| 1. |
- Adjam, Maryam, 1977-
(författare)
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Minnesspår : Hågkomstens rum och rörelse i skuggan av flykt
- 2017
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Doktorsavhandling (övrigt vetenskapligt/konstnärligt)abstract
- Focusing on the memories of Estonian refugees moving to Sweden in the wake of World War II, I analyze the concepts of “memory space” and history within the framework of the Escape as a master narrative. Following the research participants to the sites of their memories in Estonia and Sweden today, raised the questions what constitutes a lived memory space, and how is history defined within it?Through a combination of a phenomenological analysis of memory’s lived experience, using Walter Benjamin’s concept of montage as radical remembering and its dialectical relation to history, I show how embodied memories shape their own space, a space not always framed by historical master narratives and identity positions, but rather a searching space that is always changing. Dealing with the politics of place and representations, these memories are constantly loaded and unloaded with meaning. Yet the space of lived memory is not always a creation of meaning. Walking around, searching for traces, a memory space confronts the place and maps its own geography. It turns to a spatial and temporal flow, which intertwines place and experience, and erases the past and future as homogeneous categories. It is a living space of memory, rather than a memorial space of representations.The analysis focuses further on the tensions between remembering as a dialogue with history and memory’s ongoing acts of embodied experience. The position of in-betweenness appears in these stories of escape, not as a state of in-between home and away, past and present, but rather as an ongoing space-making process between different modes and layers of memory. This is a process aware of the constant changes in the understandings of both history and personal experiences, intertwining these new interpretations with embodied memory and thereby constantly adding new layers of experience to it. Memory’s tracing illuminates a memory poetics of the meanwhile and the in-between, which refuses historical closure.
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| 2. |
- Andersson, Hans, 1981-
(författare)
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Något betydelsefullt : Leonid Dobyčins möten bortom orden i den sovjetiska samtiden
- 2019
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Doktorsavhandling (övrigt vetenskapligt/konstnärligt)abstract
- This thesis studies the 1931 short story collection Portret [The Portrait] by the Russian author Leonid Ivanovich Dobychin (1894–1936?). My main argument is that the principal theme in Dobychin’s writings arises out of the complexities of human encounters. My approach is based on affirmative interpretations that I call “encountering” readings. They draw on critical practices developed by Boris Gasparov, who argues in his 2013 study of Pasternak Boris Pasternak: Po tu storonu poėtiki (Filosofiia. Muzyka. Byt) that the key to Pasternak’s work lies not in the dominant feature of their linguistic texture, but in the momentary states of everyday life that the author captures, and Henri Meschonnic’s Critique du rythme: Anthropologie historique du langage (1982). Meschonnic focuses on rhythm as an intrinsic aspect of the text that requires the reader to participate actively in appreciating the text as a work of art by following the interplay between rhythm, the active subject and what is expressed. Both scholars reflect a turn away from the linguistically informed theoretical approaches that dominated the academic study of literature in the twentieth century. Similarly, I approach Dobychin’s characters on the level of their personal conflicts and everyday lives by simulating an interpersonal encounter in an anti-theoretical search for meaning that is congenial to both the central theme of the stories and the way in which they reveal human encounters “beyond words,” as it were, both within the works and with the reader, through suggestive associations and not yet categorized, “precategorial” experiences in everyday life. The “unoutspokenness” (nedogovorënnost’)—i.e. reticence, a deliberate avoidance of explicitness that Dobychin’s contemporary critics ascribed to his writings and often disparaged as “incomprehensibility”—serves as a starting point for a critical discussion of both earlier research on Dobychin and theoretical approaches to literature more generally. In searching for a dominant formal feature, a ‘key’ or ‘code’, in Dobychin’s writings, earlier scholars have tended to describe it in terms of an anti-aesthetic. The alleged lack of plot, inner coherence and meaning is explained as deliberate, intended to performatively mirror the absurdness and inadequacies, the disorientation and loss of meaning in Soviet reality itself. In this thesis, I argue instead that there is no such lack or incoherence in Dobychin’s works. The “nedogovorënnost’” of his short stories is instead understood as an exact and purposeful way of conveying meaning through what is experienced and shared beyond words in a time that was overburdened with idealistic ideological discourses. At the heart of Dobychin’s stories are moments of fragile human interaction that underlie trivial dialogues and actions in banal everyday existence. The stories let the reader experience the sudden and unexpected human connections that the characters encounter in their everyday impressions. The contrasts and plurality of human perspectives thus perceived evoke a potential interaction beyond societal roles. These brief encounters are presented as something precarious in a Soviet society striving towards a single true ideology. Such a reading suggests that Dobychin is not so much a deliberately enigmatic author as a writer who aspires to express in words that which is profoundly wordless: the encounters between people outside of the ideological categories and discourses of their language.
