| 1. |
- Ståhl, Åsa, 1976-, et al.
(författare)
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Living with
- 2020
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Ingår i: Transmissions. - Cambridge, Massachusetts : MIT Press. - 9780262043403 ; , s. 131-151
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Bokkapitel (övrigt vetenskapligt/konstnärligt)abstract
- This chapter focuses on a collaborative project involving a series of walks on remote Icelandic beaches, sending participants home with their own worms; beach bonfires; and dinner parties in Reykjavik and Westfjords in Iceland. Many of these events emerged in the process of doing speculative design research with and about humans and nonhuman participants. The authors critically reflect on how these events and practices gave shape to multiple un/expected happenings in public.
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| 2. |
- Ståhl, Åsa, 1976-
(författare)
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Smile, you're on 24 h CCTV!
- 2018
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Ingår i: MirrorMe You. - Malmö : Helga Steppan. - 9789163940491
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Bokkapitel (populärvet., debatt m.m.)
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| 3. |
- Ståhl, Åsa, 1976-
(creator_code:cre_t)
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Un/Making the Plastic Straw
- 2018
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Konstnärligt arbeteabstract
- I samband med utställningen Experiment för utopier på Ystads konstmuseum utforskar Kristina Lindström och Åsa Ståhl i The Un/Making Studio, i samarbete med Petra Lilja, möjligheter att un/make plastsugrör. Under 2018 gjordes det flera försök att göra sig kvitt plastsugrör, samtidigt som tidigare versioner verkar vara seglivade och kommer tillbaka i nya relationer. Vårt intresse ligger här både i vad som görs och vad som ogörs i dessa förslag på nya relationer. Arbetet är tematiskt ordnat i fyra kategorier: efterdyningar, tidslighet, omsorg och mikrobiologisk samlevnad. Gunnel Petterson kuraterade utställningen Experiment för utopier.
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| 4. |
- Forlano, Laura, et al.
(författare)
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Mending and Growing in Feminist Speculative Fabulations : Design’s Unfaithful Daughters
- 2016
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Ingår i: DRS2016 Conversations. - London : University of Brighton; DesignResearchSociety; Imperial College London, Royal College of Art, PHDBYDESIGN.
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Konferensbidrag (populärvet., debatt m.m.)abstract
- This conversation seeks to consider design research practices around critical and speculative design which have been criticised for their lack of public engagement and awareness of their political and normative positions. In particular, we are interested in the ways in which feminist speculative fabulation offer alternative approaches through attention to core feminist arguments around corporeality, materiality, embodiment, affectivity and experientiality. Our conversation will imagine new ways of practicing design by examining relationships between speculative futures and reimaginings of the past; the role of a feminist perspective in problem-making and questioning; speculative design and fabulation as participatory practice; the role of practices around mending, growing, maintaining and repairing; and, the posthuman design and the anthropocene.
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| 5. |
- Jönsson, Li, et al.
(författare)
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How Can We Come to Care in and Through Design?
- 2019
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Ingår i: Nordes 2019: Who Cares?. - Eespo : Nordic Design Research. ; , s. 1-8, s. 1-8
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Konferensbidrag (refereegranskat)abstract
- On a generic level, caring can be described as "everything that we do to maintain, continue, and repair our 'world' so that we can live in it as well as possible" (Fisher and Tronto, 1990). This paper asks how we as design researchers in Scandinavia come to care, for our world and more specifically for the local NORDES community. We do this by describing how we have maintained, continued and added (as a practice of repair) in relation to the most recent NORDES summer school (2018). The summer school invited students to work with tensions between despair, in a site marked and haunted (Tsing et al., 2017) by the aftermath of industrial design practices and hope, by making time for soil (Puig de la Bellacasa, 2017) in a community-supported agricultural scheme. The paper invites you to share some cruxes and insights that emerged, and to imagine teaching with care as a collective process that attempts to bring things together, not as oppositions, but as generative and productive relations.
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| 6. |
- Jönsson, Li, et al.
(författare)
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The thickening of futures
- 2021
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Ingår i: Futures. - : Elsevier. - 0016-3287 .- 1873-6378. ; 134:December
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Tidskriftsartikel (refereegranskat)abstract
- This paper engages with biodiversity loss. In particular, it focuses on observations and scientific facts: the decline of pollinators and what that entails for the co-living of humans and more-than-humans. This kind of work often reaches the publics as thin stories of limited futures.The article explores how to situate the issue of out-of-sync plant–pollinator relationships into thick, ongoing presents rather than as a distant future that is out of one’s own hands. This is done through a collaborative design project that experiments with various formats for staging more material, embodied and experiential ways to sensitise and invite humans to experience the issue of pollination. We therefore explore and give an account of how we have situated the issues in a thick, ongoing present as an anticipatory practice. We thus suggest a practice that becomes both sticky and sweaty; in addition, the practice moves some pollination facts into not only matters of concern but also matters of care.In doing so, we forward the role that design researchers can play in environmental and collaborative anticipation by engaging with emerging approaches to both biodiversity loss and collaborative future-making that are simultaneously conflicting and harsh as well as hopeful.
