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- Bagge, Ebba, et al.
(författare)
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Pattern of endocrine treatment for epithelial ovarian cancer in the Southeast medical region of Sweden: a population-based study
- 2019
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Ingår i: Acta Oncologica. - : TAYLOR & FRANCIS LTD. - 0284-186X .- 1651-226X. ; 58:3, s. 320-325
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Tidskriftsartikel (refereegranskat)abstract
- Aim of the study: Endocrine treatment (ET) is an alternative as salvage therapy in epithelial ovarian cancer (EOC) but the usage in routine care is unknown. We evaluated the treatment patterns and outcome of patients receiving ET for EOC in the Southeast medical region in Sweden.Method: Patients were identified through the population-based Southeast Quality Registry for gynaecological cancer. Inclusion criteria were: age 18 years, histologically verified EOC diagnosed 2000-2013, ET for 4 weeks. Coverage compared with the Swedish National Cancer Registry was 100%. Data extracted from medical records was collected by means of a study-specific Case Report Form. Last date of follow-up was February 1st, 2018. All statistics were descriptive.Results: Altogether 248 (18%) of 1414 patients were treated with ET. Most (49%) had received only one, and 34% two previous lines of chemotherapy. Time from last chemotherapy to ET was 4 months, range 0-55months. The reason for initiating ET was tumor progression (66%), chemotherapy related toxicity (29%) and maintenance (4%). Tamoxifen was prescribed in 94% of cases. Best response was partial (amp;lt; 5%) and stable disease (50%). No patient had a complete response. 194 (78%) patients received subsequent chemotherapy, of these 27% had 3-7 lines of chemotherapy. Duration of ET was a median 4 months (range 1-80 months). Median time from ET to subsequent chemotherapy was 5 months (range 0-79). The median overall survival was 45 months (range 9-173).Conclusion: In the Southeast region of Sweden, endocrine treatment for EOC was prescribed inconsistently and in various settings, usually initiated by a rising CA-125 level. Poorer documentation and irregular tumor response assessment were observed for endocrine treatment compared to chemotherapy.
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Koraler
- 2023
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Konstnärligt arbete (ljud/tal) (refereegranskat)abstract
- Baksidestext: Susanne Rosenberg sings her favourite folk hymns - Solo - Embellished - Blue Notes - Dramatic - Lyrical. Recorded in the small 15-th century Morkarla church in Northern Uppland.Traditional folk hymns after singers from Sweden, Norway, Estonia, Faroe Island, Denmark and Ukraine.
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| 4. |
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Missa Vox Mundi : För kör SATB & Orgel
- 2021
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Konstnärligt arbete (swepub:mat_score_t) (refereegranskat)abstract
- Missa Vox MundiThe traces that stays when music is sifted through time is the point of inspiration for Missa Vox Mundi: traces of tonalities, singing styles, rhythmical figures, timing, ostinatos, phrasing, different ways of expressing yourself through sacred singing and music. The inspiration comes from many but no specific culture and different ways of singing. - A music out of time and country - without specific residence. Parish singing – singing together air instruments breathing – phrase singing Layers upon layers of rhythmical figures Simplicity that adds complexity Small units that form larger parts – holistic. Presence When performing this piece, there is room for individual interpretation in the moment! Susanne Rosenberg, the summer of 2021
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| 6. |
- Rosenberg, Susanne, 1957-
(författare)
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A singing-style map? : Traditional folk singing in SwedenHow can it be described, and how can we teach it?
- 2024
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Konferensbidrag (refereegranskat)abstract
- This presentation discusses features of the singing style in Swedish folk singing. This also leads to an attempt to describe some aspects of teaching folk singing style. In addition, it proposes a model for describing a singing style by combining particular features into a whole – a “singing style map” – as a compound concept. Individual features may be shared with other styles, allowing them to be combined into yet other singing styles. The presentation focuses on describing the features of the singing style from the singer's perspective and their usefulness for singing. It argues that, in folk singing, the singer’s voice quality and personality will always shine through even if stylistic features are shared within the style, which implies no contradiction. The features and the model describe both musical and technical aspects of singing, e.g. language as a tool for musical expression, voice mode, articulation, ornamentation, meter and phrasing, etc.
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| 7. |
- Rosenberg, Susanne, 1957-
(författare)
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‘A Tight-rope walk’ : Improvising Collectively with End Rhymes in the Style of the Swedish Medieval Ballads
- 2022. - 1
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Ingår i: Rhyme and Rhyming in Verbal Art, Language and Song. - Helsinki : Finnish Literature Society. - 9789518585872 ; , s. 197-212
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Bokkapitel (refereegranskat)abstract
- What happens when contemporary folk singers improvise end rhymes in the style of the Swedish medieval ballads? In an ongoing project – Folk Song Lab – folk singers collectively improvised ballads with end rhymes using different methods. How do different improvising methods affect the result? Is it possible to acquire additional skills in rhyming via improvisation? Furthermore – how do the singer’s expertise, the number of participants in a session, and the setting in which improvisation occurs affect the result? Can improvisation sessions promote a higher degree of variation in not only the melody but also the storytelling? These questions are discussed through a presentation of results from two different collective improvising sessions.
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| 8. |
- Rosenberg, Susanne, 1957-
(författare)
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'A Tight-rope Walk' : How to describe artistic methods for improvisation in Folk Songs
- 2023
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Konferensbidrag (refereegranskat)abstract
- Within artistic research, we try out and formulate new methods for artistic practice. But how do we, in the best way, disseminate those? How do we present artistic methods for musical creation? Visually? Through objects? Through narrative? With word as a text? Through the” act of singing”? These are intriguing questions; even if the research thrives in the artistic practice, we still want to disseminate our findings broadly so that other artists and interested parties can use and build knowledge on that. This presentation will give examples of how to answer those questions by presenting findings from the project Folk Song Lab (supported by The Swedish Research Council 2019-2022), where, through collective improvisation, different artistic methods have been carved out and tested. Through art practice, the project has developed methods of singing from the perspective of flow parameters (Csikszentmihalyi) and ‘System 1’ (Kahneman). With a foundation from traditional singing and its stylistic and musical structure, a framework for creating anew has been formulated: a place, a time, and collective improvisation has been performed in a real-life performance. These findings and the different ways of disseminating them could be interesting not only within the field of folk singing or music but also be useful and give perspective in other genres and art forms.
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