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Actes du XVIIIe congrès des romanistes scandinaves /Actas del XVIII congreso de romanistas escandinavos
- 2012
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Samlingsverk (redaktörskap) (övrigt vetenskapligt/konstnärligt)abstract
- These papers were originally presented at the XVIIIe conference on Romance language research in Scandinavia that took place at the University of Gothenburg August 9–12, 2011, bringing together researchers from Danish, Finnish, Icelandic, Norwegian, Baltic, and Swedish universities. The subjects approached cover a broad range of areas within linguistics, translation studies, literary studies and didactics. The following specialists were invited as key-note speakers: Manuel Alberca, Philippe Gasparini, Zlatka Guentchéva, and Martin Maiden.
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| 3. |
- Alvstad, Cecilia, 1971, et al.
(författare)
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Översättningsvetenskaplig forskning inom romanska språk
- 2020
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Ingår i: Romanistiken i Sverige. Tradition och förnyelse / Andreas Romeborn & Elisabeth Bladh (red.).. - Göteborg : Kriterium. - 2002-2131. - 9789179630065 ; , s. 288-291
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Bokkapitel (refereegranskat)abstract
- Inom svensk romanistik skrivs flest avhandlingar med översättningsvetenskaplig inriktning inom forskarämnet franska. Ämnesvalen är omfattande och varierande, men en stor del utgjordes av studier i kontrastiv lingvistik. Internationellt har svenska romanister inte fått särskilt stort genomslag inom översättningsvetenskap, vilket enligt författarna kan bero på publiceringsspråket - många föredrar att skriva på något av de romanska språken snarare än engelska. Författarna diskuterar även för- och nackdelar med en övergång till engelska som publiceringsspråk.
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| 4. |
- Bladh, Elisabeth, 1975
(författare)
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A Strategy of Cultural Americanization
- 2013
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Ingår i: Journal of American Studies of Turkey. - 1300-6606. ; 2011:33-34, s. 65-74
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Tidskriftsartikel (refereegranskat)
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- Bladh, Elisabeth, 1975
(författare)
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Caribbean and Sub-Saharan African Literature in Swedish Translation
- 2009
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Ingår i: American Journal of Translation Studies. - 1947-4679. ; 1:1, s. 64-82
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Tidskriftsartikel (övrigt vetenskapligt/konstnärligt)abstract
- This paper gives a quantitative overview of the publication of Caribbean and Sub-Saharan African Literature in Swedish translation during the twentieth century. The study is above all based on information taken from Swedish websites, for example Alex Dictionary of Authors and Macondo. The data collection registered 204 items written by 92 Caribbean authors from 20 countries and 719 items authored by 293 African writers from 34 countries. Most authors were published in anthologies and their works were almost exclusively translated from a former colonial language (English, Spanish, French and Portuguese). Translations of titles were generally faithful. Changes from the original could often be explained as due to differences in grammar or culture, or as a means to indicate or leave out the genre (autobiography, love story etc.), or to emphasize or tone down the geographical origin of the book.
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| 7. |
- Bladh, Elisabeth, 1975, et al.
