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- Hasager, Maj
(författare)
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A voice of one's own
- 2014. - A voices of one's own
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Konstnärligt arbete (refereegranskat)
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| 3. |
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| 4. |
- Hasager, Maj
(författare)
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Archiving the Spaces of Anxiety : From the Burrow to the Peach Colony
- 2021
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Konstnärligt arbete (refereegranskat)abstract
- Archiving the Spaces of Anxiety exhibition in Beijing, China curated by Shuyu ChenArchiving the Spaces of Anxiety takes its form from a transitional path that links Kafka’s unfinished short story The Burrow (1923–1924) and Wu Li’s painting White Cloud and Green Mountain (1668), by looking into a set of intertwining relations between the external space that surrounds us, and the internal space that belongs to our body and our feelings.In The Burrow, Kafka writes about an unknown creature tortured by anxiety and who thus keeps building his underground world in search of perfect security. Whereas Wu Li, in his long handscroll, paints a gateway that connects the real world to the world of illusion, interpreting one of the most well-known utopian stories in Chinese literature, The Fable of the Peach Blossom Spring by Tao Yuanming (365–427), also translated as The Peach Colony by Lin Yutang (1895–1976). The spatial experience created in literary imagination and artworks offer us a position to reflect on the real space in which “the erosion of our lives, our time and our history occurs” (Of Other Spaces by Michel Foucault, 1967). Together with artists who research, act, and create around different types of spatial concepts, the curator proposes to construct “spatial archives” that explores anxiety in relation to the perceived physical space and the sensory bodily space. This is also to emphasize and explore the idea of “curatorial spatiality”—How does curating achieve spatiality by sensory means? How to create specific locations, relationships, and contexts for a series of “spatial archives” in an exhibition space so that “spatial archives” and “archival spaces” mutually propel and expand each other in a heterotopia of subjects and places.The exhibition and public activities will take anxiety as the gateway to the realm of idealism and cast light on how space and body mutually construct each other in history and reality. Intertwining paths and reflections are to be explored, from the bodily cavity to the balcony that transgresses the boundary between the private and the public; from the elevated protagonist to the square where the collective and individual memories merge into each other; from körperbau (German, the body structure) that technologies currently take increasingly hold of, to the social body that turns things around with carnivalesque irony… We invite you to walk into the utopian city EUR and meet the Asian immigrants living in the underground world, when the sunsets it’s all red, and we are situated in an empty space in the image as a gap in history, how do we examine the relationship between political, utopian and emotional expressions in words and images? How do we find our way to leave from the unbearable pleasure of security and where to go?
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| 5. |
- Hasager, Maj
(författare)
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Art Relay
- 2015
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Konstnärligt arbete (refereegranskat)
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| 7. |
- Hasager, Maj, et al.
(författare)
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Att lyssna till Staden
- 2023
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Konstnärligt arbete (refereegranskat)abstract
- Film about the becoming of a public artwork in collaboration with Lunds Konsthall
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| 8. |
- Hasager, Maj, et al.
(författare)
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Att Lyssna till Staden performance
- 2022
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Konstnärligt arbete (övrigt vetenskapligt/konstnärligt)abstract
- Att Lyssna till Staden was a performance as a part of the public commision for Lund City Council
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| 9. |
- Hasager, Maj
(författare)
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Bending the Frame
- 2016
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Konstnärligt arbete (övrigt vetenskapligt/konstnärligt)
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| 10. |
- Hasager, Maj
(creator_code:cre_t)
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Bifurcating Futures
- 2014
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Konstnärligt arbete (övrigt vetenskapligt/konstnärligt)abstract
- Bifurcating Futures, 2014HD video, 9:46 min.Through the staging of an experienced dancer, the video work Bifurcating Futures explores the body’s limitations and potentials in relation to modernist and futuristic architecture in the Esposizione Universale di Roma (EUR) district of Rome. The dancer’s movements are ruptured by fragments from Thom Donovan’s poem “The Commons.”In the video, the dancer moves in and around the spectacular urban site and constructed park of EUR to a soundtrack composed of sounds recorded from the futuristic urban architecture as well as mechanical noises. The soundtrack takes inspiration from the ideas of the Italian futurist movement, which celebrated the power, speed, and especially noise of cities and machinery. These qualities were reflected in the art produced by the futurists, as described in Luigi Russolo’s 1913 manifesto The Art of Noises (L’Arte dei Rumori).The choreography of Bifurcating Futures departs from the dancer’s experience—a method inspired by Pina Bausch, who approached her work with the motto, “There is no script. There is no set design. There is no music. There is only life and oneself.” Without a pre-existing formal framework, one is created through improvisation and physical experiences. In this way, something new can emerge. This method is far from traditional cinematic techniques of staging and closer to the idea of documentary, where coincidence appears, thus creating a space for the unplanned.
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