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| 7. |
- Latva-Somppi, Riikka, et al.
(författare)
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Entangled Materialities : Caring for soil communities at glass industry sites
- 2021
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Ingår i: FORMakademisk. - Oslo : Universitetsbiblioteket OsloMet. - 1890-9515. ; 14:2, s. 1-14
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Tidskriftsartikel (refereegranskat)abstract
- This paper discusses craft and design practices through their impact on the environment. We consider how to act concerning the consequences of the craft and design industry. Also, we reflect on the agency of our field of practice in changing how we perceive the environment. We present three case studies of the European glass industry sites in Sweden, Italy and Finland, where we study contamination of the soil with participatory, speculative and craft methods. Through these cases, we reflect on our role in soil communities and ask how we may act in them with responsibility, hope and care. We conclude by proposing to act locally, to share our practices and make them visible, expanding our situated, personal skills and knowledge towards the political.
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| 8. |
- Laurien, Thomas, 1967, et al.
(författare)
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An Emerging Posthumanist Design Landscape
- 2022
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Ingår i: Palgrave Handbook of Critical Posthumanism. - Cham : Palgrave Macmillan. - 9783030426811 - 9783030426811 - 9783031049576 - 9783031049583
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Bokkapitel (refereegranskat)abstract
- A designer is somebody who points, who designates, and gives directions. Design thereby has a direction into the future. What directions are designers pointing out if design is coupled with posthumanism? Posthumanism has come into being in a landscape of both ideas and design. That which has previously been designed and produced is coming back and it can help us point out harmful inequalities if we sharpen our observational tools and concepts.“An Emerging Posthumanist Design Landscape” is an overflowing designated area for examples and thinking on compositions of design and critical posthumanism. It is a landscape in the making, yet scarred by previous design cultures and histories. As design researchers operating out of Scandinavian academia, we invite readers/travelers to meander through an emerging hybrid landscape and to make a few selected stops at the sites of our own recent design interventions. We articulate concepts, frictions, and opportunities sprouted in a sprawling and increasingly populated landscape of design and posthumanism. Posthumanist thinking questions and recharges fundamental design concepts and methods/approaches, e.g.: Who are the actors of posthumanist design? Where does it take place? What do we design? What materials do we use? How do we work? When does design take place? Why are compositions of design and critical posthumanism important undertakings? The responses to these questions sketch trajectories for further travels and the co-creation of an emerging posthumanist design landscape.
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| 9. |
- Lindström, Kristina, et al.
(författare)
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Caring Design Experiments in the Aftermath
- 2019
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Ingår i: Nordes 2019: Who Cares?. - Espoo : Nordic Design Research. ; , s. 1-9, s. 1-9
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Konferensbidrag (refereegranskat)abstract
- We live in the aftermath of industrial design, which primarily has been guided by a focus on making the new. Through the project Un/Making Soil Communities, carried out where glass production has left pollution in the soil, the authors propose caring design experiments which aim to foster maintenance and repair for livable worlds. In this articulation, the authors draw on democratic design experiments (Binder et al 2015), but propose a shift from gathering around matters-of-concern (Latour 2005) to matters-of-care (Puig de la Bellacasa 2017). Furthermore, caring design experiments also entail engaging with big enough stories (Haraway 2016) through going visiting and continuously crafting invitations.
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| 10. |
- Lindström, Kristina, et al.
(författare)
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Editorial: Design, Research and Feminism(s)
- 2018
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Ingår i: Proceedings of DRS 2018. - London : Design Research Society. - 9781912294275 ; , s. 455-457
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Konferensbidrag (övrigt vetenskapligt/konstnärligt)abstract
- As design research matures and interacts more extensively with other academic disciplines, design research communities are engaging more profoundly and reflexively with the nature of research itself and the particular “situated knowledges” (Haraway) of design and the design researcher. Criticality, in design research today, involves interrogation of the theories and methods through which we do research. While early varieties of ‘criticality’ in design research drew largely from Frankfurt School critical theories, feminist theories are increasingly prevalent as a critical modality in design research by attending to issues such as power, positionality, embodiment, relationality, materiality, territoriality and temporality.
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