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- Andersson Schaeffer, Jennie, PhD, 1974-, et al.
(författare)
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Whose place is it? : Enacted territories in the museum
- 2022
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Ingår i: DRS2022, DRS Conference Proceedings. - : Design Research Society.
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Konferensbidrag (refereegranskat)abstract
- There is a growing trend to embrace the idea of public participation in the work of museums, from exhibition design to collections. To further develop participatory cultures in museums, these negotiations and emerging practices should be examined more closely. This paper explores a museum’s whole-hearted attempt to engage with the societal issue of climate change and work with a high degree of participationfrom civic society when staging a temporary exhibition. We investigate experiences inthe process of building, measuring, separating and transgressing during the collaboration. Based on these explorations the paper presents three emerging and interconnected territories in the staging of participatory temporary exhibitions, the territory of aesthetics, the territory of action (autonomy), and the territory of unpredictability. The result contributes to research on public participatory practices mainly in museum context
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| 5. |
- Domova, Veronika, et al.
(författare)
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Feel the Water : Expressing Physicality of District Heating Processes in Functional Overview Displays
- 2019
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Ingår i: PROCEEDINGS OF THE 2019 ACM INTERNATIONAL CONFERENCE ON INTERACTIVE SURFACES AND SPACES (ISS '19). - New York, NY, USA : ASSOC COMPUTING MACHINERY. - 9781450368919 ; , s. 229-240
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Konferensbidrag (refereegranskat)abstract
- This paper describes an explorative design study conducted in the scope of a collaborative research project in the district heating domain. In the scope of the project, we have arranged extensive field studies at two power plants to understand the workflows, problems, and needs of industrial operators. We relied on the gained knowledge to design and develop novel visual interfaces that would communicate the overall status of the district heating system at-a-glance. We aimed at exploring potential directions and alternatives beyond conventional industrial interfaces. One particular aspect of our research was related to how the physicality of the underlying industrial processes can be expressed by purely visual means. The paper introduces three high-fidelity prototypes demonstrating the novel visualizations developed. The paper explains the design choices made, namely the relation between the selected visual encodings to the requirements of the industrial operators' tasks. Preliminary evaluation indicates industrial operators' interest in the designed solutions. Future work will incorporate an extensive qualitative evaluation on site.
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- Gaissmaier, Miriam, et al.
(författare)
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Designing for Workplace Safety : Exploring Interactive Textiles as Personal Alert Systems
- 2020
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Ingår i: Proceedings of the Fourteenth International Conference on Tangible, Embedded, and Embodied Interaction. - New York, NY, USA : Association for Computing Machinery. ; , s. 53-65, s. 53-65
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Konferensbidrag (refereegranskat)abstract
- Despite various safety regulations and procedures, work accidents remain a significant problem in the global process industry and the Swedish steel industry. To address personal safety and safety culture, wearable alert systems were prototyped and tested with steelworkers in iterative workshops. A resulting design concept, in the form of an interactive textile patch worn on the protective gear, suggests a simple way of transmitting personal alerts using light. A crucial design factor identified is to enable the communication between workers and peers as well as communicating with control room staff. The visual design can positively influence the acceptance of the patch, but its impact on the safety culture cannot yet be assessed. The present study contributes by approaching workplace safety and culture with a new design concept of IoT and e-textile technologies based on the interaction modalities of light, sound, and vibration
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- Höök, Kristina, et al.
(författare)
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Design Processes for Bodily Interaction
- 2010
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Ingår i: At the workshop Artifacts in Design: Representation, Ideation, and Process, CHI, Atlanda, USA, April 2010.. - : ACM Press.
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Konferensbidrag (övrigt vetenskapligt/konstnärligt)
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- Komazec, Ksenija, et al.
(författare)
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Building a Tiny House from Waste An alternative platform for exploring sustainability
- 2023
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Ingår i: FormAkademisk. - : The Assosiation FormAkademisk. - 1890-9515. ; 16:4
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Tidskriftsartikel (refereegranskat)abstract
- This paper contributes to the understanding of how critical reflection can be applied to sustainability. This was accomplished by tracing the progression of a tiny-house project over time and the associated activities, which involved sourcing secondhand and discarded materials. We are a group of researchers and practitioners who worked together to explore and challenge the established norms of sustainability in housing practices: who is building, what is being built, with what materials, and through which processes. The use of discarded materials as resources for building a tiny house came to be decisive in shaping a platform for inclusion and sustainable practices. While the most common practice of building involves buying the materials needed at a lumber yard, working with discarded and secondhand materials requires time and flexibility. Tools play a central role in adapting random waste to specific purposes, a process that also demands skills in handling tools creatively. Additionally, gathering, organizing, and cleaning are activities that should be given special attention when working with these types of materials. In this paper, we explain how we reinjected waste materials into the production chain and how our work contributes to sustainable development from environmental and social perspectives. The argument for sustainability in our research revolves around exploring processes that include more groups in society and alternative ways of organizing the resources available.
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- Kosmack Vaara, Elsa, et al.
(författare)
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Exploring and Prototyping the Aesthetics of Felt Time
- 2021
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Ingår i: Journal for Artistic Research. - Amsterdam : Society for Artistic Research. - 2235-0225. ; :22
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Tidskriftsartikel (refereegranskat)abstract
- The intention of this research is to investigate how interaction designers may explore felt time through the culinary practice of sourdough baking. In this exposition we share how the physical experience and manipulation/shaping of time in sourdough baking provides an experience of fulfillment and satisfaction. We show our insights on how interaction designers, and possibly many other communities of practice and discourse, may learn from this.The goal is to inspire the audience to engage in a broad and critical discourse around felt time and to emphasize the value of prototyping a felt time repertoire in interaction design. The research exploration is built on the collaboration between an interaction designer/researcher, a culinary connoisseur baker and a sculptor/design researcher and teacher.
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- Kosmack Vaara, Elsa
(författare)
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Exploring the Aesthetics of Felt Time
- 2017
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Doktorsavhandling (övrigt vetenskapligt/konstnärligt)abstract
- By building a felt time repertoire, designers can sensitively feed a sense of time into their design work. And this in turn can help them produce an interaction gestalt that is richer, more sensual. My research on this suggests that this is not entirely easy, however. One has to develop a ‘feel’ for time. My research exploration began when I worked on designing a biofeedback data system, Affective Health, struggling with the tension and division between clocktime and the users’ unceasingly changing, ‘felt’ experiences. By turning to artistic practice, of music and culinary arts, I hoped to find keys to this question. Through connecting interaction-design research to these practices, I could start unfolding possibilities of temporal aesthetics in interaction design. I point to a space where designers can expand their understanding of felt time and playfully explore the sense of time that interactive systems and physical materials can deliver. Through the aspects below I point to the importance of being sensitive to felt forms and expressions of time to approach the temporal gestalt in interaction. • Through my research I have strived to move outside clocktime and re-imagine the sense of time that interactive systems deliver.• One part of this space is felt rhythms and how they shape temporal experiences.• In common to those rhythms are the rest and pause moments that form their vitality.• One way of working with rhythm is to see how felt shapes and rhythms of time resonate through the temporal gestalt in interaction.• Aesthetic sensitivity, felt timers, can help us to orient ourselves in time.• By approaching time as plastic: time as a form and shape that we can hold on to, squeeze and weave together, we can start finding tools for remoulding the sense of time in systems, artefacts and services.• Finally, I have worked with aesthetic transformations that can encourage people to start experiencing temporality from new perspectives and with a different approach.
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