical values connected to the use of GPS collars.
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- Helmersson, Linnea, 1982-
(författare)
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Förhandlingar på dansgolvet : en etnologisk studie av lindy hop och polska – två svenska dansscener
- 2023
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Doktorsavhandling (övrigt vetenskapligt/konstnärligt)abstract
- In Sweden today, many different dances are practiced within distinct scenes, which all have their specific characteristics, norms and ideals. This thesis analyses two of these scenes, polska and lindy hop. They share a similar background of revitalisation and revival. The aim of the thesis is to describe and analyse meaning-making processes within the scenes formed around these dance forms. It includes descriptions of historical revival processes but above all analyses of practitioners’ understandings and practices. The main research data consists of interviews with practitioners, and observations on dance events and courses. Theoretically, the study is based on a view of dance and dancing as cultural expressions whose meanings and forms are constantly being created and recreated. The analysis draws on a wide variety of theories and concepts within the humanities and performing arts research. The findings show that beliefs about the past emerge as a framework for practice in the two scenes. In the data, tradition and authenticity are important themes, and there is a shared discourse of preservation. Nevertheless, how important history is for today’s practitioners, and how the past is enacted and what meanings are ascribed to it, differs between and within the scenes. Discourses about the past, as well as processes of authentication, are much more prominent within the lindy hop scene, as compared to the polska scene. This includes aspects such as clothing and the making of and expression of gender. A notable difference between the scenes is that learning to dance is formalised through workshops in the lindy hop scene, whereas it is more informal among polska dancers.The thesis adds to the growing field of studies of revivals of music and dance, and shows how scenes formed around revived dances bear traces of the revival processes while at the same time creating something new in the present.
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