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Träfflista för sökning "WFRF:(Lewis Erin 1980 ) "

Sökning: WFRF:(Lewis Erin 1980 )

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1.
  • Lewis, Erin, 1980- (författare)
  • Magnetic Textiles : Exploring the Non-Visual in Textile Design
  • 2018
  • Annan publikation (populärvet., debatt m.m.)abstract
    • Workshop within the course 'Form and Materials 2'WORKSHOP: Magnetic Textiles: Exploring the Non-Visual in Textile DesignThis workshop will explore the design possibilities of magnetic phenomenon in textile design. Magnetic phenomenon holds the quality of being imperceptible until manifested in some way, such as through physical interaction. This phenomenon presents itself as a non-visual material, and, paradoxically, as a physical material to be utilized in design. The inclusion of magnetic threads in textile constructions allow for hidden attributes to be expressed, for example through kinetic behaviours and haptic feedback, which thereby enhance the dimensions of design available to us. This area of non-visual material exploration becomes particularly rich when combined with the variables specific to textile design such as yarn compositions, structure, and texture.In this workshop students will work with magnetic and non-magnetic threads, wires, or yarns, to create a series of magnetic textile design samples using one or more textile construction technique(s) of their choosing (e.g. knitting, crochet, weaving, etc.). Students will design textiles that emit sound waves or electromagnetic radiation, or that are kinetically actuated through the use of neodymium magnets. Students will have both independent and supported work periods. Samples will be presented on the last day of the workshop in a group critique format
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2.
  • Davis, Felicia, et al. (författare)
  • Tuning in: Reflections in the Wake of Blackness through a Knitted Textile Antenna
  • 2022
  • Ingår i: ISEA 2022 POSSIBLES. - : ISEA International.
  • Konferensbidrag (refereegranskat)abstract
    • The paper presents the context and inspirations for the Flower Antenna, a large-scale, hovering, sculptural sound installation that combines sound and transmission art, computational textiles, and architectural design. Computational textiles include microcontrollers and other electronic components as well as use the natural property of the fabric to communicate information to people The Flower Antenna was exhibited at the Museum of Modern Art’s (MOMA) Reconstructions: Architecture and Blackness in America during the spring of 2021. The authors discuss the use of electromagnetic waves via an electronically active textile construction as a form of non-visual media used to represent the paradox of Blackness and the presence of Black people in architecture in the wake of the history of slavery in the United States. Electromagnetic waves are neither seen nor recognized by most people, yet they shape the spaces people inhabit and support almost every part of society today with the use of invisible networks cast by the internet and its structures. This artistic project contributes to a discussion and reconstructing an understanding of Black culture in transmission arts, textile design, and in architecture. 
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4.
  • Hartman, Kate, et al. (författare)
  • Monarch 2 : An Iterative Design Approach to Prototyping a Wearable Electronics Project
  • 2020
  • Ingår i: Monarch 2. - Eindhoven, NL : ACM.
  • Konferensbidrag (refereegranskat)abstract
    • Monarch is a wearable electronics prototype that enables the wearer to amplify or extend body language through the use of a muscle-activated kinetic textile for the purpose of augmented social interaction. This pictorial details the second prototype stage with a focus on addressing the wearability [5,14], technical, and production challenges resulting from the first prototype [7]. The purpose of these improvements is to enable a small batch production of the prototype for further testing in daily life. Design decisions are brought to the foreground for observation and reflection, including those surrounding material choices and production methods. The result is a detailed visual account of the generative and evaluative discoveries [12] as well as a contribution of several recommendations that can be applied to small batch production of wearable electronic prototypes in a research lab context.
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5.
  • Kinetic Body Extensions for Social Interactions
  • 2018
  • Proceedings (redaktörskap) (refereegranskat)abstract
    • This studio invites participants to explore ways of extending physical expressivity through a combined use of wearable electronics and structural textile design. Participants are introduced to an electronics and material prototyping method developed by Social Body Lab for constructing kinetic textile body extensions intended for use in social interactions. Participants will learn to use a servo motor in combination with folded and pleated paper, textiles, and structural materials to create a kinetic wearable module that can expand and contract in form. These kinetic modules can vary in size, form, complexity, and placement on the body, depending on the intended application. Pressure, flexion, ambient light, and electromyography (EMG) are sensors that will be explored as possible triggers for these modules using body movements and gestures. Through prototyping, testing, wearing, and group discussion, participants will explore ways in which their kinetic body extensions can amplify, extend, or subvert existing body language.