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| 3. |
- Rindzeviciute, Egle, 1978-
(författare)
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Constructing Soviet Cultural Policy : Cybernetics and Governance in Lithuania after World War II
- 2008
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Doktorsavhandling (övrigt vetenskapligt/konstnärligt)abstract
- Efter första världskriget var Sovjetunionen en av de första moderna stater som uttryckligen ägnade sig åt att övervaka och styra kulturen, vilket tog sig formen av en formaliserad och institutionaliserad statlig kulturpolitik. I denna övervakningsoch styrningsprocess försåg vetenskap och teknologi staten med konceptuella och materiella resurser vilka användes för att definiera såväl själva processen som föremålet för den. Efter andra världskriget gav utvecklingen inom naturvetenskap och teknik upphov till en ny vetenskap som behandlade frågor kring kontroll och kommunikation, Norbert Wieners cybernetik, vilken fick en bred tillämpning inte enbart inom ingenjörsvetenskapen utan även i frågor som rörde förståelsen av människor, maskiner och samhällen. Denna avhandling undersöker hur cybernetiken påverkade utformningen av den sovjetiska kulturpolitiken. Fokus ligger särskilt på sovjetiska Litauen. Det huvudsakliga argumentet är att en särskilt inflytelserik diskurs rörande cybernetisk styrning och övervakning utformades i Sovjetunionen från 50-talet och framåt. Som ett resultat av en överföring från tekniska och vetenskapliga diskurser var denna diskurs användbar inte bara som ett verktyg för att tjäna staten utan kunde även användas av kulturella aktörer för att kritisera själva sovjetsystemet. Genom att analysera organisatoriska praktiker och officiella och samhälleliga diskurser avslöjar denna studie komplexiteten i förhållandet mellan styrning och övervakning, kultur och vetenskap och teknologi.
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| 4. |
- Kharkina, Anna, 1975-
(författare)
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From Kinship to Global Brand : The Discourse on Culture in Nordic Cooperation after World War II
- 2013
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Doktorsavhandling (övrigt vetenskapligt/konstnärligt)abstract
- This work analyzes the political instrumentalization of culture. Specifically, it studies how this is done through cultural policy within Western democracies. The analysis takes, as an example, official Nordic cultural cooperation in the post-war period. During this time, cultural exchange among Nordic countries became the subject of political attention establishing itself as part of the Nordic inter-governmental cooperation framework.This work focuses on three key moments in the history of official Nordic cultural cooperation: (i) the failure of the NORDEK plan (a plan which envisaged extensive economic cooperation between the Nordic countries) and the establishment of the Nordic Council of Ministers in 1971; (ii) the collapse of the Soviet system at the end of the 1980s - beginning of the 1990s; and (iii) the movement towards promoting the Nordic region on the global market in the first decade of the 2000s.The analysis traces the lack of convergence between the official arm’s length principle in cultural policy and how cultural cooperation actually worked. The results of the research both demonstrate the various ways culture was instrumentalized and also prove that the politically defined concept of culture can receive different interpretations in the official discourse depending on current political goals.
