| 1. |
- Rosen, Astrid von, 1964, et al.
(författare)
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Multisensory Heritage – Digital Challenges
- 2017
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Ingår i: GPS400 conference 2017.
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Konferensbidrag (övrigt vetenskapligt/konstnärligt)abstract
- This session discussed multisensory heritage and what roles digital technologies can play in preserving and displaying heritage. Theoretical frameworks and artistic and curatorial practices where specifically explored in relation to design, production and fruition of multisensory experiences.
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| 2. |
- Rosen, Astrid von, 1964, et al.
(författare)
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Re-imagining Scenography in Relation to Art History
- 2021
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Ingår i: Scenography and Art History: Performance Design and Visual Culture. - London : Bloomsbury Visual Arts. - 9781350204447 ; , s. 1-12
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Bokkapitel (refereegranskat)
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| 3. |
- Rosen, Astrid von, 1964, et al.
(författare)
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Reimagining the research archive: a dialogue
- 2016
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Ingår i: Dream-playing across borders: accessing the non-texts of Strindberg’s A dream play in Düsseldorf 1915–18 and beyond / Astrid von Rosen (ed.). - Göteborg : Makadam. - 9789170612329 ; , s. 279-298
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Bokkapitel (refereegranskat)abstract
- The book concludes with dialogue between the participants about the reimagined research archive that has grown out of the project.
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| 4. |
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Scenography and Art History: Performance Design and Visual Culture
- 2021
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Samlingsverk (redaktörskap) (övrigt vetenskapligt/konstnärligt)abstract
- Scenography and Art History reimagines scenography as a critical concept for art history, and is the first book to demonstrate the importance and usefulness of this concept for art historians and scholars in related fields. It provides a vital evaluation of the contemporary importance of scenography as a critical tool for art historians and scholars from related branches of study addressing phenomena such as witchy designs, Early Modern festival books, live rock performances, digital fashion photography, and outdoor dance interventions. With its nuanced and detailed case studies, this book is an innovative contribution to ongoing debates within art history and visual studies concerning multisensory events. It extends the existing literature by demonstrating the importance of a reimagined scenography concept for comprehending historical and contemporary art histories and visual cultures more broadly. The book contends that scenography is no longer restricted to the traditional space of the theatre, but has become an important concept for approaching art historical and contemporary objects and events. It explores scenography not solely as a critical approach and theoretical concept, but also as an important practice linked with unrecognized labour and broader political, social and gendered issues in a great variety of contexts, such as festive culture, sacred settings, fashion, film, or performing arts. Designed as a key resource for students, teachers and researchers in art history, visual studies, and related subjects, the book, through its cross-disciplinary frame, does consider, implicitly and explicitly, the roles of both scenography and art in society.
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| 5. |
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Scenography and Art History: Performance Design and Visual Culture.
- 2023
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Samlingsverk (redaktörskap) (övrigt vetenskapligt/konstnärligt)abstract
- Scenography and Art History reimagines scenography as a critical concept for art history, and is the first book to demonstrate the importance and usefulness of this concept for art historians and scholars in related fields. It provides a vital evaluation of the contemporary importance of scenography as a critical tool for art historians and scholars from related branches of study addressing phenomena such as witchy designs, Early Modern festival books, live rock performances, digital fashion photography, and outdoor dance interventions. With its nuanced and detailed case studies, this book is an innovative contribution to ongoing debates within art history and visual studies concerning multisensory events. It extends the existing literature by demonstrating the importance of a reimagined scenography concept for comprehending historical and contemporary art histories and visual cultures more broadly. The book contends that scenography is no longer restricted to the traditional space of the theatre, but has become an important concept for approaching art historical and contemporary objects and events. It explores scenography not solely as a critical approach and theoretical concept, but also as an important practice linked with unrecognized labour and broader political, social and gendered issues in a great variety of contexts, such as festive culture, sacred settings, fashion, film, or performing arts. Designed as a key resource for students, teachers and researchers in art history, visual studies, and related subjects, the book, through its cross-disciplinary frame, does consider, implicitly and explicitly, the roles of both scenography and art in society.
