| 1. |
- Benesch, Henric, 1972, et al.
(författare)
-
17 scener ur ett forskningsprojekt
- 2013
-
Ingår i: Framtiden är redan här: Hur invånare kan bli medskapare i stadens utveckling. - Göteborg : Chalmers University of Technology. - 9789198030075 ; , s. 60-65
-
Bokkapitel (övrigt vetenskapligt/konstnärligt)
|
|
| 2. |
- Benesch, Henric, 1972
(författare)
-
Apiarivm Angelicvm : Apiarivm Angelicvm
- 2017
-
Ingår i: The Face of God, red Olav Fumarola Unsgaard & Johnny Friberg, Making/Narratives 2. - Göteborg : HDK - Academy of Design and Crafts. - 9789198061857 ; , s. 75-86
-
Bokkapitel (övrigt vetenskapligt/konstnärligt)
|
|
| 3. |
- Benesch, Henric, 1972
(författare)
-
Artwalks and healthcare architecture as curatorial space
- 2012
-
Ingår i: Proceedings of ARCH12, 12-14 Nov 2012, Gothenburg.
-
Konferensbidrag (refereegranskat)abstract
- If you visit a hospital you will sooner or later run into works of art. You find them in “strategic” places such as waiting areas and corridors where they might at best offer relief and joy. In the context of Swedish County hospitals, these artworks “on loan”, handled, distributed and installed by art-consultants/curators, are parts of regional collections, which sometimes sums up to over 50000 pieces from different artists, from different periods and of different makings.Curating, as in caring for art and its sites, has over the past decades changed the way we engage with art, turning exhibitions into an artform in its own right. Claiming that an exhibition is more than the sum of its pieces and that, depending on what pieces you choose and how you relate them, new meaning might be brought into motion.In considering the hospital as a site for art, historically there has been a strong emphasis on the single art-works and their sites, presuming a more or less passive and immobile audience. In this, when it comes to constructing narratives (as in exhibitions), calling for the combinatory interplay between numerous sites, the curatorial potential of the hospital as exhibition is underdeveloped.The art-walks (Konstpromenader) at Akademiska Sjukhuset in Uppsala is a first step towards this line of thinking, where the existing art-works have been curated into artwalks, supplemented with a brochure where you find directions and biographical notes on each piece. Developed to promote physical activity and cultural stimulation, these art-walks provide caretakers as well caregivers with a comprehensive narrated art exhibition (and not only single and isolated art-works).The concept of art-walks is not new but it ́s implementation into a healthcare architecture context, turning the hospital into a dynamic multimodal space of experience, is with out precursor. This paper outlines the implications of this practice (Konstpromenader) and further on, proposes a new understanding of hospitals as spaces of experience, promoting health as well as art and architecture, addressing subjects as subjects, and not as patients.
|
|
| 4. |
|
|
| 5. |
|
|
| 6. |
- Benesch, Henric, 1972
(författare)
-
Att återvända
- 2018
-
Ingår i: AIO Journal. ; 2018:6
-
Tidskriftsartikel (övrigt vetenskapligt/konstnärligt)abstract
- En kort essä i ArtInsideOut Journal vilken problematiserar föreställningar om konst- och kulturarvpraktiker utifrån två palestinska exempel.
|
|
| 7. |
- Benesch, Henric, 1972
(författare)
-
Bringing out the beast(s) Supporting and engendering transvaluing practices within academia
- 2015
-
Ingår i: Transvaluation international symposium, May 21-22 2015.
-
Konferensbidrag (refereegranskat)abstract
- This essay explores the tension between the poetics of value and the politics of value in the context provided by an experimental seminar-series Heritage-as-Common(s) – Common(s) as Heritage (H-A-C-C-A-H) within Critical Heritage Studies at the University of Gothenburg, and it´s following publication, scrutinizing some of the ramifications and challenges of transvaluation within academia of today – including the shift towards strategic development, non-academic partnerships, the instrumentalization of transdisciplinarity and publishing-driven internal and external funding structures. The essay departs from the notion of the seminar, as the humanistic laboratory of the new, as developed by Wilhelm von Humboldt, and outlines the particular seminar-series H-A-C-C-A-H as an effect of this changing (research) landscape, but also as a device or apparatus within this landscape that might (or might not) support and engender transvaluing practices. Here the tension between H-A-C-C-A-H as seminar-series and as publication is explored in relation to the poetics of value and politics of value. In order to further problematize, rethink and re-conceptualize this scheme - seminars, publishing and transvaluation within academia – through the lens of H-A-C-C-A-H - the Chimaera (the beast of beasts) is introduced both as notion and as narrative. That is the Chimaera as a hybrid order that sustains the logic of the whole and the logic of the part side-by-side (the notion) as well as a narrative of the relation between man and beast, between the tamed and the wild, which are used to outline the university as a (transvaluing) site for hybrid/beastly as in multiple/parallel forms of knowledge-“production” and “dissemination”. Further on and in correspondence to this logic the game of Heads, Bodies, Tails is outlined as a chimaeric method and the retroactive model for the specific setup of the H-A-C-C-A-H-experiment that also can serve as model for further experiments. Finally, the essay in itself is also - in performative sense – to be understood as a Chimaeric exercise.
|
|
| 8. |
- Benesch, Henric, 1972
(författare)
-
Buildings, Change, Futurity – Reading Seattle Public Library and Sendai Mediateque
- 2008
-
Ingår i: Design Inquiries, May 27-30, Stockholm, Sweden.
-
Tidskriftsartikel (refereegranskat)abstract
- In this paper Seattle Public Library designed by OMA/LMN and Sendai Mediatheque designed by Toyo Ito are investigated as specific operational modes when it comes to the relation between institution, organisation and space. These modes suggests fundamentaly different attitudes towards change and the future unknown, and where the spatial design is a key factor. This paper investigates spatial design as a integral part in the shaping of institutional and organisational practices.
|
|
| 9. |
- Benesch, Henric, 1972, et al.
(författare)
-
Canvassing / VIdeobutiken
- 2012
-
Ingår i: Galleri Konstepidemin, Göteborg.
-
Konstnärligt arbete (övrigt vetenskapligt/konstnärligt)abstract
- Arbetet med Videobutiken (se https://gupea.ub.gu.se/handle/2077/28345) ställdes ut på en samlingsutställning Canvassing kurerad av Kalle Brolin och Kristina Muntzig. Ifråga om Videobutiken visades en rad, bilder, utsnitt, texter och citat vilka tillsammans utgjorde en form av porträtt av arbetet i stort, i form av färgutskrifter i A4-format vilka satt fritt nålade på en gemensam vägg. Bredvid väggen stod ett bord med en stol där en “karta” över “väggen” var uppritad och där det var möjligt att läsa sig till källor och ursprung för texter och bilder.
|
|
| 10. |
- Benesch, Henric, 1972
(författare)
-
Future Echo-logies
- 2015
-
Ingår i: Heritage as Common(s) - Common(s) as Heritage. - Göteborg : Makadam Publishers. - 9789170611643 ; , s. 243-249
-
Bokkapitel (övrigt vetenskapligt/konstnärligt)
|
|
