| 1. |
- Broberg, Oskar, 1976, et al.
(författare)
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Rapport från en testpilot
- 2012
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Ingår i: r.e. ; :3, s. 13-21
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Tidskriftsartikel (övrigt vetenskapligt/konstnärligt)abstract
- Rapport utgiven i samarbete med KC Väst, KKV Bohuslän och Fyrbodals kommunförbund.
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| 2. |
- Carlson, Anna, 1961, et al.
(författare)
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SWEDEN CALLING
- 2014
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Ingår i: INSEA congress 2014 Melbourne.
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Konferensbidrag (övrigt vetenskapligt/konstnärligt)abstract
- What happened when it happened in a students creative process and what was the language for it,from the inside of the process. We searched for the new. The project started with us teacher becoming interested and curious to find out what happened when it happened in the students creative process. We recognized the process and and we read the students blog where they verbalized their experience and thoughts from the process-reflection. We went into a situation where we had to work under the same conditions as the students –we had a theme POWER,individual artist work,schedual group tutoring,individual blog where we verbalized the inner dialougue on a public space..and we had an exhibition with guest critic. During our process we came out of grammar,we failed and we found no answers,we came trough by being inside the process and writing from the inside. The writing together with spoken tutoring became achallenge to search for new words that could tell what happened in our work and in our souls.The knowledge that there were readers of the blog gave a sense of audience and an opening to try a different voice with another concept. To be IN something and talking out of that situation,travelling in the gap between inside and outside is somehow an open language-Art.
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| 3. |
- Finnveden, Göran, et al.
(författare)
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Policy instruments towards a sustainable waste management
- 2013
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Ingår i: Sustainability. - Basel : MDPI AG. - 2071-1050. ; 5:3, s. 841-881
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Tidskriftsartikel (refereegranskat)abstract
- The aim of this paper is to suggest and discuss policy instruments that could lead towards a more sustainable waste management. The paper is based on evaluations from a large scale multi-disciplinary Swedish research program. The evaluations focus on environmental and economic impacts as well as social acceptance. The focus is on the Swedish waste management system but the results should be relevant also for other countries. Through the assessments and lessons learned during the research program we conclude that several policy instruments can be effective and possible to implement. Particularly, we put forward the following policy instruments: “Information”; “Compulsory recycling of recyclable materials”; “Weight-based waste fee in combination with information and developed recycling systems”; “Mandatory labeling of products containing hazardous chemicals”, “Advertisements on request only and other waste minimization measures”; and “Differentiated VAT and subsidies for some services”. Compulsory recycling of recyclable materials is the policy instrument that has the largest potential for decreasing the environmental impacts with the configurations studied here. The effects of the other policy instruments studied may be more limited and they typically need to be implemented in combination in order to have more significant impacts. Furthermore, policy makers need to take into account market and international aspects when implementing new instruments. In the more long term perspective, the above set of policy instruments may also need to be complemented with more transformational policy instruments that can significantly decrease the generation of waste.
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| 4. |
- Finnveden, Göran, et al.
(författare)
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Policy Instruments towards a sustainable waste management
- 2016
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Ingår i: Solid waste management: Policy and planning for a sustainable society. - : Apple Academic Press. - 9781771883740 - 9780429091650 ; , s. 185-246, s. 185-246
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Bokkapitel (övrigt vetenskapligt/konstnärligt)
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| 5. |
- Gunnarsson, Mattias, 1972, et al.
(författare)
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A green path / To program for the possible
- 2023
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Ingår i: Varberga, Örebro, Örebrobostäder, 2023-06-01.
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Konstnärligt arbete (övrigt vetenskapligt/konstnärligt)abstract
- Process work + spatial sculpture about 12 x 15 meters During 2022 / 2023, MASU (Mattias Gunnarsson and Susanne Westerberg) worked on the development of a new park section, a Green path, in the Varberga district in Örebro, on behalf of Örebrobostäder in a project financed through Gestaltad livsmiljö. MASU's part in the project involved looking at the entire development process with an artistic lens and participating in the development of a new green area in Varberga that connects a new square with the Varbergaskogen. For us, the focus of the work was on being on site, talking to both those who live and work in the area and to be part of more formal meetings between the landscape architect, project management and people with different roles in Örebrobostäder. The assignment included both participating in the research and development processes themselves and at the same time prototyping various possible designs. We came up with a possible sculptural design that could function as a hub in the new environment, a kind of open pavilion with different areas of use. In March 2023, we conducted a workshop together with people on site, young people and art school students where we built a full-scale prototype to be able to discuss and reason together about how such a project could be designed and used. During the three days we were on site building, we had many conversations with residents in the area who passed by and stopped to talk. MASU's work in Varberga was very much about being part of a process and offering other perspectives and possible conversations about urban development and the landscape.
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| 6. |
- Gunnarsson, Mattias, 1972
(författare)
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Artist Publishing
- 2020
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Ingår i: Kulturverkstan, HDK Zine Archive, Monday Studio, Gallery NEJD, Trades.
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Konferensbidrag (refereegranskat)abstract
- A big part of my artistic practice revolves around publishing. I produce zines and artist books, mostly of my own work but also on commission and as a part of my collaboration with Susanne Westerberg (MASU).
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| 7. |
- Gunnarsson, Mattias, 1972, et al.
(författare)
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Att teckna vatten / To draw water
- 2021
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Ingår i: Strömsfors, X-Sites21, 2021-06-20.