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| 6. |
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ΣΚΗΝΟΓΡΑΦΙΑ ΚΑΙ ΙΣΤΟΡΙΑ ΤΗΣ ΤΕΧΝΗΣ. ΣΧΕΔΙΑΣΜΟΣ, ΠΕΡΦΟΡΜΑΝΣ ΚΑΙ ΟΠΤΙΚΟΣ ΠΟΛΙΤΙΣΜΟΣ : Scenography and Art History: Performance Design and Visual Culture. (Greek Ed.)
- 2023
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Samlingsverk (redaktörskap) (övrigt vetenskapligt/konstnärligt)abstract
- Το βιβλίο αυτό αναδεικνύει τη σημασία της αγνοημένης τέχνης της σκηνογραφίας ως προς τον σχεδιασμό παραστάσεων και επιτελέσεων στο θέατρο αλλά και πέρα από αυτό, αξιοποιώντας πρόσφατα μεθοδολογικά και κριτικά εργαλεία. Στο επίκεντρο των νέων αυτών αντιλήψεων για την σκηνογραφία βρίσκεται ο χώρος και το έργο ως πολυαισθητηριακή εμπειρία η οποία συν-δημιουργείται από τους καλλιτέχνες και το κοινό. Η προσέγγιση δίνει έμφαση στις σχέσεις σωμάτων, αντικειμένων και αισθήσεων στον χώρο που παράγουν ατμόσφαιρες, δηλαδή περιβάλλοντα με θεατρική και συγκινησιακή φόρτιση. Παράλληλα, ενθαρρύνει κριτικές αναζητήσεις που αμφισβητούν κυρίαρχες και κανονιστικές αντιλήψεις σχετικά με τον χώρο. Οι μελέτες περίπτωσης που απαρτίζουν το βιβλίο καλύπτουν ερευνητικά πεδία σε εντυπωσιακά μεγάλο εύρος, από το θέατρο, την περφόρμανς, το χορό, τον κινηματογράφο και τη μουσική συναυλία έως την αρχιτεκτονική, την εικαστική εγκατάσταση, τη μόδα και την πολιτιστική κληρονομιά. Το βιβλίο ενθαρρύνει ολιστικές προσεγγίσεις της γνώσης και της καλλιτεχνικής δημιουργίας σε σύγχρονο πλαίσιο. [Scenography and Art History reimagines scenography as a critical concept for art history, and is the first book to demonstrate the importance and usefulness of this concept for art historians and scholars in related fields. It provides a vital evaluation of the contemporary importance of scenography as a critical tool for art historians and scholars from related branches of study addressing phenomena such as witchy designs, Early Modern festival books, live rock performances, digital fashion photography, and outdoor dance interventions. With its nuanced and detailed case studies, this book is an innovative contribution to ongoing debates within art history and visual studies concerning multisensory events. It extends the existing literature by demonstrating the importance of a reimagined scenography concept for comprehending historical and contemporary art histories and visual cultures more broadly. The book contends that scenography is no longer restricted to the traditional space of the theatre, but has become an important concept for approaching art historical and contemporary objects and events. It explores scenography not solely as a critical approach and theoretical concept, but also as an important practice linked with unrecognized labour and broader political, social and gendered issues in a great variety of contexts, such as festive culture, sacred settings, fashion, film, or performing arts. Designed as a key resource for students, teachers and researchers in art history, visual studies, and related subjects, the book, through its cross-disciplinary frame, does consider, implicitly and explicitly, the roles of both scenography and art in society.]
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| 7. |
- Kjellmer, Viveka, 1964
(författare)
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Att iscensätta en stjärna. Om mediebilden av Karin Kavli som primadonna, teaterchef och kulturpersonlighet
- 2009
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Ingår i: Teaterbilder. Studier i visuell representation, Red. Bia Mankell, 2009.. - Göteborg : Göteborgs stadsmuseum.
