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| 2. |
- Axelsson, Karl, 1976-, et al.
(författare)
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Introduction
- 2020. - 1
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Ingår i: Beyond Autonomy in Eighteenth-Century British and German Aesthetics. - New York : Routledge. - 9780367347963 - 9780429330254 ; , s. 1-19
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Bokkapitel (refereegranskat)
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| 3. |
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| 4. |
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Beyond Autonomy in Eighteenth-Century British and German Aesthetics
- 2020. - 1
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Samlingsverk (redaktörskap) (refereegranskat)abstract
- This volume re-examines traditional interpretations of the rise of modern aesthetics in eighteenth-century Britain and Germany. It provides a new account that connects aesthetic experience with morality, science, and political society. In doing so, it challenges long-standing teleological narratives that emphasize disinterestedness and the separation of aesthetics from moral, cognitive, and political interests.The chapters are divided into three thematic parts. The chapters in Part I demonstrate the heteronomy of eighteenth-century British aesthetics. They chart the evolution of aesthetic concepts and discuss the ethical and political significance of the aesthetic theories of several key figures: namely, the third Earl of Shaftesbury, David Hume, and Adam Smith. Part II explores the ways in which eighteenth-century German, and German-oriented, thinkers examine aesthetic experience and moral concerns, and relate to the work of their British counterparts. The chapters here cover the work of Kant, Moses Mendelssohn, Alexander Gottlieb Baumgarten, and Madame de Staël. Finally, Part III explores the interrelation of science, aesthetics, and a new model of society in the work of Goethe, Johann Wilhelm Ritter, Friedrich Hölderlin, and William Hazlitt, among others.This volume develops unique discussions of the rise of aesthetic autonomy in the eighteenth century. In bringing together well-known scholars working on British and German eighteenth-century aesthetics, philosophy, and literature, it will appeal to scholars and advanced students in a range of disciplines who are interested in this topic.
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| 5. |
- Flodin, Camilla, 1977-
(författare)
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Adorno and Schelling on the art–nature relation
- 2018
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Ingår i: British Journal for the History of Philosophy. - : Taylor & Francis. - 0960-8788 .- 1469-3526. ; 26:1, s. 176-196
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Tidskriftsartikel (refereegranskat)abstract
- When it comes to the relationship between art and nature, research on Adorno’s aesthetics usually centres on his discussion of Kant and Hegel. While this reflects Adorno’s own position – his comprehension of this relationship is to a large extent developed through a critical re-reading of both the Kantian and the Hegelian position – I argue that we are able to gain important insights into Adorno’s aesthetics and the central art–nature relation by reading his ideas in the light of Schelling’s conception of this relationship. The article focuses on the similarities between Schelling’s notion of nature’s productivity and Adorno’s understanding of natural beauty. It concludes with a discussion on Adorno’s re-evaluation of the reconciliatory power of the exemplary unity of the artwork in conjunction with Schelling’s comparison between artwork and organism, as well as his concept of the construction of nature.
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| 6. |
- Flodin, Camilla, 1977-
(författare)
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Adorno on Nature
- 2013
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Ingår i: Florida Philosophical Review. - 1535-3656. ; XIII:1, s. 60-63
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Recension (övrigt vetenskapligt/konstnärligt)
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| 7. |
- Flodin, Camilla
(författare)
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Adorno Reframed
- 2014
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Ingår i: Estetika. - 0014-1291 .- 2571-0915. ; 51:1, s. 146-148
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Recension (övrigt vetenskapligt/konstnärligt)
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| 8. |
- Flodin, Camilla, 1977-
(författare)
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Adorno's Utopian Animals
- 2021. - 1
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Ingår i: Critical Theory. - Huddinge : Södertörns högskola. - 9789189109353 - 9789189109360 ; , s. 103-117
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Bokkapitel (refereegranskat)
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| 9. |
- Flodin, Camilla, 1977-
(författare)
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Art and Animals in Adorno
- 2020
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Ingår i: Understanding Adorno, Understanding Modernism. - New York : Bloomsbury Academic. - 9781501342950 - 9781501342967 ; , s. 181-194
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Bokkapitel (övrigt vetenskapligt/konstnärligt)
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| 10. |
- Flodin, Camilla, 1977-
(författare)
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Art and the Possibility of a Liberated Nature
- 2019
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Ingår i: Adorno Studies. - 1927-8748. ; 3:1, s. 79-93
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Tidskriftsartikel (refereegranskat)abstract
- In this article, I argue that Adorno's conception of a possible reconciliation with nature is neither one of complete synthesis, nor absolute alienation. The most elaborated formulations regarding the possibility of such a reconciliation, which would be tantamount to a liberated nature, are to be found in Adorno's aesthetics, and particularly in his discussion of the art–nature relation. The article engages Simon Hailwood’s recent criticism of the concept of the Anthropocene and his discussion of Adorno's conception of the domination of nature. While I concur with Hailwood's insistence on the idea of "alienation from nature" in order to reach a more appropriate understanding of our current predicament, his analysis of Adorno's take on this idea is problematic. I conclude by discussing another recent work on our troubled relationship with nature. While more attentive to artistic expressions than Hailwood's work, Andreas Malm's The Progress of This Storm constitutes an inverted parallel to the former through its negligence of Adorno’s contribution to the discussion of the human–nature dialectic.
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