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Konstnärligt arbete (övrigt vetenskapligt/konstnärligt)abstract
- The project was part of X-Sites 21, a recurring LandArt exhibition that takes place along cycle paths in Västra Götaland, Halland and Skåne. MASU (Mattias Gunnarsson and Susanne Westerberg) worked at a location along the Sjuhäradsrundan between Svenljunga and Tranemo. The cycle path runs on the old narrow-gauge railway with a long straight stretch past Strömsfors and our site. The work Drawing water is a 50 meter long structure of 200 studs (45x45mm / 460cm) that runs along the boundary between what grows and the water Assman. We worked with a drawing method where we do not sketch or draw drawings beforehand, but each rule, each line, is placed as part of a growing investigative process. The structure moves along the water's edge from a more inaccessible part of the site until it meets the water, cycle path and the old bridge that forms the border between Svenjunga and Tranemo. For MASU, the work marks a new direction where we took with us the method of drawing in the room with wood, which we have done several times in other projects, but with a stronger material. In the past, we have worked with laths that are attached with cable ties, while Drawing water is built from bolts that are screwed together, which offers greater volume, longer lines, stronger construction and a force that felt important in relation to the movement of water and bicycles. We built the sculpture in June 2021 for X-Sites which runs for a summer, but the clear character of the place with what is growing, the water moving next to it and the forest in the fund on the other side of Assman made us feel that we would like to see the work during a all-year round, in different seasons and weather. We got permission from the landowner to let the work stand until next summer and thereby take part in the landscape's clear changes with high and low tide, the colors of autumn, the frost of winter and the bright green of spring. During the year 2021-2022, the site and the work were activated on several occasions. First up was the artist Joakim Stampe who in November 2021 carried out a performance Conversation with Assman where the structure stood as both fund, barrier and interlocutor. In March 2022, we did the first of two workshops within the project ODLA, initiated by X-Sites where the participants worked with drawing and a sculpture work indoors. In June 2022, Susanne Westerberg made a performance The flow in the borderland between Assman and the structure, and the week after we carried out the second part of ODLA where the participants took part in rebuilding the existing work into a new spatial experience that went up onto the bike path and the bridge. In September 2022, we invited residents in the area to join us in taking down the work and taking care of the material for new construction projects in the area.
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| 8. |
- Gunnarsson, Mattias, 1972, et al.
(författare)
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BOX Summer Studio / Cardboard columns
- 2019
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Ingår i: At Gallery BOX, Gothenburg Röhsska Museum courtyard, Gothenburg.
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Konstnärligt arbete (övrigt vetenskapligt/konstnärligt)abstract
- We, MASU (Mattias Gunnarsson + Susanne Westerberg) worked with cardboard found in the neighbourhood around the gallery constructing 5 columns.
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| 9. |
- Gunnarsson, Mattias, 1972, et al.
(författare)
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Bygget / The building work
- 2022
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Ingår i: Katrineholms konsthall, 2022-04-12.
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Konstnärligt arbete (övrigt vetenskapligt/konstnärligt)abstract
- Spatial sculpture16 x 8 m (6 m high) The building work was a collaborative project between MASU (Mattias Gunnarsson and Susanne Westerberg) and the graphic artists Tova Fransson and Olle Halvars, initiated by Katrineholms Konsthall. The intention was to offer visitors participation in a process and artistic design experience that could be activated in many ways. The exhibition and activities offered a bridge between the people who participated in the workshops, but also between art and society. The exhibition room was intensively programmed throughout the period, partly by us when we were on site, but above all by the curator and art educator. The program included practical workshops, choral singing, scholarship awards, story reading, poetry evenings, lectures, yoga, forest bathing, tango, film screenings, etc. In the same building and on the same floor as the konsthall, there is also a very well-used library, and the activities flowed into each other throughout the period. The exhibition was very well attended by many different people of different ages and many visitors returned several times during the process. The art gallery divided into two rooms. A long narrow entrance room with a lower ceiling and a larger exhibition room with a skylight and 8.5 meter ceiling. in the larger room, a balcony also runs along two sides, which is connected to the exhibition area by a staircase. Our work consisted of 150 studs (460 cm long) that were attached with screws, 1500 wooden laths (180 cm long) that were joined with cable ties and thin ribs that were attached with a glue gun. The work flowed from the entrance room, out through the great room and the balcony and is about 6 meters high During our work, the konsthall was open and parallel to our production, Tova and Olle had workshops with visitors in fabric printing that resulted in large textile flags. The flags were placed in and on our work so that the designs flowed together into a whole: The building. With the wooden structure, we wanted to both challenge the height of the large room and Tova and Olle's textile-based process. The work in the room grew over time into a feeling of a forest where the joists became trunks while the lath and the thin wooden ribs formed branches and crowns. The placement of the structure led the visitor into the room, where it was possible to move freely between the joists. Below one side of the balcony we left an open area, like a clearing to enable larger activities. While we were building, we invited visitors to draw patterns on the wood making the installation a collective work.
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| 10. |
- Gunnarsson, Mattias, 1972
(författare)
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Copie Machine (participation)
- 2017
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Ingår i: 29 November – 15 December 2017, Gallery Plot HR, Rouan, France.
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Konstnärligt arbete (övrigt vetenskapligt/konstnärligt)abstract
- Copie Machine is an exhibition in the gallery space Plot HR of the Rouen Art School in Rouen, France, curated by Antoine Lefebvre and Laura Morsch-Kihn in the fall of 2017 (November 29 to December 15). The gallery was transformed into a copy shop that any¬one could use as and 32 artists were invited and participated with 1-5 works that could be used by the visitors to reproduce in any way to produce new publications (only one or editions). I was one of the participating artists, with 5 submitted drawings / collages.
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