| 1. |
- Berggren, Åsa, et al.
(författare)
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Revisiting reflexive archaeology at Çatalhöyük : integrating digital and 3D technologies at the trowel’s edge
- 2015
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Ingår i: Antiquity. - : Antiquity Publications. - 0003-598X .- 1745-1744. ; 89:344, s. 433-448
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Tidskriftsartikel (refereegranskat)abstract
- The aim of this paper is to summarize progress in the development of reflexive methods at Çatalhöyük over the past 20 years, and to describe some recent innovations that have used digital and 3D technologies to enhance the original reflexive aims. While digital technologies were not at the forefront of the methods described in an initial account of reflexive methods published in Antiquity (Hodder 1997), it has become clear that many of the original aims can be enhanced by the use of new generations of computer assisted technologies for visualization, recording and planning. The paper does not describe the full use of digital technologies at Çatalhöyük; for example laser scanning is being used as part of the documentation for conservation evaluation. The wider use of digital technologies is discussed by Forte et al (2012); the aim in this paper is to discuss those aspects of digital technologies that relate to the reflexive aims of the project, thereby adding to the continuing discussion on reflexive archaeological practice (see Bender et al. 2007; Berggren 2001; Berggren & Hodder 2003; M. Carver 2011; G. Carver 2011; Castaneda 2008; Chadwick 2003; Edgeworth 2006; Hodder 2003; Silliman 2008; Yarrow 2003).
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| 2. |
- Forte, Maurizio, et al.
(författare)
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3D Archaeology at Çatalhöyük
- 2012
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Ingår i: International Journal of Heritage in the Digital Era. - : SAGE Publications. - 2047-4970 .- 2047-4989. ; 1:3, s. 351-377
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Tidskriftsartikel (refereegranskat)abstract
- The project “3D-Digging at Çatalhöyük” began in 2010 thanks to collaboration between Stanford University (Archaeological Center) and the University of California Merced with the scope to record, document (with different digital technologies) and visualize in virtual reality all the phases of archaeological excavation. Phase I (2010 excavation season) of the project was mainly oriented to test different technologies during the excavation (time of flight and optical laser scanners). In phase II (2011 excavation season) the UC Merced team initiated the excavation of a Neolithic house (building 89), recording all the layers by time phase-shift scanners and computer vision techniques. The recording of the excavation process through the use of digital technologies gave the team the ability to generate 3D models of layers and micro-stratigraphies in stereovision during the excavation (using stereo projectors), so as to stimulate a new digital hermeneutics in archaeology. At the end of the fieldwork all the 3D models are accessible through a Teleimmersive system created by UC Merced and UC Berkeley.
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| 3. |
- Taylor, James, et al.
(författare)
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'The Rise of the Machine' : the impact of digital tablet recording in the field at Çatalhöyük
- 2018
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Ingår i: Internet Archaeology. - : Council for British Archaeology. - 1363-5387. ; 47
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Tidskriftsartikel (refereegranskat)abstract
- This paper considers the role of digital recording methods and visualisation tools in the primary recording of archaeology at the Neolithic tell site of Çatalhöyük, Turkey. Operating within and building on Çatalhöyük Research Project's understanding of reflexive methods (Hodder 2000b, 2003; Berggren and Nilson 2014; Berggren et al. 2015) we incorporate elements of science and technology studies (Pickering 1995) in order to create a framework for documenting the complete process of devising, implementing, and assessing digitised and tablet-based workflows. These harness the project's existing SQL database and intra-site GIS, as well as the increasingly user-friendly suite of 3D recording technologies which are now available to archaeologists. The Çatalhöyük Research Project's longstanding engagement with digital methods in archaeology means that such a study is well placed to provide insights into wider disciplinary trends that might be described as a 'Digital Turn'. By offering a review of tablet recording and exploring the effects of its introduction upon the archaeologists' relationship with the archaeological remains, we investigate the applied integration of digital recording technologies and their role in facilitating a deeper reflexivity in the interpretation of the archaeology on the site.
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