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- Aktaa, Suleman, et al.
(författare)
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European Society of Cardiology Quality Indicators for the care and outcomes of cardiac pacing : developed by the Working Group for Cardiac Pacing Quality Indicators in collaboration with the European Heart Rhythm Association of the European Society of Cardiology
- 2022
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Ingår i: Europace. - : Oxford University Press (OUP). - 1099-5129 .- 1532-2092. ; 24:1, s. 165-172
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Tidskriftsartikel (refereegranskat)abstract
- AIMS: To develop a suite of quality indicators (QIs) for the evaluation of the care and outcomes for adults undergoing cardiac pacing.METHODS AND RESULTS: Under the auspice of the Clinical Practice Guideline Quality Indicator Committee of the European Society of Cardiology (ESC), the Working Group for cardiac pacing QIs was formed. The Group comprised Task Force members of the 2021 ESC Clinical Practice Guidelines on Cardiac Pacing and Cardiac Resynchronization Therapy, members of the European Heart Rhythm Association, international cardiac device experts, and patient representatives. We followed the ESC methodology for QI development, which involved (i) the identification of the key domains of care by constructing a conceptual framework of the management of patients receiving cardiac pacing, (ii) the development of candidate QIs by conducting a systematic review of the literature, (iii) the selection of the final set of QIs using a modified-Delphi method, and (iv) the evaluation of the feasibility of the developed QIs. Four domains of care were identified: (i) structural framework, (ii) patient assessment, (iii) pacing strategy, and (iv) clinical outcomes. In total, seven main and four secondary QIs were selected across these domains and were embedded within the 2021 ESC Guidelines on Cardiac Pacing and Cardiac Resynchronization therapy.CONCLUSION: By way of a standardized process, 11 QIs for cardiac pacing were developed. These indicators may be used to quantify adherence to guideline-recommended clinical practice and have the potential to improve the care and outcomes of patients receiving cardiac pacemakers.
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| 2. |
- Azevedo, Flavio, et al.
(författare)
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Social and moral psychology of COVID-19 across 69 countries
- 2023
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Ingår i: Scientific Data. - : NATURE PORTFOLIO. - 2052-4463. ; 10:1
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Tidskriftsartikel (refereegranskat)abstract
- The COVID-19 pandemic has affected all domains of human life, including the economic and social fabric of societies. One of the central strategies for managing public health throughout the pandemic has been through persuasive messaging and collective behaviour change. To help scholars better understand the social and moral psychology behind public health behaviour, we present a dataset comprising of 51,404 individuals from 69 countries. This dataset was collected for the International Collaboration on Social & Moral Psychology of COVID-19 project (ICSMP COVID-19). This social science survey invited participants around the world to complete a series of moral and psychological measures and public health attitudes about COVID-19 during an early phase of the COVID-19 pandemic (between April and June 2020). The survey included seven broad categories of questions: COVID-19 beliefs and compliance behaviours; identity and social attitudes; ideology; health and well-being; moral beliefs and motivation; personality traits; and demographic variables. We report both raw and cleaned data, along with all survey materials, data visualisations, and psychometric evaluations of key variables.
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| 3. |
- Brock, Maria
(författare)
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A psychosocial analysis of reactions to Pussy Riot : Velvet Revolution or Frenzied Uteri
- 2016
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Ingår i: Subjectivity. - : Springer Science and Business Media LLC. - 1755-6341 .- 1755-635X. ; 9:2, s. 126-144
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Tidskriftsartikel (refereegranskat)abstract
- Russian reactions to Pussy Riot’s performance in Moscow’s Cathedral of Christ the Saviour in 2012 indicated that a collective nerve had been hit. This article seeks to explain the surge of public outrage following Pussy Riot’s ‘punk prayer’ through a psychosocial analysis of Russian media debates surrounding the case. By focusing on the negative responses, the following discussion investigates what such a ‘resistance to resistance’ might signify, and how it can point to latent forms of identification. It examines the public’s fixation with the group’s name, as well as the prevalence of fantasmatic enactments of violence in media discussions. Results suggest that in their rejection of the group’s performance, participants in the debate found ways of both shifting the threat Pussy Riot represents, and of once again ‘enjoying the nation’.
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| 6. |
- Brock, Maria
(författare)
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East German museums of everyday history as depots for the nostalgic object
- 2019
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Ingår i: Journal for the Psychoanalysis of Culture & Society. - : Palgrave Macmillan. - 1088-0763 .- 1543-3390. ; 24:2, s. 151-174
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Tidskriftsartikel (refereegranskat)abstract
- This article centres on two East German museums exclusively dedicated to the storage and display of everyday items produced in the German Democratic Republic between 1949 and 1989, locating both in the context of similar ‘memory museums’ of East German history, as well as history museums more generally. Examining these sites, the text investigates the types of relationships established with these artefacts of the past, analysing their function as mediators between the inner and outer world, and between memory and history. Taking nostalgia theory and specifically Ostalgie as a starting point for the analysis, it reflects on how the museums serve as containers for a multitude of objects both fantasmatic and material. The aim is to inject nostalgia theory, especially in its focus on materiality, with more distinctly psychosocial ideas and concepts. In order to understand whether there is a finality to the psychic and political transitions that took place after 1989, nostalgia’s link to a utopian politics of the future, rather than to a contested past, is addressed throughout.
