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- Berndt Ersöz, Susanne, 1959-
(författare)
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Noise-making rituals in Iron Age Phrygia
- 2015
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Ingår i: Natur-Kult-Raum. - Wien : Österreichisches Archäologisches Institut. - 9783900305727 ; , s. 29-44
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Konferensbidrag (refereegranskat)
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| 6. |
- Berndt-Ersöz, Susanne, 1959-
(författare)
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Sacred space in Iron Age Phrygia
- 2009
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Ingår i: <em>Sacred landscapes in Anatolia and neighboring regions</em>. - Oxford : ArchaeoPress. - 978 1 4073 0611 7 ; , s. 11-19
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Konferensbidrag (refereegranskat)
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| 7. |
- Berndt-Ersöz, Susanne, 1959-
(författare)
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The Phrygian Kingdom : Origins, History and Political Development
- 2013
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Ingår i: Phrygians: in the land of Midas, in the shadow of monuments = Frigler: Midas'in Ulkesinde, Anitlarin Golgesinde. - Istanbul : Yapi Kredi Yayinlari. - 9789750823978 ; , s. 16-41
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Bokkapitel (övrigt vetenskapligt/konstnärligt)
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| 8. |
- Berndt-Ersöz, Susanne, 1959-
(författare)
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The triad from Ephesos : The Mother Goddess and her two companions
- 2014
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Ingår i: Labrys. - Uppsala : Acta Universitatis Upsaliensis. - 9789155488314 ; , s. 415-425
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Bokkapitel (övrigt vetenskapligt/konstnärligt)abstract
- This volume contains studies on Classical Antiquity presented to Professor Pontus Hellström on his 75th birthday in January 2014. The 41 papers cover subjects ranging from the Etruscans and Rome in the west, to Greece, the landscape of Karia, and to the Sanctuary of Zeus at Labraunda. Many papers deal with new discoveries at Labraunda, but sites in the surrounding area, such as Alabanda, Iasos, and Halikarnassos are well represented, as well as Ephesos and Smyrna. Many architectural studies are included, and these examine both Labraundan buildings and topics such as masonry, Vitruvius, the Erechtheion, stoas, watermills, and Lelegian houses. Other papers deal with ancient coins, ancient music, Greek meatballs, and Karian theories on the origin of ancient Greece.
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| 9. |
- Berndt, Susanne, 1959-
(författare)
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Cutting the Gordion knot : The iconography of Megaron 2 at Gordion
- 2015
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Ingår i: Opuscula. - : Editorial Committee of the Swedish Institutes at Athens and Rome (ECSI). - 2000-0898. ; 8, s. 85-108
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Tidskriftsartikel (refereegranskat)abstract
- This article examines the incised drawings of Early Phrygian Gordion, and in particular those of Megaton 2. Aspects of their iconographic and archaeological contexts are taken in to consideration, as well as literary sources and especially the story of the Gordian knot. The focus of the study is a series of incised labyrinths, which have hitherto not been recognized as such, but which are of particular interest for the analysis of this building. The myth of Theseus and the Minotaur in the labyrinth helps to throw light on both the images of Megaton 2 but also on the story of the Gordion knot, and how these are interlinked with each other. It is suggested that Ariadne's ball of thread and the Gordian knot are two different expressions of a similar concept; both represent sovereignty provided by a Goddess. Megaron 2 seems to have been a building that was intimately connected with both the king and the Phrygian Mother Goddess.
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- Berndt, Susanne, 1959-
(författare)
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The hand gesture and symbols of Sabazios
- 2018
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Ingår i: Opuscula. - : Editorial Committee of the Swedish Institutes at Athens and Rome (ECSI). - 2000-0898. ; 11, s. 151-168
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Tidskriftsartikel (refereegranskat)abstract
- The material evidence left from the cult of Sabazios is meagre, apart from sculpted bronze hands dating to the Roman Empire. The hand is held in a certain pose, the so-called benedictio Latina gesture, and the hand was often covered with depictions of various objects and symbols. The bronze hands were probably attached to staffs and carried around in processions. This practice most likely spread via the channels of the Roman army during the Early Imperial period, but the gesture existed much earlier. The gesture is found on Attic black- and red-figured pottery, and is frequently associated with Hermes in his role as instructor and Psychopompos. From the beginning of the Hellenistic period the gesture was mainly used as an indication of speech, and for knowledge transmitted through speech. There are several examples of how the gesture was used to indicate the knowledge revealed through the initiations of mystery cults. Hermes is closely associated with Sabazios and is represented on the bronze hands, probably because of his role as instructor and Psychopompos; i.e. the position played by the mystagogue in the Sabazian mysteries. The gesture of the hands simply denoted the knowledge acquired through the initiation. The symbols on the hands are often associated with the Underworld, and it is suggested that knowledge acquired in the Sabazian mysteries dealt with life after death and the Underworld.
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