| 1. |
- Arvidsson, Matilda, 1976, et al.
(författare)
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FOREWORD: GARDENS OF JUSTICE
- 2013
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Ingår i: Australian Feminist Law Journal. - : Informa UK Limited. - 1320-0968 .- 2204-0064. ; 39:1
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Tidskriftsartikel (övrigt vetenskapligt/konstnärligt)
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| 2. |
- Bruncevic, Merima, 1981
(författare)
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A movable piece, not merely chattel
- 2011
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Ingår i: The Picture Chamber of Bruno Schulz, final work of a genius. ; , s. 67-81
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Tidskriftsartikel (övrigt vetenskapligt/konstnärligt)
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| 3. |
- Bruncevic, Merima, 1981, et al.
(författare)
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A Taste of Law and Coffee – From Macrocosm to Microcosm
- 2013
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Ingår i: Non Liquet: The Westminster Online Working Papers Series, Law and the Senses Series: The Taste Issue. ; May, 2013, s. 11-30
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Tidskriftsartikel (refereegranskat)abstract
- This article explores various connections between law and coffee. The authors study norms, trends and rituals connected to coffee, and discuss coffee both as a legal phenomenon, as well as a lifestyle and a taste. The article charts a taste journey and proposes a multitude of connections between law and coffee that could be made, other than just the trade, environment and social aspects that we are used to seeing in the legal context. Exploring these potential additional legal layers, the article reveals unexpected knowledge potential that law ought to be able to access. The authors approach coffee as for example art/cultural heritage, as a focal point for public discussion, as a lifestyle and as an addictive taste that coffee lovers constantly chase and obsess about.
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| 4. |
- Bruncevic, Merima, 1981, et al.
(författare)
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A Taste of Law and Coffee – From Tastescape to Lawscape
- 2018
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Ingår i: In Pavoni, A et al. 2018. TASTE. London: University of Westminster Press.. - London : University of Westminster. - 9781911534341 ; , s. 201-232
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Bokkapitel (refereegranskat)abstract
- This article explores various connections between law, coffee and space. The authors study norms, trends and rituals connected to coffee, and discuss coffee both as a legal phenomenon, as well as a lifestyle and a tastescape. The article charts a taste journey and proposes a multitude of connections between law, coffee and space that could be made, arriving at the lawscape of coffee. Exploring the legal territories of space and coffee, the article reveals an unexpected potential of law itself. The authors approach coffee as art/cultural heritage, as a focal point for public discussion, as a lifestyle and as an addictive taste that coffee lovers constantly chase and obsess about.
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| 5. |
- Bruncevic, Merima, 1981
(författare)
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Cultural Property Rights
- 2009
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Ingår i: Intellectual Property Quarterly. ; :4
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Tidskriftsartikel (refereegranskat)
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| 6. |
- Bruncevic, Merima, 1981
(författare)
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Fixing the Shadows – Access to Art and the Legal Concept of the Cultural Commons
- 2014
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Doktorsavhandling (övrigt vetenskapligt/konstnärligt)abstract
- Fixing the Shadows: Access to Art and the Legal Concept of Cultural Commons studies access to art as knowledge, and the role law plays in facilitating access. The research project discusses how to advance and strengthen access to art and create legal pathways that facilitate communication, access to and sharing of art as knowledge. Thus, the study introduces the legal concept of cultural commons and discusses how such a concept may be introduced to law and given a legal platform. The study utilises the theories and methods of the French philosopher Gilles Deleuze (1925-1995) and the French psychoanalyst Félix Guattari (1930-1992) in dealing with law and jurisprudence. It focuses particularly on the concept of the rhizome. The theoretical aim of the study is to develop a critique of dogmatic law and to study particular obstacles to access to art created by traditional approaches to legal concepts. Consequently, through a rhizomatic jurisprudence a legal concept of cultural commons is developed and presented. The study is divided in two volumes. Volume I is called “Beyond the ontological question” and it studies obstacles to access to art created by law and certain types of traditional legal reasoning, it aims to bring forth the potential of law. Volume II analyses the cultural commons as a legal concept and is called “The Performativity of the Commons”. Volume II analyses the potential of a legal concept of cultural commons.
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| 7. |
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| 8. |
- Bruncevic, Merima, 1981, et al.
(författare)
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Introduction
- 2024
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Ingår i: Towards a Sustainable World - Academic Insights and Perspectives. - Göteborg : Handelshögskolan vid Göteborgs universitet. - 9789189838277 ; , s. 19-57
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Bokkapitel (övrigt vetenskapligt/konstnärligt)
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| 9. |
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| 10. |
- Bruncevic, Merima, 1981
(författare)
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Law, Art and the Commons
- 2017
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Bok (övrigt vetenskapligt/konstnärligt)abstract
- The concept of the cultural commons has become increasingly important for legal studies. Within this field, however, it is a contested concept: at once presented as a sphere for creativity, democratic access and freedom of speech, but one that denies property rights and misappropriates the public domain. In this book, Merima Bruncevic takes up the cultural commons not merely as an abstract notion, but in its connection to physical spaces such as museums and libraries. A legal cultural commons can, she argues, be envisioned as a lawscape that can quite literally be entered and engaged with. Focusing largely on artin the context of the copyright regime, but also addressing a number of cultural heritage issues, the book draws on the work of Deleuze and Guattari in order to examine the realm of the commons as a potential space for overcoming the dichotomy between the owner and the consumer of culture. Challenging this dichotomy, it is the productive and creative potential of law itself that is elicited through the book’s approach to the commons as the empirical basis for a new legal framework, which is able to accommodate a multitude of interests and values.
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