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Sökning: WFRF:(Berg Lovisa)

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1.
  • Harfeldt-Berg, Lovisa, et al. (författare)
  • Connecting organizational context to environmental sustainability initiatives and industrial symbiosis : Empirical results and case analysis
  • 2023
  • Ingår i: Sustainable Production and Consumption. - : Elsevier B.V.. - 2352-5509. ; 40, s. 210-219
  • Tidskriftsartikel (refereegranskat)abstract
    • Industrial symbiosis can move us closer to a circular economy and enable efficient and sustainable use of resources. Its potential has however been far from realized, and to increase our understanding of why that is, we investigate drivers, barriers, and outcomes associated with both broadly defined environmental sustainability initiatives and industrial symbiosis from an organizational context perspective. A mixed-methods approach is used, combining statistical analysis of survey material with an embedded case study at an industrial symbiosis network in Sotenäs, Sweden. The position of the customer order decoupling point (CODP), a critical aspect of supply chains that separates forecast-based operations from those tied to specific orders, enables comparisons between organizations with primarily forecast-driven operations from those with primarily order-driven operations. We find that the CODP plays an important role in organizations' commitments to sustainability initiatives in general, as organizations with different CODP positions experience different levels of benefits from such initiatives. We did not find that the CODP position had the same impact for industrial symbiosis initiatives. Our results indicate that both industrial symbiosis, a very specific type of sustainability initiative and collaboration, and environmental sustainability initiatives in a broad sense, are associated with multiple, positive business outcomes. However, case study participants also described that their industrial symbiosis participation was time consuming and associated with an added administrative burden. This could be a reason why such collaborations are not more prevalent, despite the potential of bringing about several positive business outcomes. Finally, our findings indicate that industrial symbiosis may bring business-related benefits to firms regardless of their CODP position, but then in order to understand why such networks are not more prevalent, we recommend that future research investigates ways of quantifying and distributing burdens and rewards associated with industrial symbiosis collaboration. © 2023 The Authors
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  • Berg, Lovisa, 1984- (författare)
  • Al-Naqqāsh, Mārūn (1817-1855)
  • 2016
  • Ingår i: Routledge Encyclopedia of Modernism. - : Routledge.
  • Bokkapitel (refereegranskat)
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  • Berg, Lovisa, 1984- (författare)
  • Al-‘Ujaylī, ‘Abd al Salām (1918/1919-2006)
  • 2016
  • Ingår i: Routledge Encyclopedia of Modernism. - : Routledge.
  • Bokkapitel (refereegranskat)abstract
    • ‘Abd al Salām Al-‘Ujaylī was one of the most productive and versatile literary figures in twentieth century Syria. His experiences both as a medical doctor and a politician fed into his fictional output, which is most often characterized as realism. Al-‘Ujaylī is considered one of the earliest writers of fiction in Syria. Among his over forty publications are novels, poetry collections, theatre plays, travelogues, essays and auto-biographies. His preferred genre however remained the short story.
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  • Berg, Lovisa, 1984- (författare)
  • An Eco-critical reading of Syrian Novels on the Great Dam
  • 2024
  • Konferensbidrag (refereegranskat)abstract
    • Catrin Gersdorf and Sylvia Meyer (2006) state that ecocriticism is a methodology which investigates different ways to contextualise nature and its function ideologically, aesthetically and ethically in literary texts. Through a close reading of three novels by the Syrian authors Fāris Zarzūr, ‘Abd al-Salām al-‘Ujaylī and Jān Aliksān this paper will investigate how they, in their literary texts, engage with one of the biggest human interventions in the natural life of Syria, namely the dams built along the Euphrates. By an examination of the characters’ relationship with the river – and later the dams and their drowned villages, the paper will show that the novelists make use of nature and its destruction to discuss ideological stands as well as ethical dilemmas. Although the three novelists reach different conclusions, they all aesthetically utilise water and its innate force which is forcibly tamed, to examine interaction between humans and nature, tradition and modernity, and individuals and the state apparatus.     
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  • Berg, Lovisa, 1984- (författare)
  • Barakāt, Salīm سليم بركات(1951 -)
  • 2016
  • Ingår i: Routledge Encyclopedia of Modernism. - : Routledge.
