| 1. |
- Parkinson, Chrysa, 1964-
(dansare, kommentar, creator_code:cre_t)
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Art Practice as Eco System
- 2011
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Konstnärligt arbete (refereegranskat)abstract
- So I’m gonna talk this evening about the four projects that I did, that I premiered, performed in as a dancer, between 2008 and 2010. And I’m gonna ask myself four questions about each of the pieces and I will tell you those questions as I ask them.
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| 2. |
- Parkinson, Chrysa, 1964-
(författare)
-
Dance as Practice
- 2019
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Ingår i: Etcetera. - Brussels : Etcetera. - 0774-2738. ; 158
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Tidskriftsartikel (refereegranskat)abstract
- De verzameling van voorstellingen die een choreograaf of een theaterregisseur heeft gemaakt, noemen we – tenminste als er een zekere consensus bestaat over het artistieke belang ervan – een oeuvre. Wat bouwen dansers en acteurs op tijdens hun professionele loopbaan? Welke symbolische en economische waarde genereert hun kunde? Zijn zij als uitvoerende kunstenaars ook ‘auteurs’? Een gesprek met Chrysa Parkinson, danseres voor onder meer Boris Charmatz, Anne Teresa De Keersmaeker, Jonathan Burrows en Eszter Salamon, danspedagoge aan P.A.R.T.S. en directeur van de performanceafdeling van DOCH Uniarts in Stockholm.
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| 3. |
- Parkinson, Chrysa, 1964-
(creator_code:cre_t, dansare)
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Disorienting Front
- 2020
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Konstnärligt arbete (refereegranskat)abstract
- This live performance is a study of how performers create and experience the physical concept of front through dis/orientation and facing. The text is drawn from a compilation of old dictionaries, science fiction, poetry and theoretical writings on performance, as well as personal experience and anecdotes. The choreographic parameters are determined by the specifics of each performance space. The text and performance were developed in the artistic research project Front, Facing and Dis/Orientation.
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| 4. |
- Parkinson, Chrysa, 1964-
(dansare, creator_code:cre_t)
-
En Atendant
- 2010
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Konstnärligt arbete (refereegranskat)abstract
- In En Atendant, Anne Teresa De Keersmaeker is taking a new step in her exploration of the combination of music and dance. After Bach and Webern in Zeitung, The Beatles in The Song and Mahler in 3Abschied, this time her starting point is the Ars Subtilior: a complex and intellectual form of polyphonic music from the 14th century that is based on dissonance and contrast. Ars Subtilior developed on the ruins of the plague and the Church at a time when the social, political and religious pillars of mediaeval society were fragmenting. Nowadays this upheaval seems more relevant than ever. In the light of today’s increasingly confusing events and the complexity of the choices we face, the question of our mortality and physicality is becoming ever more crucial.
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| 5. |
- Parkinson, Chrysa, 1964-
(författare)
-
Front
- 2018
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Ingår i: Thinking Alongside. - Oslo : Norwegian artistic research programme. - 9788292613818 ; , s. 96-104
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Bokkapitel (refereegranskat)abstract
- FRONT in the anthology Thinking Alongside is a text from the performance practice Front, Facing and Dis/Orientation by Chrysa Parkinson. The publication "Thinking Alongside" is an appendix to Ingri Midgard Fiksdal's artistic PhD project "Affective Choreographies" (2013-2018). The project started within the framework of The Norwegian Artistic Research Program, and was in 2018 transferred to the new PhD program in artistic research at Oslo National Academy of the Arts. Artistic practice is at the core of this program. This publication is designed by Aurora Bratli Brunvoll in dialogue with Signe Becker and Ingri Midgard Fiksdal.
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| 6. |
- Parkinson, Chrysa, 1964-
(författare)
-
Issue #37 Chrysa Parkinson
- 2010
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Ingår i: MR Performance Journal. - New York : MR Performance Journal. ; 37
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Tidskriftsartikel (refereegranskat)
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| 7. |
- Parkinson, Chrysa, 1964-
(författare)
-
Real Time Authorship
- 2018
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Ingår i: Contact Quarterly. - Northampton : Contact Quarterly. - 0198-9634. ; 43:1, s. 19-23
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Tidskriftsartikel (refereegranskat)abstract
- T his text, weaving two voices, is a meshworkthat started in Warsaw at the Museum of Modern Art during the creation of a live exhibitioncurated by choreographer Boris Charmatz and collab-orator Martina Hochmuth:expo zéro (2016). endancers, visual artists, curators, and thinkers of thearts were gathered to present a one-off, one-day-long performance tackling the question: What would be your museum of dance?
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| 8. |
- Parkinson, Chrysa, 1964-
(dansare, producent, creator_code:cre_t)
-
Self Interview on Practice
- 2009
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Konstnärligt arbete (refereegranskat)abstract
- I made this film in 2008-2009 after working in Montpellier with 6M1L. A version of the text is available at Everybody's.com. It's specifically a document of that 6 month working period during which I was touring with Deborah Hay and Zoo, teaching at Exerce, and conducting interviews and developing personal performance practices with the 16 participants of 6M1L. Since then, the drawing practice has become almost daily, but I no longer jump rope.
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| 9. |
- Parkinson, Chrysa, 1964-
(författare)
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The Dancer As Agent Collection
- 2014
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Konferensbidrag (refereegranskat)abstract
- This collection is an unwrapping of The Dancer as Agent conference (DOCH Stockholm, November 2013). Launched in December 2014, it creates a context in which the contours of agency that emerge from dancers' artistic practices can be bounced off, wandered through, felt, fit and shared.
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| 10. |
- Parkinson, Chrysa, 1964-
(creator_code:cre_t, dialog)
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THE VALUE OF DANCE AS PRACTICE
- 2016
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Ingår i: Audio Stage, a deep dive into artistic minds. - Melbourne : Audio Stage/Guerilla Semiotics.
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Tidskriftsartikel (refereegranskat)abstract
- In the first episode of season three, Angela and Jana speak to Chrysa Parkinson on the creativity of the dancer: the work of dance, the authorship of the dancer, and whether excessive praise is how we pay artists in lieu of a living wage.
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