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- Beech, Dave, et al.
(författare)
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Exclusion: Editorial Introduction
- 2018
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Ingår i: PARSE Journal. ; :8
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Tidskriftsartikel (övrigt vetenskapligt/konstnärligt)abstract
- The editorial reflects on exclusion highlighting various aspects of exclusion in education and the arts such as educational exclusion, participation as exclusion, colonisation and decolonization, indigeneity, and geographies of exclusion.
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- Björgvinsson, Erling, 1969, et al.
(författare)
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A Dialogue on Absence Between Aleksander Motturi, Kitso Lelliott, Martina Tazzioli and William Walters, based on questions provided by Erling Björgvinsson and Nicholas De Genova
- 2020
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Ingår i: PARSE Journal. - 2002-0953. ; :10
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Tidskriftsartikel (övrigt vetenskapligt/konstnärligt)abstract
- The dialogue engages with the challenge of materialising absence related to the theme of migration, be it the absence of voices, documentary evidence, historical accounts, archives, investigative access, and so forth—including the absence of access to the conditions of possibility for knowing or evaluating the truth.
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- Björgvinsson, Erling, et al.
(författare)
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Agonistic participatory design : working with marginalised social movements
- 2012
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Ingår i: CoDesign - International Journal of CoCreation in Design and the Arts. - : Taylor & Francis. - 1571-0882 .- 1745-3755. ; 8:2-3, s. 127-144
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Tidskriftsartikel (refereegranskat)abstract
- Participatory design (PD) has become increasingly engaged in public spheres and everyday life and is no longer solely concerned with the workplace. This is not only a shift from work-oriented productive activities to leisure and pleasurable engagements, but also a new milieu for production and ‘innovation’. What ‘democratic innovation’ entails is often currently defined by management and innovation research, which claims that innovation has been democratised through easy access to production tools and lead-users as the new experts driving innovation. We sketch an alternative ‘innovation’ practice more in line with the original visions of PD based on our experience of running Malmö Living Labs – an open innovation milieu where new constellations, issues and ideas evolve from bottom–up long-term collaborations among diverse stakeholders. Three cases and controversial matters of concern are discussed. The fruitfulness of the concepts ‘agonistic public spaces’ (as opposed to consensual decision-making), ‘thinging’ and ‘infrastructuring’ (as opposed to projects) are explored in relation to democracy, innovation and other future-making practices.
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| 7. |
- Björgvinsson, Erling, et al.
(författare)
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Amendments and Frames : The Women Making History Movement and Malmö Migration History
- 2018
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Ingår i: Crossings. - : Intellect Ltd.. - 2040-4344 .- 2040-4352. ; 9:2, s. 265-287
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Tidskriftsartikel (refereegranskat)abstract
- This article explores existing and emerging frames of writing history involving a push for new modes of telling and writing history/histories. This, from the point of view of a recent movement, in short named Women Making History, launched in Malmö, Sweden in 2013 aiming to cover a 100-year period, from when immigration began until the present day. The movement - engaged in activism and archival work and research around the lives and work of women immigrants in the city - took off in 2013 with support from authors engaged in a Living Archives research project, and formally ended, though some activity continues, with a book publication in 2016. With the initiator of the movement Feminist Dialogue Malmö University researchers (mainly the two authors and students) have been documenting activities and workshops over hree years, revealing the voicing of ambivalent identities that wish to maintain a plurality and openness of identifications and directions. These voices do not want to be framed as ‘outsiders’, ‘homogenized others’ or ‘victimised strangers’, and struggle with a feeling of being amended to a more homogenous national history – an ambiguous predicament which is investigated in this article through diverse ways of trying to understand how belonging is developed in the notions of multidirectionality, multilogues, amendments and re/framing.
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- Björgvinsson, Erling, 1969, et al.
(författare)
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City Symphony Malmö: the spatial politics of non-institutional memory
- 2016
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Ingår i: Journal of Media Practice. - : Informa UK Limited. - 1468-2753 .- 2040-0926. ; 17:2-3, s. 138-156
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Tidskriftsartikel (refereegranskat)abstract
- City Symphony Malmö was a collaborative documentary that engaged citizens of Malmö in recording short film sequences. The Symphony’ video material was also performed at the art and performance centre Inkonst where electronic musicians improvised to VJ’s digital and analogue live mixing of the material. A remediation of the performance was streamed live on the Internet with live footage from the performance. All clips were released under the creative commons licence and made available for remixing through The Pirate Bay. This article explores what it can imply to hand over the means of film production to citizens. The discussion concentrates on participatory and spatially distributed filmmaking and screening of non-institutional memories, produced in the symphony. The analysis merges influence from silent cinema and Soviet Montage [Vertov, Dziga. 1929. A Man with a Movie Camera. Documentary/City Symphony Film], theories of public memory [e.g. Casey, Edward. 2004. “Public Memory in Place and Time.” In Framing Public Memory, edited by Kendall R. Phillips, 17–46. Tuscaloosa: University of Alabama Press; Young, David E. 2000. At Memory’s Edge. New Haven, CT: Yale University Press; Bodnar, John. 1992. Remaking America: Public Memory, Commemoration, and Patriotism in the Twentieth Century. Princeton, NJ: Princeton University Press], new media [Jenkins, Henry. 2006. Convergence Culture: Where Old and New Media Collide. New York: New York University Press; Manovich, Lew. 2001. The Language of New Media. Cambridge: MIT Press.] and place [Appadurai, Arjan. 1996. Modernity at Large. Minneapolis: University of Minnesota Press; Lefebvre, Henri. (1974) 1991. The Production of Space. Translated by D. Nicholson-Smith. Oxford: Blackwell Publishers; Harvey, David. 1993. “From Space to Place and Back Again.” In Mapping the Futures: Local Cultures, Global Exchange, edited by Jon Bird, Barry Curtis, Tim Putnam, George Robertson, and Lisa Tickner, 3–29. London: Routledge]. It describes the complexities of creating non-institutional memory and archiving practices and argues that such citizen-driven and non-institutional memories may challenge official history and societal memory production, yet also reproduce typical and iconic images which reveal spatio-material hierarchies. Such complexities demonstrate the value of an analysis of participation and spatio-material dimensions of public memory as unfolded in the article.
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