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| 2. |
- Fallenius, Peder
(författare)
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Storbiografens miljöer
- 2003
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Doktorsavhandling (övrigt vetenskapligt/konstnärligt)abstract
- This dissertation focuses on the architecture and the artistic decoration within Swedish cinemas during the period 1915–1939. The cinema is considered to be one of the many new building types from the 20th century. The era of the purpose-built cinema in Sweden began around 1910. The aim of this dissertation is to deal with the cinema as a building type and to discuss the cinema as a setting for the filmgoer.The examples of the 1910’s and 1920’s are characterised by their integrated exterior; the manner in which the cinema merges into the cityscape. In the evenings, when audiences gathered at the cinemas, the differences between contemporary theatres and concert-halls became evident. Upon entering the cinema, one’s passage towards the auditorium took one through a sequence of rooms, including the booking office, the cloakroom, and the foyer. The spatial dramaturgy of the cinema is that of the concert hall and the theatre. The artistic decoration of the cinemas of the 1910’s and 1920’s is characterised by attempts at an iconography of motion pictures, in contrast to the established symbols of the theatre. The examples from the 1930’s are characterised by the cinemas’ distinct imprint on the city. Neon-lights, canopies, doors and walls of glass within the cinemas led the way. Artistic decoration within the cinemas of the 1930’s is scarce. Attempts on creating an iconography of the cinema are few. Instead, the foyers are decorated with the posters and photographic portraits of movie-stars.A common feature of cinemas from the 1930’s is that the passage to the auditorium is short. A vestibule is the only space the visitor passes. The spatial dramaturgy of the cinema is different from contemporary concert-halls and theatres. This dissertation demonstrates a substantial shift concerning the cinema as a building type. When one considers cinemas to be composed of a sequence of rooms for the visitor to pass through in comparison to concert halls and theatres, important differences stand out. Thus, the cinema presents itself as a building type with specific functions as well as a specific spatial dramaturgy.
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| 5. |
- Norlander, Sabrina, 1971-
(författare)
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Claiming Rome : Portraiture and Social Identity in the Eighteenth Century
- 2003
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Doktorsavhandling (övrigt vetenskapligt/konstnärligt)abstract
- This study examines two groups of European nobility, the Roman aristocracy and the British Grand Tour travellers, specifically, their attitudes towards Antiquity as expressed in portraits produced in eighteenth-century Rome. Antiquity in this study connotes Ancient Rome, particularly its political system, religious system and architecture, and assumes it to be the quintessence of a Western mythology that had supported the legitimation of the ruling classes since the Middle Ages. In the eighteenth century the realisations of this mythology became more diverse, as demonstrated by the two nobilities examined here. The papal nobility resided in Rome and owned not only collections of ancient sculpture but also many of the actual archaeological sites. The British nobility visited Rome during the second part of the eighteenth century through an institutionalised form of educational travel termed the Grand Tour, of which both viewing and posing for portraits were expected components. Using readings of different portrait settings, formulae, the study traces how apparently similar assimilations of the myth of Antiquity supported different social aims in different parts of Europe. Through interpretations of display criteria, as seen in analyses of inventories, documents and first-hand commentaries, this study emphasises the varied social functions of portraiture within the European élite cultures. The ultimate result of such a reading allows for a clearer picture of the multiple functions of the myth of Antiquity within the legitimation strategies of the eighteenth-century European nobility and gives a clearer view of the importance given to visualising social identity and status.
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| 6. |
- Näslund Dahlgren, Anna, et al.
(författare)
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Med Kamera i Arktis
- 2022
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Ingår i: Fotografihistorier. - Stockholm : Natur & Kultur. - 9789127177000 ; , s. 111-115
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Bokkapitel (övrigt vetenskapligt/konstnärligt)
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| 9. |
- Söderlind, Solfrid
(författare)
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Bilden av kvinnan i medicinhistorien
- 1996
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Ingår i: Kvinnors hälsa. En studie av utbildningsmaterial och undervisningsmetoder avseende grundutbildning för läkare vid Hälsouniversitetet i Linköping. - : Linköping: Univ.. ; , s. 13-31
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Bokkapitel (övrigt vetenskapligt/konstnärligt)
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| 10. |
- Söderlind, Solfrid
(författare)
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Da fotografiet vandt ind på portraetmaleriet
- 1995
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Ingår i: Siden Saxo. Magasin for dansk historie. - : Köbenhavn: Dansk historisk faellesforening og Rigsarkivet. - 0109-6028. ; 12:4, s. 39-45
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Tidskriftsartikel (övrigt vetenskapligt/konstnärligt)
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