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- Bonnevier, Katarina
(författare)
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About Elli Hemberg
- 2008
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Ingår i: Rum. - 1650-1330. ; :6
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Tidskriftsartikel (refereegranskat)
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| 3. |
- Bonnevier, Katarina
(författare)
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Amulets : keeping the gift in motion Prologue
- 2023
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Ingår i: Journal of Architecture. - : Taylor & Francis Group. - 1360-2365 .- 1466-4410. ; 28:6, s. 871-878
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Tidskriftsartikel (övrigt vetenskapligt/konstnärligt)
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| 6. |
- Bonnevier, Katarina, 1970-
(författare)
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Behind Straight Curtains : Towards a queer feminist theory of architecture
- 2007
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Doktorsavhandling (övrigt vetenskapligt/konstnärligt)abstract
- This thesis presents theatrical queer feminist interpretations of architecture staged within a series of architectural scenes: architect Eileen Gray’s building E.1027 in the south of France (1926-29); author Natalie Barney’s literary salon at 20 rue Jacob, Paris (1909-1968); and author Selma Lagerlöf’s former home and memorial estate Mårbacka, situated in mid-west Sweden and transformed between 1919 and 1923. Interpreted as queer performative acts, or enactments of architecture, these cases bring into play the interconnectedness of material container, the setting, the deeds and the actors. A broad aim of the thesis is to explore the role played by architecture in the social and cultural constructions of bodies, in particular in relation to gender and sexuality. Architecture is investigated as one of the subjectivating norms that constitute gender performativity. The thesis is thus not only about but also operates through enactment. It masquerades as a series of lectures written in the form of scripted drama. The aim of this formal experiment is not only to explicate and critique from a detached perspective but also to represent architecture in the process of being enacted. Architecture is investigated not only as a theoretical metaphor but also as a concrete material practice always entangled with subject positions. With this exploration into the queerness and the theatricality of architecture, Behind Straight Curtains seeks to affect both the analysis and enactment of architecture and contribute to an architectural shift towards a built environment that does not simply repeat repressive structures but attempts to resist discrimination and dismantle hierarchies.
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| 7. |
- Bonnevier, Katarina
(författare)
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Blonda hus, vita masker
- 2003
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Ingår i: Artes. ; 2003(29):2, s.106-114
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Tidskriftsartikel (refereegranskat)
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| 8. |
- Bonnevier, Katarina
(författare)
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Dress-code : Gender performance and misbehavior in the manor
- 2012
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Ingår i: Gender, Place and Culture. - 0966-369X .- 1360-0524. ; 19:6, s. 707-729
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Tidskriftsartikel (refereegranskat)abstract
- This article is a queer reading of the architecture of Swedish writer Selma Lagerlöf's mansion Mårbacka. Through a combination of performativity theory and architecture theory, the article addresses social and historical constructions of gender and sexuality, complicit with the entities age, class and nationality, through architecture. Architecture is explored 'on the one hand' as a representation of social norms and 'on the other hand' as a practice which can subvert them. Departing from a performative perspective on identity, the term cross-cladding is introduced as a tool to interpret architecture as dressing and thereby its complex, layered and manifold performances of gender and sexualities. The article writes a social and architectural history of what has been called 'the most famous manor in Sweden and of Swedish manors the most famous in the world' (Sterner 1935, 4). Mårbacka was not simply the home of Selma Lagerlöf (1858-1940) and her kin but also a public display of this Nobel Prize-winning first woman of the Swedish Academy - a national monument. Lagerlöf continuously worked on the main building. In 1919-1924, it was transformed with the help of the architects' office of Isak Gustaf Clason. It also appears in Lagerlöf's novels and throughout the building there are references to her books and biography. There is something queer here. The master of Mårbacka was a woman who loved women and made room for a household of women. This article discusses how architecture can represent a gendered disguise and reveals Mårbacka as an excessive, patriarchal 'power suit', which enabled a lifestyle that deviated from the norms of society.
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| 10. |
- Bonnevier, Katarina
(författare)
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Dresscode : herrgård
- 2008
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Ingår i: Trikster. - 1890-596X. ; Querying Space:2
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Tidskriftsartikel (refereegranskat)
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