  • Bokkapitel (refereegranskat)abstract
    • Salīm Barakāt is one of the most prolific modern Arab writers. He published his first poetry collection in 1973 and has since produced several more in addition to novels, essays, and autobiographical works. Despite living outside the Arab world since 1982, Barakāt’s literary output is closely connected to his Kurdish roots, and the culture and traditions of his birthplace in northern Syria. Barakāt’s inventive language, original narrative style and fantastical plots have placed him in the forefront of Arab literary modernism. His unconventional technique and mixture of styles and genres have at times made critics unable to describe his work in common literary terms, which in turn has given him the reputation of a renovator of the Arabic novel.   
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  • Berg, Lovisa, 1984- (författare)
  • Creating a Man, a Mouse or a Monster? : Masculinityas Formulated by Syrian Female Novelists through the Second Half of the 20thCentury.
  • 2017
  • Doktorsavhandling (övrigt vetenskapligt/konstnärligt)abstract
    • This literary study examines the formulation of masculinity in Syrian novels authored by women. The thesis covers the period between 1959 and 2000, corresponding to both the development of the female-authored novel in Syria and the creation of the modern Syrian state. This research engages with studies of masculinity in general and literary masculinity studies in particular. Drawing on the seminal work of Raewyn Connell as well as engaging with studies on masculinity and feminine narratology in Swedish, English and Arabic, the thesis analyses the formulation of  literary masculinity through the fictional societies’ ideal masculinity on the one hand, and the female characters’ views and reactions to masculinity on the other. From a general survey of the field, 34 novels undertaking the formulation of gendered relations were identified and chosen for this study.  From this selection, five themes emerged, forming the foundation of this thesis’ main chapters.The five themes explore, in turn, how stereotypes are utilised to critique gender roles, ways in which male and female characters collaborate to formulate gender norms, how female characters capitalise on patriarchy in order to enhance their lives, male characters as symbols for social and political change and finally, the difficulties included in the performance of masculinity. Each theme is exemplified through one novel, which is analysed in detail. Throughout the five chapters, the main novel chosen for analysis is put into conversation with other novels with similar themes but from different decades. This allows for an examination of changing ideals of masculinity in addition to the theme itself.The first theme, how stereotypes are utilised to critique gender roles, is studied through a close reading of al-Ẓahr al-‘ārī (The Naked back) by Hanrīyit ‘Abbūdī. The analysis illustrates how the expected normative behaviour of men and women is utilised in order to comment on the formulation of gender roles. The chapter further demonstrates ways in which what is seen as gender specific behaviour can be appropriated by the opposite gender. This is further developed through the examination of female writers taking over the male voice through a first person male narrator. The second theme, ways in which male and female characters collaborate to formulate gender norms, is discussed through a close reading of the novel Khaṭawāt fī al-ḍabāb (Steps in the fog) by Malāḥa al-Khānī. This chapter illustrates the similar expectations that both male and female characters have on their sons and fellow male characters.  This includes taking on the role of provider and protector, even in the cases where the female characters are able to look after themselves.The third theme, how female characters capitalise on patriarchy in order to enhance their lives, is elaborated through a close reading of Ayyām ma‘ahu (Days with him) by Kūlīt Khūrī. This theme demonstrates how the female character constructs herself and her world around the idea of a perfect male, whom she thinks will save her. The analysis examines what is seen as ideal traits in a man. It further discusses the change of the female character and how her initial utilisation of patriarchal structure transforms into a critique of the same structure.The fourth theme, male characters as symbols for social and political change, is seen through a close reading of Dimashq yā basmat al-ḥuzn (Damascus, o smile of sadness) by Ulfat al-Idlibī. The chapter connects between changing social ideals and ideal masculinity. Through Bayrūt 75 (Beirut 75) by Ghāda al-Sammān, the fifth theme, the difficulties included in the performance of masculinity, is studied. The problematic masculinity presented is then put in contrast with what appears to be a suggestion that a performance of femininity could be an alternative to unsuccessful masculinity.Whereas the novels differ in their presentation of masculinity and the utilisation of ideal masculinity, they agree on a set of core traits summarised in a hegemonic ideal of masculinity as an ability to provide and protect. The ways in which this should be performed is however closely connected to the female characters’ ideas of emancipation and women’s rights. The female writers’ formulation of masculinity can hence be said to mirror the development of the female characters and their awareness of women’s rights.  The thesis hopes that its original contribution to knowledge is the identification and examination of constructed masculinities in Syrian female-authored fiction. Moreover, this thesis studies a body of Syrian fiction previously largely unstudied in Western academia, and in a framework of Swedish, English and Arabic secondary sources.  
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