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6.
  • Lewis, Erin, 1980- (författare)
  • Abstract Everywhere : Dressing in Electromagnetic Atmospheres
  • 2020
  • Ingår i: Unlikely: Journal for Creative Arts. - Melbourne. - 2205-0027. ; 6
  • Tidskriftsartikel (refereegranskat)abstract
    • As an artistic space, the electromagnetic atmosphere sits akin to the notion of ether as a non-visual and omnipresent force; an "abstract everywhere" (Milutis, 2002). It forms an energetic ambiance that seems to come "from nowhere and everywhere at once" (Kahn in Vincente et al., 25). It is a space devoid of exactitudes, an invisible sandbox of infinite expressions of electromagnetic properties that afford physical interaction. As Dunne posits, the electromagnetic atmosphere is simultaneously a physical, conceptual, and notional space (102). To situate oneself in this liminal space requires a method through which to perceive this energetic ether in relation to ourselves.The artistic research that is presented here stems from a practice of experimental textile design, through which body-based textile antenna designs are proposed. These antennas allow the wearer to explore the boundaries of their body within this electromagnetic atmosphere through means of interaction. As textile antennas receive electromagnetic waves they are converted to soundwaves that the wearer can hear in real-time through the use of headphones. Interaction with the textile antennas combine body positioning, movement, and the directional quality of electromagnetic waves, resulting in changes to the sonic expressions one hears.Considering that the act of wearing on the body is communicative, we question how signification occurs with these body-based textile antennas as technological objects. Using Barthes' semiotic notions of dress objects and dressing, signified and signifier (Barthes, 1983), we explore the notion that these objects may carry signification through frequency-based interactions with electromagnetic atmosphere. As a result, we speculate on bodily signifiers for perceiving the abstract everywhere.
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7.
  • Lewis, Erin, 1980- (författare)
  • Between Yarns and Electrons : A method for designing textural expressions in electromagnetic smart textiles
  • 2021
  • Ingår i: Nordic Design Conference 2021. - Kolding, DK.
  • Konferensbidrag (refereegranskat)abstract
    • The design of smart textiles presents a discrepancyof scale where the designer works at the level ofstructural textile design while facets of the materialexpress at scales beyond one’s senses. Withoutmethods to narrow this gap, certain expressionaldomains of the textile are closed off from designpossibilities. The aim of the research has been todesign a method for observing, visualizing, anddescribing expressions of electromagnetism intextiles. Through a method of textile surfacescanning, one can produce a visualization of itselectromagnetic field. Woven textile samplesobserved through this method reveal a texturalquality that exists within the electron flow – anelectromagnetic texture, which emerges at theintersection of woven design and electromagneticdomain variables. The design variables fieldstrength, diffusion, and field shape contribute innarrowing the gap that presents when one designssimultaneously at the scale of textile structure andelectron flow in yarns.
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8.
  • Lewis, Erin, 1980- (författare)
  • Between yarns and electrons : A method for designing electromagnetic expressions in woven smart textiles
  • 2022
  • Ingår i: Artifact: Journal of Design Practice. - Bristol, UK : Intellect. - 1749-3463 .- 1749-3471. ; 9:1-2, s. 23.1-23.25
  • Tidskriftsartikel (refereegranskat)abstract
    • The design of woven smart textiles presents a discrepancy of scale where the designer works at the level of structural textile design while facets of the material express at scales beyond one’s senses. Without appropriate methods to address these unknown (or hidden) material dimensions, certain expressional domains of the textile are closed off from textile design possibilities. The aim of the research has been to narrow the gap that presents when one designs simultaneously at the scale of textile structure and electron flow in yarns. It does this by detailing a method for sensing, visualizing, and discussing expressions of electromagnetism in woven smart textiles. Based on experimental research, a method of textile surface scanning is proposed to produce a visualization of the textile’s electromagnetic field. The woven textile samples observed through this method reveal an unknown textural quality that exists within the electron flow – an electromagnetic texture, which emerges at the intersection of woven design and electromagnetic domain variables. The research further contributes to the definition of specific design variables such as: field strength and diffusion expanding the practice of woven smart textile design to the electromagnetic domain.
