| 1. |
|
|
| 2. |
- Durkin, Rachael, et al.
(författare)
-
Anacrusis : Upbeat
- 2022
-
Ingår i: The Routledge Companion to Music and Modern Literature. - Abingdon : Routledge. - 9780367237240 - 9781032232874 - 9780367237288 ; , s. 1-3
-
Bokkapitel (refereegranskat)
|
|
| 3. |
|
|
| 4. |
|
|
| 5. |
|
|
| 6. |
- Englund, Axel, 1979-
(författare)
-
Intermedial Topography and Metaphorical Interaction
- 2010
-
Ingår i: Media Borders, Intermediality and Multimodality. - Basingstoke : Palgrave Macmillan. - 9780230238602 - 0230238602 ; , s. 69-80
-
Bokkapitel (övrigt vetenskapligt/konstnärligt)abstract
- As illustrated by the title of this volume, we often tend to think of arts and media in terms of geographic areas delineated by definable borders, and consequently of intermedial and interartial studies as a kind of topographical descriptions. Focusing on relations between music and literature, this article points to some of the implications of this topographical model, and contrasts it to another way of conceptualizing intermedial relations, namely as metaphorical phenomena. I argue that many musico-literary artefacts can be understood as a metaphorical interaction between their musical and verbal elements. Such interaction deals with, on the one hand, specific material ideas contained in each musico-literary work and, on the other hand, general ideas about the concepts “music” and “literature”. Hence, each musico-literary artefact can be understood as a meta-medial utterance, potentially altering the way we conceive of these arts and redrawing, as it were, the borders of the medial territories. I believe the metaphorical perspective to be a high-yielding one, but one which also entails at least a partial suspension of the topographical model: the metaphorical interaction between two elements presupposes their simultaneous presence. Such simultaneity, however, is suppressed by the topographical model, since it prompts us to envision the medial areas as spatially separate. As a result of this, the topographical model invites us to conceive of intermedial artefacts as objects which have been transported – carried across the bridge, as it were – into foreign territory, their identity remaining essentially unaltered even when their medium of origin is out of the picture. The metaphorical perspective, I argue, can help us get past this way of conceptualizing intermediality, as well as the equally questionable notions of media as historically constant and definable in terms of definite, essential characteristics.
|
|
| 7. |
|
|
| 8. |
|
|
| 9. |
- Englund, Axel, 1979-
(författare)
-
Ord, jord, mord : Celans "Huhediblu"
- 2009
-
Ingår i: Ordens negativ. - Stockholm/Stehag : Symposion Brutus Östlings bokförlag. - 9789171398352 ; , s. 59-75
-
Bokkapitel (övrigt vetenskapligt/konstnärligt)
|
|
| 10. |
- Englund, Axel, 1979-
(författare)
-
Sounding Bodies : Eroticized Music-Making in Proust’s À la Recherche
- 2018
-
Ingår i: Essays on Music and Language in Modernist Literature. - New York : Routledge. - 9781138285651 - 9781315231716 ; , s. 110-125
-
Bokkapitel (övrigt vetenskapligt/konstnärligt)abstract
- Scholarship has emphasized the importance of technological innovations to modernism in general and to Marcel Proust in particular, not only as a recurrent element in narratives, but also as a crucial factor in the sensory perception of the world. In Proust's novel, the desires that need to be thus channeled are all homosexual ones, which repeatedly intermingle with music-making. The most obvious example is Baron de Charlus, who plays a vital role in Proust's accounts of homosexuality. A little scene is played out, which is almost always suppressed in accounts of Proust and music, but which in fact contains the last musical performance in the whole novel. In order to broach anew the time-honored topic of music in the work of Proust, the chapter presents an anecdote from 1916. What is needed in order to redress this imbalance is an account of the liveness of music-making in A la recherche, geared towards bodily interaction and erotic intimacy.
|
|