(författare)
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Clichés français sur la Suède – étude de la réception en Suède de La délicatesse de David Foenkinos et de son adaptation cinématographique
- 2013
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Ingår i: Synergies Pays Scandinaves. - 1901-3809. ; :7, s. 57-70
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Tidskriftsartikel (refereegranskat)abstract
- Résumé : Le roman La délicatesse de David Foenkinos, comme son adaptation au grand écran, comporte un grand nombre de clichés éculés sur la Suède et les Suédois. Dans cet article, nous étudions de plus près les réactions du public suédois face à cette image stéréotypée. Un public suédois aura, cela va de soi, une toute autre « pré-représentation » de l’identité suédoise qu’un public français et c’est la raison pour laquelle il est intéressant d’essayer de savoir si les critiques et blogueurs suédois que nous avons consultés acceptent une image stéréotypée d’eux-mêmes ou si, et dans le cas échéant, comment, ils s’y opposent. D’une part, il existe des critiques qui apprécient la manière dont l’auteur se moque du personnage principal, un Suédois dépressif et maladroit. D’autre part, nous retrouvons des avis extrêmement négatifs face à ce portrait peu flatteur de la Suède. Certains s’opposent également à ce qu’une relation entre deux personnes qui, à première vue, n’ont rien en commun, soit une Française élégante et un Suédois peu attirant, surprenne et choque autant. Pour un nombre significatif de blogueurs ayant rédigé un compte rendu du livre, le thème suédois ne semble cependant pas, en lui-même, très important, ce qui n’est peut-être pas vraiment surprenant dans la mesure où les léments ‘suédois’ servent avant tout à marquer la différence entre les deux personnages principaux. On remarque néanmoins que les lecteurs et spectateurs suédois cherchent à savoir pourquoi l’auteur se sert de ces lieux communs même lorsqu’eux-mêmes pensent qu’ils ne correspondent pas à la réalité. Mot-clés : réception, clichés français sur la Suède, David Foenkinos French Clichés about Sweden – A Study of the Reception in Sweden of La delicatesse de David Foenkinos and its Adaptation as a Film Summary: The French author David Foenkinos’ novel La délicatesse (Delicacy) and its subsequent film version, starring Audrey Tautou and François Damiens, frequently stereotypes Sweden and Swedes. In this article, we examine the reception in Sweden of both the Swedish translation and the movie. Since Swedish readers and film viewers have other preconceptions about what it means to be Swedish than a French audience does, it is interesting to shed light on whether Swedish critics and bloggers accept the national stereotype about themselves, or whether they reject it (and in that case how). Though some Swedish critics appreciate the way that Foenkinos chose to portray the male protagonist as a depressive, clumsy Swede, many reviewers fail to understand why such an unflattering portrayal of their country should be funny. They also question why a relationship between two people who at first sight do not seem to have much in common (an elegant French woman and an unattractive Swedish man) should be so controversial. Moreover, many blog Reviews do not mention the Swedish element of the story at all. Although this might not be all that surprising, given that the main function of the Swedish theme is to increase the differences between the lead characters, Swedish readers and filmgoers are nevertheless interested in learning more about why the author used these allegedly inaccurate clichés. Key words: reception, French stereotypes of Sweden, David Foenkinos
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- Bladh, Elisabeth, 1975
(författare)
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Craig, I., & Sánchez, J. (2007). A translation manual for the Caribbean (English-Spanish) Un manual de traducción para el Caribe (Inglés-Español). Jamaica, Barbados, Trinidad and Tobago: University of the West Indies Press.
- 2009
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Ingår i: TransInt. ; 1:2, s. 55-56
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Recension (övrigt vetenskapligt/konstnärligt)abstract
- Review of: Craig, I., & Sánchez, J. (2007). A translation manual for the Caribbean (English-Spanish) Un manual de traducción para el Caribe (Inglés-Español). Jamaica, Barbados, Trinidad and Tobago: University of the West Indies Press.
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| 10. |
- Bladh, Elisabeth, 1975-
(författare)
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Entre écriture translingue et autotraduction – Greta Knutson (1899–1983) et sa recherche d’un public en langues française et allemande
- 2022
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Ingår i: Revue nordique des études francophones. - : Stockholm University Press. - 2003-0401. ; 5:1, s. 109-123
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Tidskriftsartikel (refereegranskat)abstract
- This paper examines the use of self-translation by Greta Knutson (1899–1983), aSwedish-born painter, art critic and writer, who lived most of her life in France. AlthoughKnutson wrote mainly in French, towards the end of her life she started self-translatingher texts into German. She also occasionally self-translated in the opposite direction.Three perspectives were applied to her texts, which were published in journals and/orin two monographs in German (Bestien, 1980, 1982) and French (Lunaires, 1985). First,an attempt was made to establish a chronology of her self-translated writings; second,the visibility of the “self-translation pact” (Ferraro 2016) was examined according totarget culture and genre; and third, the degree of rewriting was studied by means of a three-level categorization. Ultimately, it was not possible to establish a reliablechronology of her self-translated texts, mainly due to the lack of dated texts. The “selftranslation pact” was clearly signaled in the German monograph only. Accordingly, itwas suggested that Knutson was launched, in 1980, as a writer closely connected tothe German target culture, in 1982, as a foreign author of French-Swedish origin, and in1985, as a French author. The degree of rewriting varied, but few texts showed a highrate of rewriting compared to the version(s) in the other language. It was also noted thatself-translation rarely influenced revisions in French texts which were published twice.The paper includes a list with Knutson’s literary publications in French and German, aswell as an inventory of her German texts and, when relevant, their counterparts in French.
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