| 1. |
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ArcInTexETN
- 2019
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Samlingsverk (redaktörskap) (övrigt vetenskapligt/konstnärligt)
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| 2. |
- Berglin, Lena, et al.
(författare)
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Interaction Design Methods in Fashion Design Teaching
- 2007
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Ingår i: The Nordic Textile Journal 2006-07, p. 26-51. - : University College of Borås. The Swedish School of Textiles.
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Tidskriftsartikel (övrigt vetenskapligt/konstnärligt)abstract
- The expressiveness of use is of focal interest in fashion design, which makes the perspective of act design important in learning/teaching. The objective of the project presented here was to introduce interaction design methods in fashion design teaching to make act design explicit throughout the different stages of the design process in a systematic manner; to develop a general workshop curriculum in experimental fashion design focusing on the expressiveness of wearing and use. A series of test workshops were implemented to provide a foundation for reflection and critical discussions. The main results, motivated by workshop evaluations, consist of theoretical models for a systematic development of workshop exercises in fashion design aesthetics.
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| 3. |
- Bigolin, Ricarda, et al.
(författare)
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Material Inventories and Garment Ontologies : Advancing Upcycling Methods in Fashion Practice
- 2022
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Ingår i: Sustainability. - : MDPI AG. - 2071-1050. ; 14:5
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Tidskriftsartikel (refereegranskat)abstract
- This study seeks to advance upcycling methods in fashion practice with the specificity of design methods that centre on revaluation and resignification of waste materials. The development of three key approaches to upcycling were tested for future application as design briefs and pedagogies in practice and education. These were developed through the acquisition, sorting and selection of a large sample of secondhand, consumer waste materials across fashion and textiles sectors. Practice-based experiments and the use of different forms of photo documentation examined and explored distinct ways to creatively understand waste material properties, conditions and potential. Fashion and material studies frameworks of object biographies, wardrobe studies, waste, secondhand material economies and art practice approaches of reclaimed materials expanded and refined the approaches. “Material Inventories” is proposed as a creative and analytical method to identify, sort and annotate pre- and post-consumer waste materials. “Garment ontologies” delineates how traditionally “design” in fashion practice is separate from materials and production. These methods enable a deeper investigation into material qualities, conditions, and reuse potential for extended life cycles. This experimental study presents novel and relevant findings with a compelling material sample and practice-based methods adjacent to scholarship in this area that are predominately theoretical- or case study-based.
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| 4. |
- Bigolin, Ricarda, et al.
(författare)
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Material Inventories for Responsive Design in Fashion Practice
- 2021
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Ingår i: State-of-the-Art Upcycling Research and Practice. - Cham : Springer International Publishing. ; , s. 47-53
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Bokkapitel (refereegranskat)abstract
- This research proposes design methods for reuse and upcycling of post-consumer waste materials as an integral part of responsive design approaches for fashion design practice. The study seeks to overcome institutional barriers that limit potential applications of upcycling practices and how post-consumer waste materials can be included in fashion design curriculum and pedagogy. The findings reveal the need for a variety of design methods for upcycling to be embedded throughout education programmes from Bachelor to Master’s levels. The research suggests that academic institutions need to create a variety of assessment frameworks, foundational courses, learning activities and experiences that scaffold engaged uses and understanding of materials and diverse contexts and conditions.
