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- Edström, Olle, 1945
(författare)
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A Very Swedish Phenomenon
- 2017
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Ingår i: Made in Sweden : studies in Popular Music / edited by Alf Björnberg and Thomas Bossius. - New York : Routledge. - 9781138936522 ; , s. 15-24
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Bokkapitel (refereegranskat)abstract
- The article describes the importance of Folkets Parker, [People's Parks] and Folkets Hus [People's Buildings]. Both organisations that started in the beginning of the 20th century, are intimately connected to the labor movement and working-class parties. Both organisations arranged dancing events and also different kinds of entertainments as vaudeville and musical. The were visited by all generations, but from 1970s the importance of both organisations has decreased.
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| 3. |
- Edström, Olle, 1945
(författare)
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Analyse av stilvariasjoner som grunnlag for aldersbestemmelse av jojken
- 1990
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Ingår i: Internasjonale forskningskongressen om samisk joik: "Joikens frie lyder når lengre enn mange ord" : rapport fra den første internasjonale forskningskongressen om samisk joik ved universitetet i Tromsø, 1990. - 0333-2802. ; :Serie: Tromura. Kulturhistorie ; 21, s. 65-82
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Tidskriftsartikel (refereegranskat)
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| 4. |
- Edström, Olle, 1945
(författare)
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Andras Taube
- 2014
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Ingår i: Elva sidor av Taube : [en antologi / redaktörer: David Anthin & Andreas Åhs]. - Göteborg : Folkuniversitetets Akademiska Press. - 9789185359127 ; , s. 260-265
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Bokkapitel (övrigt vetenskapligt/konstnärligt)abstract
- Handlar om andra artisters insjungningar av Taubes musik
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| 5. |
- Edström, Olle, 1945
(författare)
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Att spela Taube - en musikvetenskaplig essä om ett konstnärligt-kreativt projekt
- 2009
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Bok (övrigt vetenskapligt/konstnärligt)abstract
- Essäns syfte är att utifrån detta kreativt-konstnärliga projekt problematisera hur man kan beskriva och förklara instrumentalmusik; vad som sker under det man spelar och vad ett lyssnande på musiken kan tillföra när det generellt gäller att analysera och konstnärligt värdera musik i ett socialt sammanhang. I framställningen möts och integreras olika synsätt och metoder hämtade från samtida humaniora, samhällsvetenskap och naturvetenskap. Det är ett personligt möte med många viktiga nutida musikvetenskapliga frågor.
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| 6. |
- Edström, Olle, 1945
(författare)
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Between sociology and aestheticism - yet another attempt to bridge over troubled waters
- 2006
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Ingår i: Dansk årbog for musikforskning / Danish yearbook of musicology. - 0416-6884. ; 33, s. 31-57
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Tidskriftsartikel (refereegranskat)abstract
- I. The sociologist Peter Martin (2000) and the music historian Bo Marschner (2004) have recently criticized the Gothenburg school of musicology. The former holds that we tend to downplay the importance of sociological aspects in our studies, the latter that we – and not least myself – neglect the musical work itself. II. Before taking on this critique the article argues that there is much to be learned from research in linguistics and psychology that deals with ‘pre-social’ and ‘biological’ prerequisites for music and culture. Among others the writings of Dissanayake (2000), Levinson (2003) and Nisbett (2003) are presented. III. I then discuss what it implies that Martin’s and other contemporary sociologists (DeNora, Hennion, Grenier et al) insist on the importance of the social as the focal point where all other factors – music among them – are brought together. Included in this part is also a discussion of the benefits of the concept ‘affordance’. IV. Using Keller’s theory of linguistic signs (1998) as a point of departure the ontological status of music and the possibilities to use music as a means of communication are explored. It is argued that music in our culture has a rhetorically intensifying, emotional and limited associative dimension. V. Marschner’s epistemological outlook and views of music as an aesthetic experience, and his critique of the sociomusicological works by me are considered. His views are supplemented with a few other scholars as Said (1992). This section leads on to a concluding discussion (VI) where I try to bridge over the gap between a sociological and an aesthetic understanding of music, as both lead to an incomplete understanding of the use of and meaning of music. I argue for an understanding of music from the viewpoints of a) situation/time, b) place, c) the structure of – and d) the performance of music. To me the is to understand why and how music was used and is used in the way I from a contemporary reflexive position understand the ongoing social process, taking the writings of Elias (1929/200) to heart and mind
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