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Bokkapitel (övrigt vetenskapligt/konstnärligt)abstract
- Färgstark och slagfärdig – Karin Kavlis eftermäle talar om en kvinna som lämnat avtryck som såväl skådespelerska som karismatisk personlighet under ett långt liv. Hon är märkvärdig på flera sätt – som karaktärsskådespelerska, som en av Sveriges första kvinnliga teaterchefer och inte minst som en person som tidigt förstod att använda publicitet och på ett medvetet sätt bygga upp en offentlig bild av sig själv. Hon hade star-quality, men inte av den uppstyrda, polerade Hollywoodkaraktären, utan en naturligare svensk variant som kom från hjärtat. Kavlis stjärnkvalité låg i att hon sade vad hon tyckte med stor utstrålning och självironi. Hennes glamorösa och karismatiska, men ibland lite skrämmande, offentliga roll balanserades av en varm och humoristisk sida som skymtade fram i intervjuer och på bilder av privatpersonen Karin Kavli. Transparensen mellan det offentliga och det privata skapade ett spänningsfält som gav primadonnan Kavli en lockande dimension. Denna bidrog till att väcka intresse för Karin Kavli genom hela hennes liv och den fortsätter att fascinera, trots att hon sedan länge har gått ur tiden.
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| 8. |
- Kjellmer, Viveka, 1964
(författare)
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Costume and the Modernist Body: Fashioning August Strindberg
- 2021
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Ingår i: Performance Costume: New Perspectives and Methods, Eds. Sofia Pantouvaki & Peter McNeill. - London : Bloomsbury. - 9781350098800 ; , s. 255-259
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Bokkapitel (refereegranskat)abstract
- Employing a fashion perspective, this snapshot explores Swedish scenographer Knut Ström’s costume sketches, made in Düsseldorf in 1915-18, for his production of August Strindberg’s A Dream Play. In Ström’s sketches, the main character, the Daughter of Indra, is portrayed as a modernist woman in a slim dress and short hair. Drawing on Caroline Evans’ definition of the modernistic body and the renegotiated perceptions of the ideal female figure in the early 1900s, the text discusses how fashion and the new view of the female body were linked at the time. The ‘modernist body’ was about a clothed body in motion, a new, streamlined silhouette and a female body with agency. Ström’s staging of the Daughter of Indra as a modernist woman gives the character visual impact and anchors her in the process of social change that was underway at the time.
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| 9. |
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| 10. |
- Kjellmer, Viveka, 1964
(författare)
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Doftande museum vidgar intrycken : Exhibition experience: the scented museum
- 2015
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Ingår i: Alba. Om kultur, vetenskap och samhälle.. - 1403-5448. ; 2015:150902
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Tidskriftsartikel (övrigt vetenskapligt/konstnärligt)abstract
- Scent triggers other experiences and memories than visual stimuli. Invisible and elusive, it still affects us very strongly, and the sense of smell can evoke both emotional and physical responses. How can scent be understood as a bearer of meaning? In this article scent in the museum is discussed – as art and artefact, and as a medium to convey the mood of a time and an understanding of spatiality. One way to invite scent into the museum is to present fragrance as art. L’Osmothèque outside Paris is an olfactory archive for lost and forgotten fragrances. The museum supports the art of perfumery by collecting and preserving important works from perfume history. Visitors can smell the perfumes from bygone eras and experience the scent of history. Perfume creation is presented as a form of artistic expression. A similar approach was used at the exhibition Art of Scent 1889-2012 at the Museum of Art and Design (New York 2013). Perfume was exhibited as artwork, and the scents themselves played the leading role, without bottles or marketing, in an exhibition where visitors smelled the perfumes through specially designed scent dispensers. Scent as a bearer of meaning in the museum is still relatively unexplored. It is fundamentally about communicating through multiple senses – and creating more diverse exhibitions – but it is also about conveying new aspects of culture.
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