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| 7. |
- Brock, Maria, et al.
(författare)
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Female desire in phallocentric industries : A duo-ethnographic interrogation
- 2024
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Ingår i: Organization. - : Sage Publications. - 1350-5084 .- 1461-7323.
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Tidskriftsartikel (refereegranskat)abstract
- The persistence of workplace inequality requires female subjects to examine their place in exploitative systems of production and consumption, and to identify means for emancipation beyond masculine dominant orders. In this paper we examine our past experiences as young women in the finance and oil industries, the phallocentric and extractive engines of global capitalism. We do this by employing a duo-ethnographic approach and a feminist reading of Jacques Lacan’s ideas on sexual difference, aiming to contribute to the literature on female identification in phallocentric organizations. Our analysis reveals how we oscillated between accepting subordinate feminine subject positions linked to emotional work and striving to access ‘universal’ masculine subject positions linked to success and achievement. At the same time, we both engaged with imaginaries of uniqueness and critique, control and success in order to keep functioning in our roles. Both our stories feature moments of rupture experienced as affective embodied responses, when our organizations placed ourselves or others at risk. We analyse these as moments when cracks were exposed in our fantasmatic survival strategies, leading to our eventual exit from these industries. We conclude that while a feminist Lacanian framework provides a useful lens for understanding processes of female identification in phallocentric organizations, the quest for female desire and subjectivity outside the masculine dominant order requires other (feminist) frameworks.
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| 8. |
- Brock, Maria, et al.
(författare)
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From high camp to post-modern camp : Queering post-Soviet pop music
- 2021
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Ingår i: European Journal of Cultural Studies. - : Sage Publications. - 1367-5494 .- 1460-3551. ; 25:4, s. 993-1009
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Tidskriftsartikel (refereegranskat)abstract
- This article examines the post-Soviet transformations of Russian popular music culture (Estrada), arguing that its aesthetics can be analysed from the perspective of camp, by looking at two cult music performers bridging the Soviet and post-Soviet realm – Valery Leontiev and Filipp Kirkorov. The analysis is grounded in a close reading of the artists’ career trajectories, selected videos and – to a lesser extent – textual analysis of their lyrics and public statements. The article argues that their performative personas are rooted in a particular version of camp with differing modalities of subversiveness – each responding both to their respective cultural and political climates, audience expectations, and also in accordance with their individual embodiments of (post)-Soviet camp. While Leontiev demonstrates a more earnest commitment to high drama, Kirkorov continues his ironic experimentation with transgression, ambiguity and excess, thereby participating in the queering of post-Soviet popular culture. The article concludes that their appropriation of camp is strategic, as it responds to the temporal, national and global trends such as global gay culture and neo-camp in Russia.
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| 9. |
- Brock, Maria
(författare)
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How can we Engage in Conditions of Precarity?
- 2021
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Ingår i: Modern Languages Open. - : Liverpool University Press. - 2052-5397. ; 1
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Tidskriftsartikel (refereegranskat)abstract
- I want to encourage academics to conceptualize our work as a series of social relationships. This involves envisioning a model that goes beyond the idea of academic “impact” as a series of mutually beneficial and, crucially, measurable transactions and towards a new definition of the term as the transformative effect of personal encounters. This is a good time to ask these questions: the role of scholarly work is changing and there is renewed interest in the meanings of impact beyond citation indices, but the pressure to publish is still growing and more temporary forms of employment and fragmented relationships with institutions remain a widespread reality. In the words of Mohira Suyarkulova: “How can we engage in a more responsible intellectual labour under the conditions of permanent crises and precarity?”
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| 10. |
- Brock, Maria
(författare)
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Lenin as Cultural Icon
- 2021
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Ingår i: The Construction and Dynamics of Cultural Icons. - Amsterdam : Amsterdam University Press. - 9789048550838 ; , s. 45-62
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Bokkapitel (refereegranskat)abstract
- Examining the numerous meanings and symbolic incarnations of VladimirIlich Lenin after his death in 1924, this chapter examines how icons maybe used to articulate political positions, and how in processes of contest-ing and re-negotiating history, icons function in relation to collectiveremembrance. It will do so by examining artistic representations of Leninin film and art, as well as how the fall and destruction of icons does notstop them from re-emerging as spectral, haunting presences. It is arguedthat in order to study the icon as a material site of both projection andcollective fantasy, the complex functioning of the icon within a specifichistorical and political context needs to be considered, as well as the wayits manifestation transcends the spatial and the psychical.
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