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- Schönström, Rikard, et al.
(författare)
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Locations of the Avant-Garde
- 2012
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Ingår i: A Cultural History of the Avant-Garde in the Nordic Countries 1900-1925. - 1387-3008. - 9789042036208 ; Vol. 1, s. 251-258
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Bokkapitel (refereegranskat)
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| 4. |
- Schönström, Rikard, et al.
(författare)
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Nordens litteratur i världen
- 2017
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Ingår i: Nordens litteratur. - 9789144083322 ; , s. 527-540
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Bokkapitel (refereegranskat)
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| 5. |
- Schönström, Rikard, et al.
(författare)
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Pär Lagerkvist's Literary Art and Pictorial Art
- 2012
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Ingår i: A Cultural History of the Avant-Garde in the Nordic Countries 1900-1925. - 1387-3008. - 9789042036208 ; Vol. 1, s. 435-444
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Bokkapitel (refereegranskat)
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| 6. |
- Apelgren, Rikard, 1964-
(författare)
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En dröm i Lagarnas hus : Ögonblicket, människan och det transcendenta. Studier i Stig Dagermans diktning
- 2010
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Doktorsavhandling (övrigt vetenskapligt/konstnärligt)abstract
- The main aim of the dissertation is to examine the importance of the moment in relation to human experience and to the narrative in the writings of Stig Dagerman (1923-1954), primarily the novels Ormen (The Snake, 1945), De dömdas ö (The Island of the Doomed, 1946), Bränt barn (A Burnt Child, 1948), Bröllopsbesvär (Wedding Worries, 1949), the short stories "Den hängdes träd" (The Hanging Tree, 1945) and "De röda vagnarna" (The Red Wagons, 1946). The dissertation shows the moment as being of crucial importance by serving as the point of time for the fictional character’s critical experience. The moment also functions as a structuring principle for the narrative. In this, the discussion is supported by the theories on the chronotope found in the work of Mikhail Bakhtin.With the ideas of Michael Riffaterre as the principal theoretical basis in the study, the reading of the texts focuses on a matrix common to the works discussed. The reading goes from a description of the primarily profane subject matter of the narrative to an understanding of the religious discourse in the works. This interpretation receives additional support in the theories on religious and mystical experiences found in Rudolf Otto.Finally, the dissertation focuses on man’s sensitivity to, and longing for, a transcendental entity or a God in the broadest sense – a longing which manifests itself in different ways in these texts and is set against the human predicament of being. Man’s desperate religious longing for a transcendental entity or a God are ultimately understood as the significance or principle of unity in the texts under discussion.
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| 8. |
- Andersdotter, AnnSofi, 1941-
(författare)
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Det mörka våldet : Spåren av en subjektsprocess i Kerstin Ekmans författarskap
- 2005
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Doktorsavhandling (övrigt vetenskapligt/konstnärligt)abstract
- This thesis examines the writings of Kerstin Ekman and focuses on twelve of her works. The first is her debut novel 30 meter mord (1959), a detective novel, and the last Knivkastarens kvinna, an epic-lyric story in verse, published in 1990 though written 1984. The works of Kerstin Ekman are of great significance in many respects: one is their concentration on the development of modern society and the place of women in it. At the same time a dark vein of violence can be discerned running through all her writing from the start. The persistent nature of this violence and the field of tension between that motif and the theme of female vulnerability and strength contain psychoanalytical processes from which a subject in process can be analysed, the main aim of this thesis.The basis of my analysis is both Kristeva’s theory of “sujet en procès”, as presented in Pouvoirs de l’horreur, Histoires d’amour and Soleil noir, and her theories of literature and metaphor. In the early development of the subject Kristeva distinguishes three significant registers: abjection, narcissism and melancholia. Abjection is our most primitive attempt to separate ourselves from the mother by rejecting her, while narcissism is a concept of idealisation of an imaginary father. The idealisation and identification with this father works with abjection towards the essential break from the mother symbiosis. If this break is not fully carried through, the ego can be trapped in melancholia, but abjection and idealisation can be repeated and later carried through in other ways by sublimation in artistic form and poetical language. The literary text, seen in this perspective, is the trace of a renewed subject process.“The empty room” is shown to be an important recurrent metaphor in the written oeuvre. This metaphor is analysed as a trace of a lingering mother symbiosis, also shown by the fact that abjection and melancholia are expressed in the texts. Gradually melancholia becomes more prominent along with the appearance of masochism. A fundamental change in the subject process is discerned in Knivkastarens kvinna, where a break from mother symbiosis can be analysed. The violence running through the œuvre concerns this need for matricide, first performed in Knivkastarens kvinna.
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| 9. |
- Berggren, Lars, et al.
(författare)
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Studiemedel för studiero
- 2014
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Ingår i: Helsingborgs Dagblad. - 1103-9388.
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Tidskriftsartikel (populärvet., debatt m.m.)
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| 10. |
- Lundström (Gondouin), Johanna
(författare)
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Terrängbeskrivning. P. O. Sundman, moderniteten och medmänniskan
- 2006
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Doktorsavhandling (övrigt vetenskapligt/konstnärligt)abstract
- The purpose of this study is to elucidate the relationship between aesthetics, modernity andsociaJ interaction in Sundman's works. Sundman is known for his behavioristic, "objective"narrative method as Linked to an epistemological, sceptical view of reality as conventionallyunders tood. However the dissertation shows how the formal distinctiveness of Sundman'snarratives prove to coincide with a critical scrutiny of modernity understood as an ar onceexistential and social condition. The thesis' approach is textual-analytical and historical. Close readings of the texts considered as Literary artefacts are related to a historical contextsummarized in the term modernity.The examination takes as its starting-point an analysis of Sundman's two short-fiction collections Jägarna (The Hunter;, 1957) and Sökarna (The Searchers, 1963). Thereafter it treats Sundman's novels Undersökningen (The Investigation, 1958), Skytten (The Marksman, 1960) and Expeditionen (The Expedition, 1962.) in chronological order. These texts together display the spectrum of Sundman's critiques of modernity. The narratological analysis is concentrated upon focalization and narrator functions. Other forms of presentation studied are repetition,parataxis and deixis. The analysis lays bare complications in the mimetic aesthetics of the narratives involved, and show how Sundman's objective rhetoric functions as a legitimizing strategy. These aspects are then related co the fundamental issues of social interaction depicted in the narratives; in sum revealed as a problematic of unmotivated giving and receiving.Regarding the theme of modernity, the terms rationality, bureaucracy and Gemeinschaft-Gesellschaft are central to the study. The analysis on the one hand shows Sundman's texts thematizing modernity as a paradoxical phenomenon, on the other hand that precisely its paradoxical nature sheds significant light on contradictions inherent co Sundman's own authorship. The ideology criticized by Sundman is in other words simultaneously found fundamental to his own basic outlook as a writer. The struggle made evident in the texts between an authoritarian fixation upon theoretical knowledge and an open-ended giving and receiving acquires much of its tension by the ambiguity of the narration and is at length laid bare as a contradiction inherenc to modernity itself Modernity thus becomes a "formal" and"material" theme launched in Sundman's oeuvre while at the same time forming its essential prerequisite. The dissertation considers the intra-human conflicts depicted in Sundman's worksas forming a complex of problems linked to modern life. Sundman's staging of unmotivated giving and receiving as a way of conceiving human relations thus appears as a comprehensively political figure of thought.
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