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- Anter, Karin Fridell, et al.
(författare)
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SYN-TES INTERDISCIPLINARY RESEARCH ON COLOUR AND LIGHT
- 2012
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Ingår i: Proceedings for Interim Meeting of the International Colour Association (AIC); AIC 2012 “In Color We Live: Color and Environment”, 22 – 25 September 2012, Taipei, Taiwan. - : The International Colour Association. ; , s. 80-83, s. 80-83
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Konferensbidrag (refereegranskat)abstract
- Colour and light have largely been considered as belonging to two different fields of knowledge, having disparate theoretical, terminological and methodological traditions. This creates a ground for misunderstandings and obstructs a fruitful interdisciplinary and interprofessional collaboration. A survey over international research literature from 2006 -2011 shows that there has been only little research on the spatial interaction between colour and light, but that the interest for this area has recently increased. The interdisciplinary Nordic research project SYN-TES: Human colour and light synthesis. Towards a coherent field of knowledge was carried out during 2010-11. Colour and light experts from Nordic universities and companies investigated different aspects of the spatial interaction between colour and light and its importance for human beings. This paper deals with the general learnings from the process. Specific results are presented in other papers at this conference.
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| 2. |
- Arnkil, Harald, et al.
(författare)
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PERCIFAL: Visual analysis of space, light and colour
- 2011
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Ingår i: AIC 2011, Interaction of Colour & Light in the Arts and Sciences, Midterm Meeting of the International Colour Association, Zurich, Switzerland, 7–10 June 2011: Conference Proceedings, CD. - Zurich : pro/colore, 2011. ; , s. 229-232
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Konferensbidrag (refereegranskat)abstract
- This paper addresses the need for better and more accurate methods of recording and analyzing the visual experience of architectural space. PERCIFAL (Perceptive Spatial Analysis of Colour and Light) is an ongoing project that aims at developing a method of analysis that can capture coherent spatial experiences of colour and light. The starting point for PERCIFAL is a method of visual evaluation of space and light, developed by Professor Anders Liljefors at the former department of architectural lighting at KTH Architecture. PERCIFAL is based on direct visual observations and the recording of these observations by verbal-semantic descriptions using a questionnaire. It has been developed primarily as an educational tool, but we see in it potential for a design tool for professionals as well as for an analytical method for research. The first test results, conducted in Sweden, Norway and Finland, show that the method has significant pedagogical merits and that it allows interesting comparisons between physical measurements and visual experiences of space, light and colour.
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| 5. |
- Fridell Anter, Karin, 1950-, et al.
(författare)
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Den rymliga gråheten : om färg, ljus och rum
- 2008
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Rapport (övrigt vetenskapligt/konstnärligt)abstract
- Arbetet har innefattat ett antal observationsserier med det dubbla syftet att utforska gråhetens föränderlighet i olika betraktningssituationer och att utveckla metodik och utrustning för sådana studier. Dessa observationer presenteras i textens bilagor. Huvudtexten utgör en essä som diskuterar gråhetens rumsliga verkan utifrån litteratur och våra egna observationer. En fråga som har visat sig mycket betydelsefull är det vi har kallat vitprincipen, alltså vårt synsinnes tendens att uppfatta en färg i synfältet som vit och att relatera uppfattningen av andra färger till detta. I det nu genomförda arbetet har vi undersökt vitprincipens betydelse för uppfattningen av gråaktiga färger, och vi hoppas att i kommande projekt kunna undersöka även dess betydelse för uppfattning av färger med större kulörthet.
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| 6. |
- Fridell Anter, Karin, 1950-, et al.
(författare)
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Neutral grey : an abstraction?
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Annan publikation (övrigt vetenskapligt/konstnärligt)abstract
- This paper presents part of the research project Greyness and spatial experience. Its main objective is to discuss the concept of neutral grey and to investigate the preconditions for percieving neutral grey colours in different situations. Neutral grey is defined as having similarity to black and white, not to the chromatic elementary colours. Greyish colour samples have been observed with different backgrounds and in different light. One of these series is presented in detail in the paper, the conclusion from others are considered in the discussion, together with relevant literature. Greyish colours are seldom percieved as neutral, but rather tent to get a percieved hue, which depends on the observation situation. Inherent neutral grey colours are not found in nature. In production of materials and artefacts no tolerance level can assure a total lack of hue. In conclusion we suggest that neutral grey should be considered as an abstraction, its unique but in practice unobtainable quality lying in its absolute lack of hue and chromaticness.
