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Heritage, Gentrification and Resistance in the Neoliberal City
- 2022
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Samlingsverk (redaktörskap) (refereegranskat)abstract
- What happens when versions of the past become silenced, suppressed, or privileged due to urban restructuring? In what ways are the interpretations and performances of ‘the past’ linked to urban gentrification, marginalization, displacement, and social responses? Authors explore a variety of attempts to interrupt and interrogate urban restructuring, and to imagine alternative forms of urban organization, produced by diverse coalitions of resisting groups and individuals. Armed with historical narratives, oral histories, objects, physical built environment, memorials, and intangible aspects of heritage that include traditions, local knowledge and experiences, memories, authors challenge the ‘devaluation’ of their neighborhoods in official heritage and development narratives.
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- Jewesbury, Daniel, 1972
(författare)
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A number of different ways of understanding what "The Candahar" might be
- 2020
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Ingår i: 13th Floor. MacKenzie Art Gallery, Regina, SK, Canada web publication. - Regina, SK, Canada : MacKenzie Art Gallery.
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Annan publikation (övrigt vetenskapligt/konstnärligt)abstract
- An essay commissioned by the MacKenzie Art Gallery to mark their purchase of the artwork 'The Candahar', by Theo Sims, for their permanent collection. 'The Candahar' is both a sculpture, a work of collaborative performance, and a collaborative curatorial project - a space in which events and gatherings can take place. In form, 'The Candahar' resembles a movie set of a small Irish pub, and it is in fact based on details from a number of real pubs in Belfast, Northern Ireland. However, it is a fictional space, a kind of utopia, a space of personal and collective projection. It has been exhibited in a great number of venues across Canada, in various different combinations, from St. Johns to Vancouver. Each time it is exhibited, brothers Conor and Chris Roddy, Belfast barmen, are brought to work in the pub. The essay examines the various ways in which 'The Candahar' operates.
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- Jewesbury, Daniel, 1972
(författare)
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Dreaming the Magic: Belfast, Brexit, Bordering and Beyond
- 2018
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Ingår i: Third Text. - : Informa UK Limited. - 0952-8822 .- 1475-5297. ; 32:5/6
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Tidskriftsartikel (refereegranskat)abstract
- The article explores the impossibility and inevitability of Brexit from the perspective of the Northern Irish border, and the insoluble dimension of Northern Ireland's sovereignty in the wake of the Good Friday Agreement of 1998.
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| 6. |
- Jewesbury, Daniel, 1972
(författare)
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Dreaming the Magic: Belfast, Brexit, Bordering and Beyond
- 2018
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Ingår i: "Art after Brexit" conference, Belfast City Hall, Belfast, 1 November 2018. - Belfast : International Association of Art Critics.
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Konferensbidrag (övrigt vetenskapligt/konstnärligt)abstract
- I was invited to take part in this one-day conference organised by AICA, the International Association of Art Critics, on the basis of my forthcoming text in the journal Third Text, Dreaming the Magic. The paper summarised that text and investigated the impossibility and inevitability of Brexit, and the effects for artists in Northern Ireland.
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- Jewesbury, Daniel, 1972, et al.
(författare)
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Epilogue: Reflections on Heritage, Gentrification, Resistance
- 2022
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Ingår i: Heritage, Gentrification and Resistance in the Neoliberal City. - New York & Oxford : Berghahn Books. - 9781800735729 ; , s. 185-193
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Bokkapitel (refereegranskat)abstract
- What happens when versions of the past become silenced, suppressed, or privileged due to urban restructuring? In what ways are the interpretations and performances of ‘the past’ linked to urban gentrification, marginalization, displacement, and social responses? Authors explore a variety of attempts to interrupt and interrogate urban restructuring, and to imagine alternative forms of urban organization, produced by diverse coalitions of resisting groups and individuals. Armed with historical narratives, oral histories, objects, physical built environment, memorials, and intangible aspects of heritage that include traditions, local knowledge and experiences, memories, authors challenge the ‘devaluation’ of their neighborhoods in official heritage and development narratives.
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| 8. |
- Jewesbury, Daniel, 1972
(författare)
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Jolanta Dolewska: Breathless
- 2017
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Ingår i: Source Photographic Review. - 1369-2224. ; :92, s. 30-39
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Tidskriftsartikel (övrigt vetenskapligt/konstnärligt)
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| 10. |
- Jewesbury, Daniel, 1972
(författare)
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Looking at the Woman in the Museum
- 2018
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Ingår i: Göteborgs Konstmuseet (part of ‘Taking Place’, Fri Konst Research Event).
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Konstnärligt arbete (övrigt vetenskapligt/konstnärligt)abstract
- A performance in front of several works in the Furstenberg Galleries of Göteborgs Konstmuseet, exploring and radically unsettling the gendering of museum spaces and of the gaze of the viewer.
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