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Search: WFRF:(Traser Louisa)

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1.
  • Echternach, Matthias, et al. (author)
  • Resonatory Properties in Professional Tenors Singing Above the Passaggio
  • 2016
  • In: Acta Acoustica united with Acustica. - 1610-1928 .- 1861-9959. ; 102:2, s. 298-306
  • Journal article (peer-reviewed)abstract
    • Introduction: The question of formant tuning in male professional voices has been a matter of discussion for many years. Material and Methods: In this study four very successful Western classically trained tenors of different repertoire were analysed. They sang a scale on the vowel conditions /a,e,i,o,u/ from the pitch C4 (250 Hz) to A4 (440 Hz) in their stage voice avoiding a register shift to falsetto. Formant frequencies were calculated from inverse filtering of the audio signal and from two-dimensional MRI data. Results: Both estimations showed only for vowel conditions with low first formant (F1) a tuning F1 adjusted to the first harmonic. For other vowel conditions, however, no clear systematic formant tuning was observed. Conclusion: For most vowel conditions the data are not able to support the hypothesis of a systematic formant tuning for professional classically trained tenors.
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2.
  • Echternach, Matthias, et al. (author)
  • Vocal fold vibrations at high soprano fundamental frequencies
  • 2013
  • In: Journal of the Acoustical Society of America. - : Acoustical Society of America (ASA). - 0001-4966 .- 1520-8524. ; 133:2, s. EL82-EL87
  • Journal article (peer-reviewed)abstract
    • Human voice production at very high fundamental frequencies is not yet understood in detail. It was hypothesized that these frequencies are produced by turbulences, vocal tract/vocal fold interactions, or vocal fold oscillations without closure. Hitherto it has been impossible to visually analyze the vocal mechanism due to technical limitations. Latest high-speed technology, which captures 20 000 frames/s, using transnasal endoscopy was applied. Up to 1568Hz human vocal folds do exhibit oscillations with complete closure. Therefore, the recent results suggest that human voice production at very high F0s up to 1568Hz is not caused by turbulence, but rather by airflow modulation from vocal fold oscillations. (C) 2013 Acoustical Society of America
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3.
  • Havel, Miriam, et al. (author)
  • Effects of Nasalization on Vocal Tract Response Curve
  • 2021
  • In: Journal of Voice. - : Elsevier BV. - 0892-1997 .- 1873-4588.
  • Journal article (peer-reviewed)abstract
    • Background: Earlier studies have shown that nasalization affects the radiated spectrum by modifying the vocal tract transfer function in a complex manner. Methods: Here we study this phenomenon by measuring sine-sweep response of 3-D models of the vowels /u, a, ᴂ, i/, derived from volumetric MR imaging, coupled by means of tubes of different lengths and diameters to a 3-D model of a nasal tract. Results: The coupling introduced a dip into the vocal tract transfer function. The dip frequency was close to the main resonance of the nasal tract, a result in agreement with the Fujimura & Lindqvist in vivo sweep tone measurements [Fujimura & Lindqvist, 1972]. With increasing size of the coupling tube the depth of the dip increased and the first formant peak either changed in frequency or was split by the dip. Only marginal effects were observed of the paranasal sinuses. For certain coupling tube sizes, the spectrum balance was changed, boosting the formant peaks in the 2 – 4 kHz range. Conclusion: A velopharyngeal opening introduces a dip in the transfer function at the main resonance of the nasal tract. Its depth increases with the area of the opening and its frequency rises in some vowels.
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