| 1. |
- Frändberg, Lotta, 1964, et al.
(författare)
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Integrated Mobility Research
- 2004
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Ingår i: Poster at the International Geographical Union’s congress, Glasgow 15-20 August 2004.
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Konferensbidrag (övrigt vetenskapligt/konstnärligt)
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| 2. |
- Frändberg, Lotta, 1964, et al.
(författare)
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Aspects of Corporeal, Virtual and Media Mobility Development in Sweden
- 2008
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Ingår i: Cosmobilities workshop: The future of Cosmobilities Network, 12-14 march 2008, Holbaek, Denmark.
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Konferensbidrag (övrigt vetenskapligt/konstnärligt)abstract
- Diverse forms of spatial mobility are significant features of current social life. The rapid and converging development of space-transcending technologies (high-speed transportation and information and communication technologies) and still increasing virtual access to other places through media representation (e.g. news and popular culture) are thoroughly affecting people’s use of space and place. Decreased friction of distance, extended social networks and everyday activity patterns are major indicators of this. Gradually, spatial mobility is becoming institutionalised and expected, turning high levels of travel and communication from a choice to more of a necessity. Our projects aim to explore the development of various forms of spatial mobility and human interaction, be they physical, virtual, or media related. Their intricate interrelations in terms of complements, substitutes, displacements, and modifications − and the intersections between these − are a particular focus.
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| 3. |
- Gyimóthy, Szilvia, et al.
(författare)
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Popcultural tourism: A research manifesto
- 2013
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Ingår i: Celebrating and enhancing the tourism knowledge-based platform: A tribute to Jafar Jafari, Palma de Mallorca October 23-25 2013.
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Konferensbidrag (refereegranskat)
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| 4. |
- Gyimóthy, Szilvia, et al.
(författare)
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Popculture tourism : A research manifesto
- 2015
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Ingår i: Tourism Research Frontiers. - Bingley : Emerald Group Publishing Limited. - 9781783509935 - 9781783509942 ; 20, s. 13-26
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Bokkapitel (refereegranskat)abstract
- Tourism in the wake of films, literature, and music is gaining interest among academics and practitioners alike. Despite the significance of converging tourism and media production and popcultural consumption, theorizing in this field is weak. This chapter explores complex relationships among popcultural phenomena, destination image creation, and tourism consumption. By taking a broader social science approach, it revisits and connects research themes, such as symbolic consumption, negotiated representations, fans and fandom, technology mediation, and media convergence. The chapter concludes with an integrative model, or "popcultural placemaking loop," which is qualified through six propositions. Copyright © 2015 by Emerald Group Publishing Limited.
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| 5. |
- Holmstedt, Janna, 1972-
(författare)
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Are you ready for a wet live-in? : explorations into listening
- 2017
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Konstnärligt arbete (övrigt vetenskapligt/konstnärligt)abstract
- Listen. If I ask you to listen, what is it that I ask of you—that you will understand, or perhaps obey? Or is it some sort of readiness that is requested? What occurs with a body in the act of listening? How do sound and voice structure audio-visual-spatial relations in concrete situations?This doctoral thesis in fine arts consists of six artworks and an essay that documents the research process, or rather, acts as a travelogue as it stages and narrates a series of journeys into a predominantly sonic ecology. One entry into this field is offered by the animal “voice” and attempts to teach animals to speak human language. The first journey concerns a specific case where humanoid sounds were found to emanate from an unlikely source—the blowhole of a dolphin. Another point of entry is offered by the acousmatic voice, a voice split from its body, and more specifically, my encounter with the disembodied voice of Steve Buscemi in a prison in Philadelphia. This listening experience triggered a fascination with, and an inquiry into, the voices that exist alongside us, the parasitic relation that audio technology makes possible, and the way an accompanying voice changes one’s perceptions and even one’s behavior. In the case of both the animal and the acousmatic, the seemingly trivial act of attending to a voice quickly opens up a complex space of embodied entanglements with the potential to challenge much of what we take for granted. At the heart of my inquiry is a series of artworks made between 2012 and 2016, which constitute a third journey: the performance Limit-Cruisers (#1 Sphere), the praxis session Limit-Cruisers (#2 Crowd), the installations Therapy in Junkspace, Fluorescent You, and “Then, ere the bark above their shoulders grew,” and the lecture performance Articulations from the Orifice (The Dry and the Wet).The relationship between what is seen and heard is being explored and renegotiated in the arts and beyond. We are increasingly addressed by prerecorded and synthetic voices in both public and private spaces. Simultaneously, our notions of human communication are challenged and complicated by recent research in animal communication. My work attempts to address the shifts and complexities embodied in these developments. The three journeys are deeply entwined with theoretical inquiries into human-animal relationships, technology, and the philosophy of sound. In the essay, I consider as well how other artistic practices are exploring this same complex space. What I put forward is a materialist and concrete approach to listening understood as a situated practice. Listening is both a form of co-habitation and an ecology. In and through listening, I claim, one could be said to perform in concert with the things heard while at the same time being changed by them.
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| 6. |
- Larson, Mia, 1965, et al.
(författare)
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Hållbart turismföretagande i kustsamhällen
- 2013
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Ingår i: Framtidskuster. Hållbar utveckling i kustsamhällen. - Göteborg : Makadam Förlag. - 9789170611308 ; , s. 173-196
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Bokkapitel (övrigt vetenskapligt/konstnärligt)
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| 7. |
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| 8. |
- Larsson, Anders, 1961, et al.