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9.
  • Lewis, Erin, 1980-, et al. (författare)
  • Colour, texture, and luminance : Textile design methods for printing with electroluminescent inks
  • 2023
  • Ingår i: Cultura e Scienza del Colore - Color Culture and Science Journal. - Milan. - 2384-9568. ; 15:1, s. 27-34
  • Tidskriftsartikel (refereegranskat)abstract
    • Printable smart materials offer textile designers a range of changeable colours, with the potential to redefine the expressive properties of static textiles. However, this comes with the challenge of understanding how the printing process may need to be adapted for these novel materials. This research explores and exemplifies the properties and potential of electroluminescent inks as printable smart colours for textiles, in order to facilitate an understanding of designing complex surface patterns with electroluminescent inks. Three conventional textile print methods – colour mixing, halftone rasterization, and overlapping – have been investigated through experimental design research to expand the design potential of electroluminescent inks. The result presents a set of methods to create various color mixtures and design complex patterns. It offers recipes for print formulation and documents the outcomes, offering a new design resource for textile surface pattern designers to promote creativity in design, and provides fundamental knowledge for the creation of patterns on textiles using electroluminescent inks.
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10.
  • Lewis, Erin, 1980- (författare)
  • Design Potentials of Magnetic Yarns
  • 2018
  • Ingår i: Design Potential of Magnetic Yarns. - Porto, Portugal.
  • Konferensbidrag (refereegranskat)abstract
    • Magnetism holds a strong potential as a design material due to the array of possible expressions based on its fundamental behaviours of attraction and repulsion. The magnetic phenomenon presents itself simultaneously as visual and non-visual material through its quality of being imperceptible under certain conditions until manifested in some way, such as physical interaction or electronic control. This balancing of physical constants, material and immaterial considerations of magnetic phenomenon, become a rich site for exploration and experimentation when combined with the immense variables available in textile design such as yarn attributes (yarn number, yarn twist, fiber composition) and textile structure (woven, non-woven, knit, twisted and interlaced). Therefore, the use of magnetism as a design material holds a strong potential for dynamic and responsive textile expressions when used in composition with one another. While the discourse surrounding the material-immaterial relationship is active and present across various design disciplines [1,2,3], the representation of magnetic phenomenon as a design material remains underrepresented in the field of textile design. This experiment illustrates a method of creating yarns that are responsive to magnetic fields through a process of hand-painting natural, synthetic, and combination yarns with a widely-available ferromagnetic solution. The result is a reference catalogue of yarns exhibiting design potentials for textile-based magnetic interactions.ExperimentThis poster presentation describes a method of creating yarns that are responsive to magnetic fields through a process of hand-painting natural, synthetic, and combination yarns with a widely-available ferromagnetic solution. The yarns measure 10 cm in length and are grouped in bundles to form tassels. They are anchored to a fixed structure at a central point from which all movement arises. A magnetic field is applied to the yarns through the use of permanent- and electro-magnets. These painted yarns exhibit a unique variety of behaviours and characteristics ranging from lifting/dropping, expansion/compression, splaying, and fluctuating movements, as well as the yarn’s ability to hold structural form. These expressions are based on the yarn variants of fiber composition, weight, twist, flexibility, absorption ability, and evenness of absorption.ResultsThis experiment results in a catalogue of natural and synthetic yarn attributes pre- and post- ferritic treatment, which identities their magnetic and behavioural abilities. The results suggest design potentials to be further explored through textile construction methods such as weaving and knitting.Figure 1. Magnetic yarns in a woven textile construction.AcknowledgementThis research is supported by the Swedish School of Textiles, University of Borås, SwedenReferencesWiberg, M. (2014). Methodology for materiality: Interaction design research through a material lens. Personal and Ubiquitous Computing, 18(3), 625-636.Dunne, Anthony. (2006). Hertzian Tales: Electronic Products, Aesthetic Experience, and Critical Design (Rev. ed.]. ed.). MIT Press.Kwon, H., Kim, H., & Lee, W. (2014). Intangibles wear materiality via material composition. Personal and Ubiquitous Computing, 18(3), 651-669. 
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