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| 5. |
- Narvselius, Eleonora, 1972-
(författare)
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The Nation’s Brightest and Noblest : Narrative Identity and Empowering Accounts of theUkrainian Intelligentsia in Post-1991 L’viv
- 2009
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Doktorsavhandling (övrigt vetenskapligt/konstnärligt)abstract
- This study brings into focus the issue of reproduction and transformation ofcultural authority in the so-called post-Soviet context. It seeks to examine howintelligentsia may be presented and what empowering narratives it may articulatein a concrete locality, namely, in the post-1991 West Ukrainian city of L’viv. Theauthor argues that claims for cultural authority stemming from the socio-culturallocation of intelligentsia are decisive in discussions about Ukrainian nationalidentity and cultural development, which gained momentum after independence.Despite significant discursive transformations, after 1991 intelligentsia is stillpresented as the essence of the nation, as its typical and brightest representativeswho assume the right to speak for the whole nation and to extrapolate own valuesand choices to it.The debate focused on the issues of ‘the national’ actualizes a very significantissue of whose class vision is to become a winning concept for the Ukrainiannation-building. Post-Soviet ‘normalization’ in L’viv implies that cultural patternstypical of the privileged and educated urbanites have been rehabilitated andpresented as both nationally authentic and culturally superior ones. In the post-1991 L’viv the representations embedding the urban community into variouslocal, regional, national, and supranational symbolic contexts resonate with effortsof the intelligentsia to (re-)gain control over reproduction of their own socialpositions and cultural narratives about the nation. This study suggests that analysisof the nation-building processes in Ukraine should pay more attention to symbolicrepresentations of cultural authority which are exploited by local actors runningtheir empowering projects.
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| 6. |
- Seits, Irina
(författare)
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Architectures of Life-Building in the Twentieth Century : Russia, Germany, Sweden
- 2018
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Doktorsavhandling (övrigt vetenskapligt/konstnärligt)abstract
- The modernist concept of life-building as an architectural method for improving the conditions of everyday life originated in Europe during the 1920s. This book explores three modes of functionalism by way of a comparative analysis of both the theoretical discourses and architectural practices associated with functionalism in Russia, Germany, and Sweden. These three countries made significant contributions to the application of functionalism within mass housing construction, the overarching purpose of which was to transform the traditional home into a rational living space.This study provides both close readings of foundational modernist texts as well as an empirical study of the avant-garde heritage in Russia, Germany, and Sweden. As a special case study, a visual analysis of IKEA catalogues is presented, the purpose of which is to provide an illustrated history of modernist aesthetics within mass-produced living spaces, from the era of functionalism up to the present day.
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| 7. |
- Søvik, Margrethe
(författare)
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Support, resistance and pragmatism : An examination of motivation in language policy in Kharkiv, Ukraine
- 2007
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Doktorsavhandling (övrigt vetenskapligt/konstnärligt)abstract
- The Ukrainian society has gone through vast changes since independence in 1991 and in this thesis some of these social changes are discussed through the prism of language policy. The main topic of the study is language policy (conceptualised as language practices, language beliefs, and language management) in the eastern Ukrainian city Kharkiv. This topic is examined within a framework focusing on motivation, allowing for a study of how people in Kharkiv describe, explain and rationalise language policy in the context of change in society. Ukrainian is the only state language in Ukraine, but Russian is widely used in Ukrainian society, and in Kharkiv Russian is the predominantly used language. One specific topic of the study is how young Ukrainians perceive the role granted the Ukrainian language in on-going processes of nation-building, related to the formation of a national identity. This is contrasted with discussions on individual linguistic rights and what is considered reasonable to demand from the Ukrainian population in terms of language practices. Further, the study examines the concept of language conflict, notably what kinds of conflict can be identified in and extracted from discussions on the role of language in society. This examination shows that it is not necessarily a case of potential conflict between groups or individuals, but also that individuals may struggle with internal conflict. This study demonstrates how language conflict is not about language, but rather about social positions, interests and value systems. This also illustrates the fact that the three components of language policy are not necessarily interrelated and consistent. Especially language practices and language beliefs are often at odds. Fieldwork was carried out in Kharkiv 2003-2005 and the study relies on a combination of methods (in-depth individual interviews, group interviews and a large-scale questionnaire).
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