(författare)
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Bridging the knowledge gap between the old and the new : regional marine experience production in Orust, Västra Götaland, Sweden
- 2014
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Ingår i: European Planning Studies. - : Informa UK Limited. - 0965-4313 .- 1469-5944. ; 22:8, s. 1551-1568
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Tidskriftsartikel (refereegranskat)abstract
- Today many regions in the industrialized world have to deal with a transformation from traditional industry such as agriculture or manufacturing to service-oriented production such as tourism. Nevertheless, few studies highlight the possibilities and limitations of inter-sectoral knowledge sharing among stakeholders representing these sectors and hence there seem to be missed opportunities for mutual collaboration in the era of experience production. Using an evolutionary perspective, this article aims to analyse how the leisure boat manufacturing and the tourism sectors in the municipality of Orust on the Swedish west coast, combine knowledge from these two sectors as a way to spur innovation in experience production. The article shows how there are a number of limitations to sectoral knowledge interaction. Some of them can be linked to the conservative nature of the traditional industry, and to the immature nature of the tourism sector, others to the role of policy. However, at the same time as there being a number of obstacles for collaboration, the article reveals some interesting possibilities to form inter-sectoral knowledge sharing.
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| 9. |
- Larsson, Anders, 1961, et al.
(författare)
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Bridging the Knowledge-gap Between the Old and the New: Regional Marine Experience Production in Orust, Västra Götaland, Sweden
- 2015
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Ingår i: Innovation and Tourism Destination Development. - London : Routledge. - 9781138922464
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Bokkapitel (refereegranskat)abstract
- Today many regions in the industrialized world have to deal with a transformation from traditional industry such as agriculture or manufacturing to service-oriented production such as tourism. Nevertheless, few studies highlight the possibilities and limitations of inter-sectoral knowledge sharing among stakeholders representing these sectors and hence there seem to be missed opportunities for mutual collaboration in the era of experience production. Using an evolutionary perspective, this article aims to analyse how the leisure boat manufacturing and the tourism sectors in the municipality of Orust on the Swedish west coast, combine knowledge from these two sectors as a way to spur innovation in experience production. The article shows how there are a number of limitations to sectoral knowledge interaction. Some of them can be linked to the conservative nature of the traditional industry, and to the immature nature of the tourism sector, others to the role of policy. However, at the same time as there being a number of obstacles for collaboration, the article reveals some interesting possibilities to form inter-sectoral knowledge sharing.
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| 10. |
- Lindström, Kristina, 1972, et al.
(författare)
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Broadening the Servicescape and Experiencescape Concepts: Evidence from Popular Culture Destinations
- 2014
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Ingår i: The 23rd Nordic Symposium on Tourism and Hospitality Research, Copenhagen Oct 2-3 2014.
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Konferensbidrag (övrigt vetenskapligt/konstnärligt)abstract
- The servicescape is a central concept within the service marketing literature based on rationally worked out presentations of an environment. It is vital in creating the service experience, and communicates powerful messages to the consumer about the expected quality of the experience (e.g. Arnould, Price & Tierney, 1998; Aubert-Gamet, 1997; Babin & Dardin, 1996; Baker, 1987; Baker, Grewal & Levt, 1992; Bitner, 1990; 1992; Booms & Bitner, 1982; Donovan & Rossiter, 1982; Mehrabian & Russell, 1974; Tilly, 1994). Yet, the branding and marketing of places hides the different value constructions behind such commercial activities. Furthermore, much of the servicescape research has been very conceptual, focusing on only one of the physical elements of the physical environment (Countryman and Jang, 2006). One of the objectives of this research is to attempt to fill that gap by categorising all aspects of the servicescape based on data from popular culture destinations and an elaborated model of analysis for servicescape elements. More specifically, the aim of the paper is to elaborate the notion of servicescapes towards a more holistic understanding and application of the concept. The fact that the tourism experience involves complex interactions with the physical and cultural landscapes of the tourist destination, leading to complex positive and negative impacts in the local communities, evidently looping back affecting the consumer experience, implies an extension of the concept of servicescape. In this more complex context of tourism consumption, Mossberg (2007) has suggested that the servicescape concept should be substituted with the broader experiencescape concepts to better reflect that in tourism, the service product is not limited to one company and service environment but rather a combination of service providers at a destination or experience environment. We argue that the spatial dimensions of the concept need to be even further developed to incorporate the geographies of tourism. The primary data included in the study further supports this claim. A total of 278 photos and 20 video clips captured at four popular culture tourism destinations were included in the sample. The four destinations, all related to the popular culture phenomenon the Twilight Saga, are located in USA (Forks, La Push and Port Angeles), British Columbia, Canada, and Italy (Volterra and Montepulciano). NVivo9 was employed for the analysis of data in two stages. The first stage was to analyse secondary data (literature) to develop a model for analysis of primary data (stage two). The analysis approach can be described as an a priori analysis based on a model generated from previous research within servicescape and experiencescape. However, the research design also included a post hoc analysis allowing for new nodes/(sub)categories to be developed, when applicable, from empirical data. Findings show that evidence from the popular culture tourism destinations supports previous research as regards elements of the servicescape and experiencescape concepts. In addition to this, two new empirically generated subcategories were developed clearly related to the geographies of tourism. Alas, support for a more holistic approach to the servicescape and experiencescape concepts was found.
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