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| 7. |
- Fridell Anter, Karin, et al.
(författare)
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NEUTRAL GREY – AN ABSTRACTION?
- 2009
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Ingår i: Proceedings of the 11th Congress of the International Colour Association, AIC 2009. - Sydney : The Colour Society of Australia, Inc. September 2009, Sydney, Australia.. - 1877040 76 2 ; , s. 1-4
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Konferensbidrag (refereegranskat)abstract
- This paper presents part of the research project Greyness and spatial experience. Its main objective is to discuss the concept of neutral grey and to investigate the preconditions for perceiving neutral grey colours in different situations. Neutral grey is defined as having similarity only to black and white, not to the chromatic elementary colours. Greyish colour samples have been observed with different backgrounds and in different light. One of these series is presented in detail in the paper, the conclusions from others are considered in the discussion, together with relevant literature. Greyish colours are seldom perceived as neutral, but rather tend to get a perceived hue, which depends on the observation situation. Inherent neutral grey colours are not found in nature. In production of materials and artefacts no tolerance level can assure a total lack of hue. In conclusion we suggest that neutral grey should be considered as an abstraction, its unique but in practice unobtainable quality lying in its absolute lack of hue and chromaticness.
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| 8. |
- Fridell Anter, Karin, 1950-, et al.
(författare)
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Successive approximation in full scale rooms. : Colour and light research starting from design experience.
- 2011
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Ingår i: AIC 2011, Interaction of Colour & Light in the Arts and Sciences, Midterm Meeting of the International Colour Association, Zurich, Switzerland, 7–10 June 2011: Conference Proceedings, CD. - Zurich : pro/colore, 2011.
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Konferensbidrag (refereegranskat)abstract
- OPTIMA is a pilot study attempting to simultaneously involve all visual aspects of the room, with an analysis starting from the totality instead of dividing it into different parameters. Its primary aim is to develop and test methods for this, combining a scientific approach and experience based practices of art and design
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| 9. |
- Fridell Anter, Karin, 1950-, et al.
(författare)
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SYN-TES : human colour and light synthesis. Towards a coherent field of knowledge
- 2010
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Ingår i: Colour and light in architecture. - Verona : Knemesi. - 9788896370049 ; , s. 235-240
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Konferensbidrag (övrigt vetenskapligt/konstnärligt)abstract
- The research project SYN-TES aims at contributing to a theoretical development transforming the field of colour and light into a coherent field of research. This includes the identification of important problems and the development of theoretical and methodological tools for the trans-disiplinary understanding necessary to solving them. Special emphasis is put on the spatial interaction of colour and light in architecture. The work has the form of seminars/workshops where colour and light specialists from different academic disciplines (six Nordic universities) and companies (light sources, colorimetric standards, window glass) examine different aspects of the problem complex. Sub-projects deal with the epistemology and concepts of colour and light, with methods for analysing colour and light in existing architectural spaces and with the relationship between energy and light quality.
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| 10. |
- Fridell Anter, Karin, et al.
(författare)
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SYN-TES 2010-2011 Interdisciplinära studier om färg – ljus – rum
- 2012
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Rapport (övrigt vetenskapligt/konstnärligt)abstract
- Det tvärvetenskapliga projektet SYN-TES. Människa, färg och ljus. Syntetisering för ett sammanhållet kunskapsfält har pågått på Konstfack under 2010-2011, med finansiering från KK-stiftelsen (ref. nr 2009/0195). Projektet har omfattat ett femtontal nordiska färg- och ljusspecialister från företag och olika akademiska discipliner. Alla deltagarna har dessutom arbetat med annan forskning och/eller utvecklingsarbete om ljus- och/ eller färgfrågor. I arbetet med SYN-TES har gruppen regelbundet hållit interna semina- rier där olika kunskapstraditioner kunde närmas varandra och där gruppen gemensamt formulerade grunderna för ett sammanhållet kunskapsfält som innefattar både färg och ljus. I anslutning till detta har det genomförs ett antal under- eller sidoprojekt kring avgränsade frågeställningar, delvis med finansiering från Energimyndigheten (projekt nr 32266-1 och 34528-1)Det övergipande syftet var att skapa förutsättningarna för ett sammanhållet kunskapsfält som innefattar både färg och ljus, ur ett mänskligt perspektiv. I denna rapport sammanfattar vi huvuddragen i denna ”syntetisering”, med tonvikt på frågeställningar och processer. De mer konkreta resultaten av seminarier och subprojekt redovisas i en serie separata rapporter.
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