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| 5. |
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| 6. |
- Bågander, Linnea
(författare)
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Body movement as material : Designing temporal expressions
- 2021
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Konstnärligt arbete (övrigt vetenskapligt/konstnärligt)abstract
- Movement and temporal qualities have a significant effect on design expressions. However, in the design of dress these are often overlooked, and the static form of a positioned body is considered to be the main driver of design. This work explores the expressions of the body in motion, engaged in the interaction constituted by wearing. Through a practice-led experimental approach, the research presented in this thesis aims to establish strategies for utilising the motion of the body in the context of design development. The research has been carried out through multiple series of experiments. Initial series of experiments focused on exploring wearing as an entwined dialogue between body and material that is expressing and informing the motion of the body. This was followed by series of experiments focusing on more particular variables such as body movement principles, material properties, and somatic experiences. Through analysing and implementing movement as a design material the work suggests an alternative type of form-thinking and form-giving where materiality together with the body movement extends garments into a temporal expression.The result suggests an alternative model consisting of methods, concepts, and variables for design for designing temporal expressions wherein dress is defined as a temporal form and designed as a system of possible movements and ways in which a wearer can interact with a garment. Within this model, body movement is under-stood as a material and the body is viewed as a temporal structure and a mechanism for changes in the design. Overall, temporal expressions, or temporal form suggest acts of wearing and the somatic presence of the body as foundations in body-based expressions of equal importance as worn material. In particular, the design examples suggest another use of the joints of the body – the crucial points that enable move-ment – which were the main design material for temporal expressions.The methods and thinking proposed in this thesis may be beneficial for multiple fields of art and design that use the body’s motion as design material extending the findings from the origins of dress.
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| 7. |
- Bågander, Linnea
(författare)
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Body of movement : (in)forming movement
- 2017
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Licentiatavhandling (övrigt vetenskapligt/konstnärligt)abstract
- In dance many choreographers uses neutral garments not to distract too much from the movement the ”natural” body performs. Still these garments paints the body with color, form, identity and movement qualities. The work exemplifies how the body can extend into materiality and through this it questions the borders of the body not only in form, which is usually the case in fashion design, but also in movement qualities as temporal form. Further it high lightens the importance of awareness of movement qualities in materials of dress as they express the form. The potential of dress in dance is explored in three chapters. For each of these, materials were chosen and arranged in order to provide an additional layer to the movement that the body naturally performs, allowing material to transform the body into various figures of movement. The first part introduces the use of dress in dance and how dress acts with the moving body. The second part explores how movement with the origin in the body can extend spatially and the last part focuses on the materials ability to interpret and materialize the movement. The result of this work suggest that dress has the potential in dance as both choreographic tool and movement quality of equal importance as the movement of a body in a dance performance. Further it intersects the aesthetics of dance, a temporal aesthetic, with the aesthetics of garments, as a form based aesthetic, as it suggests dress as temporal design, allowing dress to create a new body of movement.
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| 8. |
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Domestic Life in the Outdoors
- 2023
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Konstnärligt arbete (refereegranskat)abstract
- In Domestic Provocations: Creativity, a Provocateur of Care and Vice Versa (Group exhibition). Curated by Dr. Shabnam Syed Khan, Rohma Moid Khan and Faseeh Saleem. Lahore: Colabs and Art Next Project.
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| 9. |
- Hallnäs, Lars, 1950, et al.
(författare)
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Concerning design
- 2005
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Bok (övrigt vetenskapligt/konstnärligt)
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| 10. |
- Kapur, Jyoti, 1973-
(författare)
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Smells: olfactive dimension in designing textile architecture
- 2017
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Licentiatavhandling (övrigt vetenskapligt/konstnärligt)abstract
- Designing with non-visual attributes challenges ways of representation. This research explores methods for designing with invisible materiality within the research practice, as well as ways of representation through textiles when designing spaces. Exploring textiles and smells within a space, the research program investigates spatial interactions.This research focuses on designing embodied experiences using tangible materials as expressions of smells. Through the spatial installations and performances Sight of smell, Touch of smell, and Smell, space, and body movement, haptics were explored as one of the methods of interaction with smells through textiles.Through the sense of touch, this research also investigates ways of revealing, activating, and disseminating smells within a space. Smells were purposely added through the methods of dyeing, coating, and printing to the textile materials that did not inherently embody any smells, As a result, tactile surfaces create non-visual expressions of smell. Further ideas of research in this area would explore another perspective of designing with smells in spaces. As an example, by designing textiles being smell absorbers, dividers, and re ectors, could compliment the spatial concepts and deals with the already existing smells in a living environment.In this licentiate thesis thinking through the olfactive dimension to design textiles is not only novel for the textile design eld; but also, its proposal for application in the spatial design is quite unique, and o ers a new dimension for spatial design.
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